caught up with star trek: disco, and making Tilly the new XO is a hilariously on-brand move for this show & its crew. it's DSC's equivalent of Harry Kim not getting a promotion in 7 years.
Tilly: but captain, i'm basically an intern! i don't have the experience or qualifications to be second in command!
me: correct.
Saru: Tilly, you underestimate yourself. you survived a one-way trio through a wormhole!
me: SO DID EVERYONE ELSE.
i like Tilly! but CLEARLY they promoted her because she's the only available character with main-cast billing. narratively speaking, it only makes sense if Saru (very unprofessionally!) just promoted his personal confidante because he doesn't have any other friends on the crew.
it's also v amusing to hear all these impassioned speeches about How Much Michael Burnham Has Changed, when she's still repeating the exact same mistakes as in episode 1: disobeying orders due to her terminal case of Protagonist Syndrome.
star trek discovery has a lot of Voyager energy, and we must simply accept this & move on.
obviously i loved it when michael banged a big ol gong & invoked her right to do some ancient vulcan ceremony. LOVE to see shit get invoked.
star trek discovery was like, "what if brexit negotiations were a cross between an academic viva and an episode of the jerry springer show?"
georgiou's role also continues to be v puzzling. the show seems to have forgotten that she's a mass-murdering cannibal dictator... AND ALSO, despite her distrustful nature, she's failed to notice the hints that the Future Federation are probably kind of evil?
obvs i complain here because i'm invested in the show... if i didn't like it, i wouldn't watch! (which is why you never see me tweeting about Lower Decks!)
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starting a Hannibal rewatch, and while ep 1 is a lot more ~typical crime procedural~ than the luminous heights of later eps, the performances are SO on point from the get-go. love this invasive body language from lawrence fishburne.
we all talk about how Hannibal doesn't get into full stylistic swing for a few eps, but i'd forgotten they just casually have a scene IN THE BATHROOM FROM "THE SHINING" in ep 1 lmao.
yep, there's as much overlap here with clarice's role as will's in the books, where he's characterized as more traditionally masculine.
I keep thinking about how the John Wick franchise uses spirituality & religion in a completely different way from typical US action cinema.
John Wick even uses the dead wife trope in a more spiritual way than most movies. Instead of flying into a rage because his wife was taken from him, John seeks revenge because someone interrupted his path to serenity/closure.
Most American action movies are either aggressively non-spiritual, or feature nonspecific cultural Christianity (ie Christmas in Die Hard).
Meanwhile John Wick is this unique mix of Russian Orthodox and Greek/Roman mythological imagery, set in a quasi-religious fantasy culture.
I've been enjoying the range of makeup choices in #StarTrekDiscovery, suggesting characters doing their own makeup.
Michael: Neat smoky eye (Vulcan!)
Tilly: Just mascara & TV foundation.
Jett Reno: Zilch.
Number One: 1950s liquid eyeliner, foundation, coral lip & styled hair.
A lot of TV shows use subtle-but-flawless makeup & long wavy hair for most female characters, implying that every woman follows the same expert routine. I like that Discovery has a real range of looks, showcasing individual styles.
Discovery's male characters have a much more conservative range of hairstyles than the women - and no makeup. I think they should bring back the eyeshadow of the Original Series.