People criticize artists for failing to represent their particular lived experiences. I've never seen a movie that encapsulates my own, so I co-wrote a screenplay. Maybe it'll be made, maybe not. I'm not complaining about anyone else. How many of Manuel's critics have even tried?
*Miranda's
Furthermore, it’s not the representation of personal experiences or identity alone that amounts to art or insight. Those are simply starting points, raw materials to be drawn from and transformed through empathy and imagination into something striving for the universal.
Final point: when I say I never saw a movie that represented my own lived experiences, I’m certainly not only referring to those rooted in identity.
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Here we go. The struggle will never be over—can never be over—because whiteness will always be redefined:
“The problem is believing that “Latino-ness” presents a worthy “alternative” to U.S. whiteness, when it is simply White hegemony by another name.” washingtonpost.com/opinions/2021/…
Lin-Manuel Miranda is an agent of “white hegemony” now.
Really starting to intuit the logic of the guillotine more and more. You see how deep approval, deference and admiration can flip in an instant against even the likes of Miranda or Adichie and you learn something about the nature (and shortsightedness) of revolutionary fervor.
"And so we have a generation of young people on social media so terrified of having the wrong opinions that they have robbed themselves of the opportunity to think and to learn and to grow." chimamanda.com
and if you fell down the rabbit hole after reading the whole piece, this is the person CNA is talking about in part one:
This piece by @karpmj in the new @Harpers is sensational. On the right we have lost sight of our complex history and in many precincts of the elite left we have been utterly blinded by its glare. harpers.org/archive/2021/0…
🔑"unlike an older generation of new-left radicals, [today's] sit not at the margins but near the core of the American cultural elite, writing for the nation’s most influential journals, winning its most prestigious prizes and receiving acclaim from its most powerful politicians"
The paradox of the new, elite left is that it frames the past as *determining* the present yet also somehow demands transformational change––even as it rejects class analysis in favor of what seems like identity essentialism and pseudo-religious original sin.
From a 2017 introduction to critical race theory. This helps explain why the label CRT is becoming an insufficient one to describe the scale of the paradigm shift:
As far as I can tell I provided everything that is required of a journalist. Name on masthead of @NYTmag and official website linking to account. Clarification would be welcome. Retweets of the above post would be appreciated 🙏🏽
I never used @Twitter regularly when verification was a free-for-all in the past, so never requested. But now that I do and @verified opened up again, I see it as a basic issue of fairness.