Here’s every movie coming to Netflix in July (thread):
DYNASTY WARRIORS
(On Netflix July 1)
AUDIBLE
(On Netflix July 1)
FEAR STREET Part 1: 1994
(On Netflix July 2)
FEAR STREET Part 2: 1978
(On Netflix July 9)
FEAR STREET Part 3: 1666
(On Netflix July 16)
THE 8TH NIGHT
(On Netflix July 2)
HASEEN DILLRUBA
(On Netflix July 2)
MAJOR GROM: PLAGUE DOCTOR
(On Netflix July 7)
LAST SUMMER
(On Netflix July 9)
HOW I BECAME A SUPERHERO
(On Netflix July 9)
GUNPOWDER MILKSHAKE
(On Netflix July 14)
PRIVATE NETWORK: WHO KILLED MANUEL BUENDÍA?
(On Netflix July 14)
A CLASSIC HORROR STORY
(On Netflix July 14)
THE GUIDE TO THE PERFECT FAMILY
(On Netflix July 14)
EMICIDA: AMARELO - LIVE IN SÃO PAULO
(On Netflix July 15)
A PERFECT FIT
(On Netflix July 15)
MY AMANDA
(On Netflix July 15)
DEEP
(On Netflix July 16)
CHERNOBYL 1986
(On Netflix July 21)
TROLLHUNTERS: RISE OF THE TITANS
(On Netflix July 21)
BANKROLLED
(On Netflix July 23)
KINGDOM: ASHIN OF THE NORTH
(On Netflix July 23)
BLOOD RED SKY
(On Netflix July 23)
THE LAST LETTER FROM YOUR LOVER
(On Netflix July 23)
BARTKOWIAK
(On Netflix July 28)
RESORT TO LOVE
(On Netflix July 29)
THE LAST MERCENARY
(On Netflix July 30)
AIR FORCE ONE
(On Netflix in the US on July 1)
AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY
AUSTIN POWERS: THE SPY WHO SHAGGED ME
AUSTIN POWERS IN GOLDMEMBER
(On Netflix in the US on July 1)
BOOGIE NIGHTS
(On Netflix in the US on July 1)
CHARLIE'S ANGELS
(On Netflix in the US on July 1)
CONGO
(On Netflix in the US on July 1)
DENNIS THE MENACE
(On Netflix in the US on July 1)
HAMPSTEAD
(On Netflix in the US on July 1)
KUNG FU PANDA
KUNG FU PANDA 2
(On Netflix in the US on July 1)
LIFE AS WE KNOW IT
(On Netflix in the US on July 1)
LOVE ACTUALLY
(On Netflix in the US on July 1)
MARY MAGDALENE
(On Netflix in the US on July 1)
MEMOIRS OF A GEISHA
(On Netflix in the US on July 1)
MIDNIGHT RUN
(On Netflix in the US on July 1)
MORTAL KOMBAT
(On Netflix in the US on July 1)
NO STRINGS ATTACHED
(On Netflix in the US on July 1)
NOT ANOTHER TEEN MOVIE
(On Netflix in the US on July 1)
OPHELIA
(On Netflix in the US on July 1)
SHE'S OUT OF MY LEAGUE
(On Netflix in the US on July 1)
SPANGLISH
(On Netflix in the US on July 1)
STAR TREK
(On Netflix in the US on July 1)
STUART LITTLE
(On Netflix in the US on July 1
SWORD OF TRUST
(On Netflix in the US on July 1)
TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY
(On Netflix in the US on July 1)
TERMINATOR 2: JUDGMENT DAY
(On Netflix in the US on July 1)
THE BEST OF ENEMIES
(On Netflix in the US on July 1)
THE GAME
(On Netflix in the US on July 1)
THE KARATE KID
THE KARATE KID PART II
THE KARATE KID PART III
(On Netflix in the US on July 1)
THE STRANGERS
(On Netflix in the US on July 1)
UNDERWORLD
UNDERWORLD: RISE OF THE LYCANS
UNDERWORLD: AWAKENING
(On Netflix in the US on July 1)
WHAT DREAMS MAY COME
(On Netflix in the US on July 1)
WHY DO FOOLS FALL IN LOVE
(On Netflix in the US on July 1)
ZATHURA: A SPACE ADVENTURE
(On Netflix in the US on July 1)
SNOWPIERCER
(On Netflix in the US on July 2)
BRICK MANSIONS
(On Netflix in the US on July 7)
HOME AGAIN
(On Netflix in the US on July 8)
MIDNIGHT SUN
(On Netflix in the US on July 8)
AMERICAN ULTRA
(On Netflix in the US on July 10)
THE BEGUILED
(On Netflix in the US on July 16)
TWILIGHT
THE TWILIGHT SAGA: NEW MOON
THE TWILIGHT SAGA: ECLIPSE
THE TWILIGHT SAGA: BREAKING DAWN: PART 1
THE TWILIGHT SAGA: BREAKING DAWN: PART 2
(On Netflix in the US on July 16)
DJANGO UNCHAINED
(On Netflix in the US on July 24)
THE OPERATIVE
(On Netflix in the US on July 27)
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Throughout Joe Wright’s THE WOMAN IN THE WINDOW, Amy Adams’ character Anna Fox watches dozens of films from the ‘40s and ‘50s. Here’s a breakdown of all the classic movie references (thread)
First is Alfred Hitchcock’s REAR WINDOW (1954), from which Wright’s film borrows its central premise as well as stylistic cues.
Anna also watches — while reciting all of the lines to — Otto Preminger’s LAURA (1944). One of the most beloved noirs of all time, Preminger’s film about a hard-boiled detective foreshadows the murder mystery to come in THE WOMAN IN THE WINDOW.
The story of crack cocaine in the US is riddled with mistruths. Stanley Nelson’s new doc CRACK: COCAINE, CORRUPTION & CONSPIRACY explores disinformation and exaggeration surrounding the drug's legacy.
Here are 4 things to know (thread):
Black Americans were disproportionately jailed for crack. Although two thirds of crack users were white, no white person was convicted of a federal crack-related offense in LA between 1998 and 1994. Meanwhile, Black incarceration rates increased exponentially.
The media often portrayed Black users as criminals, not as people in dire need of help. Catchy, provocative headlines about Black mothers paired with images of Black children led to a false notion that there was an epidemic of “crack babies.”
Here’s a challenge — who can watch every one of these hidden gems by the end of the year? Each brings a powerful, varied voice to the stage through @ava’s production company Array, which amplifies films made by women filmmakers and people of color.
Tag us with your progress!
THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN — After a traumatic event, two Indigenous women in Vancouver are brought together and form a deep bond despite leading different lives.
FUNNY BOY — A student must navigate issues of sexuality, identity, and family amid Sri Lanka’s social turmoil of the 1980s and 1980s.
RISING PHOENIX explores the legacy, intensity, and importance of the Paralympic Games. Here are five facts from the doc that are worth knowing and sharing
(thread 🦾)
The name “Paralympic” describes the movement taking place “in parallel” with the Olympic Games.
On the first Saturday in 2016, more people attended the Paralympic Games than attended the single busiest day of the Olympic Games.
After extensive hours of research and a thorough investigation, one thing has become clear: Al Pacino has never worn shorts in a movie. Hear me out. (thread)
"Oh, but Pacino has acted in over 50 feature films," you say. "He *must* have worn shorts in one of the many hot/topical locations he's been in!"
My friend, you are dead wrong.
OK, in THE IRISHMAN we all know he doesn’t wear shorts in Florida despite the daily highs of 92°F in the summer, because he “has a meeting”. Fine, fair enough. I respect it!