1) On a spring day in 1907, two schoolboys were playing on the banks of the River Alde at the edge of the village of Rendham, near Saxmundham, Suffolk. One of the boys, Arthur Godbold, spotted what he thought was a football, submerged in the murky waters...
2) Arthur used a hoe to lever the mysterious round object out of the muddy riverbed. It soon came free and Arthur heaved the weighty thing from the waters. Wiping away the muck, he stared with disbelief into a pair of empty eyes. In his hands he held a head made of metal..
3) The two boys were delighted with their odd find and Arthur carried the life-size head back to his home in the village. With no one able to make much sense of it, the head was painted with whitewash and mounted on a post in the garden as a curiosity..
4) There the head stayed for some years, a talking point for the villagers, until it was spotted by Edmund Hollond, owner of the nearby Benhall Lodge estate. The Cambridge-educated Hollond recognised the head as a possible antiquity and offered young Arthur five shillings for it.
5) The head was soon brought before the Society of Antiquaries in London for its first proper investigation. One of the attendees, the famed neoclassical painter Lawrence Alma-Tadema, commented it was "undoubtedly one of the princes of the Augustan family."
6) Consenus was soon formed among the experts the head was surely a representation of Claudius "torn from his statue in the Temple of Claudius by British pillagers" during the Boudican Revolt of 65 AD, and was "more like Claudius than any other Julio-Claudian emperor or prince."
7) The head was sold at a Sotheby's auction in 1965 with the British Museum acquiring it for £15,500. It was decided that Arthur Godbold, now a dairy farmer in his sixties, should be given £100 for his discovery of the head in the Edwardian era.
8) Today the remarkable Roman bronze head is generally accepted to be a portrait of a youthful Nero, with its characteristic tapering chin and protruding ears, heavy fringe parted in a shallow V and comma shaped sideburn curls.
9) Analysis has shown the bronze statue received around a dozen heavy blows to the rear of the neck with a sharp implement before the head was ripped from the shoulders. How it ended up in the river, 30 miles from where it presumably stood in Colchester, we cannot know for sure..
10) ..but it seems safe to assume that the head was carried off as loot by Boudica's forces after destroying Camulodunum (Roman Colchester). Conveyed to the Iceni heartlands northwest of the town, it may have been ritually deposited in the river as part of a ceremonial offering.
11) Today the Roman bronze head - pulled from a Suffolk riverbed by a curious schoolboy 114 years ago and given five shillings for his find - can be viewed as part of the British Museum's exhibition on Nero, running until October. {END}
A final quote from Arthur Godbold, interviewed a couple of years before his death in 1968:
"I have no regrets about selling the head. Five shillings was a lot of money to me as a schoolboy. And anyway, what would I do with all that money now?"
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New coin: I am fascinated by the way Romans adapted their founding myths for the miniature canvasses provided by their money, so I am thrilled to add this Republican denarius struck under the moneyer Publius Satrienus in 77 BC, with a stunning depiction of the Roman she-wolf!
The denarius bears a portrait of a helmeted divinity, once assumed to depict the goddess Roma but now often identified as a youthful Mars. Numerical control-marks behind the bust reveal that 105 obverse dies were created for this issue, with my coin struck with the 34th die made.
A fearsome she-wolf strides across the reverse of the coin. In addition to the powerful frame and flexing musculature, a ruffled mane makes her appear more lionly than wolflike; her intimidating physique visually offset by the prominent distended teats that show she is lactating.
New coin: Roman Republican denarius serratus, minted by the moneyer Gaius Marius Capito in 81 BC. This moneyer, unrelated to the famous general Gaius Marius, is known only from this remarkable coin issue struck during the bloody dictatorship of Sulla.
The coin bears a portrait of Ceres, Roman goddess of agriculture, the harvest, and the all-important grain supply to Rome; shown wearing a wreath of grain ears, maybe celebrating the end of the civil war and a reestablished supply of grain to the city under Sulla's dictatorship.
The reverse presents a timeless agricultural scene, with a ploughman driving a yoke of two oxen. This may symbolise the prolific founding of new colonies by Sulla, with their boundaries defined by ritualistically marking them with a plough, following ancient Etruscan tradition..
1) "The nature of the 'testudo' formation is as follows: our tightly packed soldiers raise their shields over the heads of themselves and their comrades, so that nothing but shields can be seen throughout the entire formation...
2) ..all men are protected from missiles by the density of the arrangement. Indeed, the 'testudo' is so incredibly strong that men can walk upon it, and whenever they come to a narrow ravine, even horses and vehicles can be driven over it!..
3) ..Hence the name 'testudo", which we derive from the Greek for 'tortoise' - a reference to both its strength and the shelter it affords. Our soldiers use it in two ways: either in advancing to make assault on a fort, often even enabling some men to scale the very walls..
1) Around the year 1640, an unknown antiquary was visiting some of the historic sites around London - in his own words "intending to notice the fast ruining places and things that have been passed by or little mentiond" by historians..
2) As part of his survey he visited The Tabard, a famous Southwark inn established in 1307 that stood on the east side of Borough High Street, at the ancient intersection of the two Roman roads of Stane Street and Watling Street..
3) The Tabard was a raucous inn, celebrated for its literary links and quill-twiddling patrons; most famously being the inn where the pilgrims gathered at the beginning of Geoffrey Chaucer's Canterbury Tales written over two centuries earlier..
1) A Roman grave memorial with a dark secret: this funerary altar was intended as a loving dedication to a child by grieving parents ..but later became a cursed testament of bitterness and betrayal. On the surface, it appears a finely carved but largely normal Roman gravestone...
2) The memorial is dedicated to the young Junia Procula, whose death has left her parents "wretched with grief". With an exactness that shows their love, it states she lived "eight years, eleven months and five days"..
3) 8-year-old Junia is shown in an affectionate portrait above, with ornately curled hair fashionable in the late 1st century; her image placed prominently in the panel usually reserved for the inscription - clearly a beloved child. But looking closer we see something is amiss..
1) A Roman centurion and a Roman auxiliary cavalryman who both lived at a remarkable intersection in history; taking part in the Roman invasion of Britannia in 43 AD, they fought and died in the conquest of a wild and mysterious land at the edge of their world..
2) Marcus Favonius Facilis was a centurion (commanding a unit of around 80 men) in the Twentieth Legion, who came to Britain as part of Claudius’ initial invasion force. He died a few years after the invasion while still in service, but we are not told his age or cause or death..
3) In a wonderfully preserved depiction, Marcus is shown in his centurion's uniform, wearing a cuirass and ornate belt over the leather 'pteruges' kilt worn by officers. In his right hand he holds his centurion’s stick (vitis), and in his left he holds the pommel of his gladius..