Do I hate Lancelot? No. I'm mostly French. I enjoy quite a bit of the French stuff. I also like that he sticks it (hahahahaha) to Arthur.
Do I hate Malory? Hate is a strong word, but I think a lot of Malory is crap and ruinous.
That said, I'm generally of a mind that nearly everyone in the Arthurian canon is terrible in one way or another.
As I said in my #GreenKnight review: it's about entropy and destruction, a golden age deteriorating toward a dystopia.
There are glimmers of joy, but it's rough.
Love means treason; loyalty means war.
Unification means subjugation and cultural erasure.
Mordred isn't the problem. Uther begins the whole dynasty with unspeakable violence and deception. Magic is the scapegoat, but it's a weapon of war just the same.
ANYWAY.
People who think that King Arthur stories are fun jaunts about manly men pulling swords from stones and having merry adventures just haven't done the reading and are living out their own little fantasies. They never have been.
Arthuriana is MESSED UP Western nonsense that doesn't even know what to do with itself.
It's great and terrible. It's an amoeba that has no center. It can be nothing and everything. There is no "definitive" Arthur (well, maybe Monty Python).
Thankfully.
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1 - Hey folks! It's a surprise #threadtalk on the medieval theme of the moment: #TheGreenKnight! I just had to come out of hibernation to talk about what I saw in the theater.
Velvet! Crêpe! CROWNS! Pentagrams! I've got you covered. Well, at least *partially*. 📗🪓
2 - Yes, we're starting with that cloak & color choice. Keeping things spoiler-free here, Gawain is seen wearing a golden velvet cloak very early on.
It's quilted, so nice & warm. It's golden, but also a bit ochre--yellow can mean golden, but also... well, cowardice, y'know?
3 - Velvet is a perfect choice for the nephew of Arthur. It's HELLA expensive (as we've covered; links later). This is SILK velvet. Not polyester crap from the 70s. And it takes skilled labor beyond reasoning to make.
But it also *absorbs light*. I feel like this is essential.
1 - Tonight's #threadtalk is a horse of a different color: green to be exact.
We'll talk emerald🟩, verdigris & olive🫒, too. Plus the connection between wallpaper, poison☠️ & privilege.
First: some color history back to our (literal) roots. (below, Redincote, 1786 - 1789)
2 - If you peruse art history books, you'll notice: finding vibrant green dresses before the 18th century is quite a challenge.
And there is a reason for that: green it a notoriously difficult color to capture affordably & reliably.
Unless you're, you know...
3 - And even so, truly vibrant greens are even harder to find. This is for a number of reasons.
First & foremost, green dyes were often a combination of woad with other common dyes. Or natural dyes oxidized very easily. That meant fading, staining, and changing colors.
💕If you're hoping for whimsy & romance, well... you probably haven't been here before.💕
For most of history, marriage has been about money & power, just like the fashion it's inspired. (Below, 1841, satin)
2 - Though anthropologists don't know exactly when marriage began, it seems to be universal.
For most of history, marriage was not about love, butensuring legitimacy of offspring, cementing family alliances, & consolidating wealth. See our ladies preparing: Greece, 5th C BCE.
3 - As with so much, we begin in Mesopotamia. Mostly because they wrote things down. Yay, cuneiform!
On this Sumerian relief, the marriage of the goddess Inanna and the Sumerian King Dumuzi is depicted. They look thrilled.
2 - First up is #chintz. You might think of it as your grandmother's cushions, but it's really a remarkable history that takes us to India and the history of print cotton.
We also get our first glimpse into sumptuary laws and MURDER.
3 - The Lure of Timeless #taffeta teaches us about "scroop" (the sound it makes) & brings a bit more insight past 80s prom gowns. I was surprised at how old taffeta is!
I adore the look & feel of taffeta, personally. And moiré is a personal obsession.