It makes things easier for CGI & digital color-correction, but creates a murky aesthetic where you can barely see what's happening.
These are all official promo screenshots!
In many MCU projects, the color palette is *extremely* limited.
However this wouldn't be a problem if the lighting & cinematography made use of shadow and light!
For comparison, here's a dark, limited-palette shot from Loki vs. some "dark" scenes from classic B&W movies. (1/2)
(2/2) I keep seeing MCU fans praising "the lighting" in these scenes where everything is (for example) purple.
But the *lighting* here actually sucks. You can't see the actors' faces, and the eye is drawn to the (irrelevant) fireplace. Here's that scene in B&W:
To be clear, I don't mean that "good lighting" is something that works equally well in color and B&W.
But these MCU projects don't use a varied color palette OR create contrast between dark & light. It's bad visual storytelling, and a disservice to the actors!
P.S. If you found this thread/article interesting, you may also like my YouTube video about the MCU's costume design, which suffers from a similar problem:
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the big reveal is that Dee is the only one who watched Tenet all the way through. she forced herself to do it, in order to win an argument against the boys.
Dennis is trawling Reddit for theories to outwit the others, but he can't be bothered watching the actual film.
Mac immediately and unconvincingly lies & says he's already seen it, hoping to impress Dennis.
Charlie explains an elaborate & impressively coherent theory that sends Dennis into a spiral of self-doubt, only for us to learn that Charlie watched a different film by mistake & developed his theory from there.
I wrote about how Disney erased Scarlet Witch's Romani backstory, and why details like WandaVision's "Sokovian fortune teller" joke aren't a neutral choice: dailydot.com/unclick/wandav…
Quicksilver & Scarlet Witch were originally the Jewish/Romani children of Magneto & his wife Magda.
In some storylines, they have different parents. But they're consistently portrayed as Romani... except for in the MCU, where Joss Whedon rewrote them as white "Sokovians."
Wanda & Pietro's comicbook backstory is very convoluted, and there's no singular "right way" to depict them. But Whedon's MCU rewrite - casting them as white people who volunteer for neo-Nazi experiments - is obviously problematic.
caught up with star trek: disco, and making Tilly the new XO is a hilariously on-brand move for this show & its crew. it's DSC's equivalent of Harry Kim not getting a promotion in 7 years.
Tilly: but captain, i'm basically an intern! i don't have the experience or qualifications to be second in command!
me: correct.
Saru: Tilly, you underestimate yourself. you survived a one-way trio through a wormhole!
me: SO DID EVERYONE ELSE.
i like Tilly! but CLEARLY they promoted her because she's the only available character with main-cast billing. narratively speaking, it only makes sense if Saru (very unprofessionally!) just promoted his personal confidante because he doesn't have any other friends on the crew.
starting a Hannibal rewatch, and while ep 1 is a lot more ~typical crime procedural~ than the luminous heights of later eps, the performances are SO on point from the get-go. love this invasive body language from lawrence fishburne.
we all talk about how Hannibal doesn't get into full stylistic swing for a few eps, but i'd forgotten they just casually have a scene IN THE BATHROOM FROM "THE SHINING" in ep 1 lmao.
yep, there's as much overlap here with clarice's role as will's in the books, where he's characterized as more traditionally masculine.
I keep thinking about how the John Wick franchise uses spirituality & religion in a completely different way from typical US action cinema.
John Wick even uses the dead wife trope in a more spiritual way than most movies. Instead of flying into a rage because his wife was taken from him, John seeks revenge because someone interrupted his path to serenity/closure.
Most American action movies are either aggressively non-spiritual, or feature nonspecific cultural Christianity (ie Christmas in Die Hard).
Meanwhile John Wick is this unique mix of Russian Orthodox and Greek/Roman mythological imagery, set in a quasi-religious fantasy culture.