After peering through the murky gloom of the #Loki finale, I had to write about this: The MCU's lighting is *so* bad! dailydot.com/unclick/bad-mc…

(Spoiler-free, BTW!)
The MCU is obsessed with flat, low-contrast lighting: dailydot.com/unclick/bad-mc…

It makes things easier for CGI & digital color-correction, but creates a murky aesthetic where you can barely see what's happening.

These are all official promo screenshots! ImageImageImageImage
In many MCU projects, the color palette is *extremely* limited.

However this wouldn't be a problem if the lighting & cinematography made use of shadow and light!

For comparison, here's a dark, limited-palette shot from Loki vs. some "dark" scenes from classic B&W movies. (1/2) ImageImageImageImage
(2/2) I keep seeing MCU fans praising "the lighting" in these scenes where everything is (for example) purple.

But the *lighting* here actually sucks. You can't see the actors' faces, and the eye is drawn to the (irrelevant) fireplace. Here's that scene in B&W: Image
To be clear, I don't mean that "good lighting" is something that works equally well in color and B&W.

But these MCU projects don't use a varied color palette OR create contrast between dark & light. It's bad visual storytelling, and a disservice to the actors!
P.S. If you found this thread/article interesting, you may also like my YouTube video about the MCU's costume design, which suffers from a similar problem:

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More from @Hello_Tailor

12 Feb
the big reveal is that Dee is the only one who watched Tenet all the way through. she forced herself to do it, in order to win an argument against the boys.
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Mac immediately and unconvincingly lies & says he's already seen it, hoping to impress Dennis.
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12 Feb
I wrote about how Disney erased Scarlet Witch's Romani backstory, and why details like WandaVision's "Sokovian fortune teller" joke aren't a neutral choice: dailydot.com/unclick/wandav…
Quicksilver & Scarlet Witch were originally the Jewish/Romani children of Magneto & his wife Magda.

In some storylines, they have different parents. But they're consistently portrayed as Romani... except for in the MCU, where Joss Whedon rewrote them as white "Sokovians." Image
Wanda & Pietro's comicbook backstory is very convoluted, and there's no singular "right way" to depict them. But Whedon's MCU rewrite - casting them as white people who volunteer for neo-Nazi experiments - is obviously problematic.
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29 Nov 20
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20 Jun 20
starting a Hannibal rewatch, and while ep 1 is a lot more ~typical crime procedural~ than the luminous heights of later eps, the performances are SO on point from the get-go. love this invasive body language from lawrence fishburne. Image
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when the episode began with an idyllic scene of wei ying picking lotus pods with an adorable child, i just KNEW we were in trouble.
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19 May 19
I keep thinking about how the John Wick franchise uses spirituality & religion in a completely different way from typical US action cinema.
John Wick even uses the dead wife trope in a more spiritual way than most movies. Instead of flying into a rage because his wife was taken from him, John seeks revenge because someone interrupted his path to serenity/closure.
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Meanwhile John Wick is this unique mix of Russian Orthodox and Greek/Roman mythological imagery, set in a quasi-religious fantasy culture.
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