And you paying the lowest fare has never, ever been in the interest of the Train Operating Companies or the DfT.
It's why travelcards, and then Oyster, were so revolutionary. They legitimately put Londoners first.
That this still isn't the norm everywhere is stunning.
What they want is to have their cakes and eat it. They want to be able to say:
"Well TECHNICALLY, if you bought the weekday canet with pro-user discount via our dedicated (but not on google) website, and only caught the 7:34am or 8:23 trains you'd be travelling with 20% off!!!"
Whilst also knowing that everyone is going to go:
"Fuck it. I'll buy a regular season ticket."
Because no sane individual is EVER going to be able to jump through the hoops required, every day, to actually benefit from that discount.
It's Dark UI design. But with train tickets
And again, that's why Smart Ticketing on the National Railway is so shit.
Because the fare system is an elaborate dance designed to benefit shareholders and the DfT, not travellers.
A dance so complex it's almost impossible for it to be accurately modelled digitally.
I'm honestly not sure what scares the TOCS/DfT more:
The fact that the fare system is SO COMPLEX you can't model it digitally, if your goal is to AUTOMATICALLY have the traveller pay the lowest fare at any given time.
OR...
That someone might one day manage to do so.
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Just because I didn't over-explain it doesn't mean I didn't know it and consider it.
It just means it wasn't relevant to a broader narrative which has been caveated as BEING a broader narrative.
Or, to give a more specific example, not everyone gives a shit which exact unit was where, or the precise order of battle, before understanding the totality of what happened.
This is not to say that there are not PLENTY of good academics on Twitter. I know and follow many.
They are not, however, "academic twitter"
Because they understand that Twitter is about engaging with people on equal terms, not expecting engagement as some kind of right.
Academic Twitter (capitalised) is the ones who refuse to Tweet anything because they're outraged they only have thirteen followers, despite the fact that they've written seven original tweets in the last four years.
I have a theory about classical music, which is that if you didn't grow up with it then it doesn't really grab you until later in life.
Not until the point where life, loves and loses fills the lyrical gap. Then BANG! The emotional of it all hits you hard. And you fall in love.
Of course I'm also smashing a lot of Port right now so take the previous tweet with a significant amount of salt.
Also, this has reminded me of when I used to drink in Janet's Bar down South Ken.
There used to be this world famous violinist who'd come in every now and again. But I didn't know that. Because he was modest as fuck and so I just assumed he was a general orchestra guy.
In the original Tongue & Groove, Greg Tongue was played by Dennis Waterman. He recorded the theme tune, "Just Another Rough Cut", but it barely bothered the charts (peaking at number 45).
Michael Sheen is playing Gregg in the Netflix remake. Not sure if he's singing the theme.