🗺️Cualventi Cave is located in the district of Perelada (Oreña, Alfoz de Lloredo, Cantabria), 2 km from Altamira. The cave opens in the wall of a wide and shallow doline, inside a small valley close to the coast.
⁉️ It's a large rock shelter with two openings. The lower one, #LaCovacha, is a small cave linked with the karst system and was obstructed during the Magdalenian. The upper one, #Cualventi, is located 4m above and provides direct access to the fossil floors of the karst. 🤔
❗️Cualventi contains a powerful archaeological site that is important for our knowledge of the Cantabrian Late Glacial period. It was dug by M. A. García Guinea in the 1980s. The sequence covers a time period between 17,000 and 11,000 BP.
➡️García Guinea's work recovered an almost complete perforated stick on which a representation of a deer was engraved. #ParecidosRazonables This piece has close parallels in other caves in Cantabria such as El Castillo, El Pendo or El Valle.📸
📖Excavations at the site were resumed in 2003. A rich Lower Magdalenian level was identified with abundant remains, including decorated items and decorated pieces.
The other area of archaeological interest is #LaCovacha. It's a room with red dotted paintings, probably Gravettian, and some Magdalenian engravings, which was sealed during the middle/upper Magdalenian. In the upper passage of #Cualventi there are also red paintings.
❗️➡️Group of dotted red paintings: 18 red paintings have been identified, poorly preserved and with a predominance of stains and punctuations. Several animal figures can be identified: doe, goat, bison in flat ink, horse's cervical line and an undetermined animal.
😌👉👉In the same area there is another small panel in which five fine engraved representations have been identified: a complete hind head, an indeterminate quadruped and three goats, two of them very brief and reduced to the head and the other almost complete.
📚The chronology of the cave paintings can be divided into two main periods. The red paintings are very characteristic of the Cantabrian tradition of dotted red paintings identified in numerous caves in Cantabria, such as Covalanas, El Pendo, El Arco a and B, El Salitre.
The engravings, based on technical and stylistic similarities, can be attributed to the Lower Magdalenian, similar to others found in caves such as El Juyo, Altamira, Cobrantes and El Castillo. Furthermore, these depictions are directly related to the occupations identified there
❗️In short, Cualventi is an important archaeological site where numerous archaeological remains have been documented. Of particular note are decorative elements and objects of portable art.
The rock art, despite being small and poorly preserved, contains characteristic manifestations of the graphic traditions identified on the Cantabrian Spain, such as the red dotted paintings.
Puy Jarrige II cave is located in the commune of Brive, in "Les Rebières". More precisely, it is located in a Triassic sandstone, on the right side of the Courolle valley, near the Corrèze river. There is a cave called Puy Jarrige I, but it has only archaeological deposits.
▶️Puy Jarrige II is a small cave barely 10 metres long. Two spaces can be distinguished: a shelter and a diverticulum. Apart from the Palaeolithic engravings, there are medieval remains in some parts of the cave.
☕️Good morning friends! 🗺️Today we travel very far to bring you the fantastic landscape of Lim Channel in Istria… well the underground one! Let’s start with Romualdova cave!
⁉️Pal. rock art is especially preserved in the karstic regions of Western Europe. To the East, rock art becomes more unusual. In fact, until 2010 there was not any remaining of this kind in the Balkans. Fortunately, things are changing thanks to the hard work of archaeologists.
➡️In 2017, a survey project was carried out under the direction of our friend Aitor Ruiz-Redondo @unizar @PALAEOARTEAST project. 44 red graphic units were identified, divided in four panels: a bison, an ibex (📸), a vulva, 2 anthropomorphic and several dots, lines and marks.
☕️Hi! #goodmorning on this rainy sunday!
Yesterday we presented a very interesting discovery made in a cave where we are working now... #Alkerdi2 in #UrdazubiUrdax... let's start this thread!!👇😉
Last summer we received an email from @rturoTroska, from the caving group #Satorrak, working within a project coordinated from @aranzadi in the exploration of the Alkerdi/Berroberria massif. They discovered a new passage with engravings and paintings.. the access was not easy👇❗️
⁉️The new passage contains (at least) 3 engraved bison, 3 aurochs, 2 horses and 2 undefined animals, as well as 5 groups of paired strokes in red.
👇📸But it starts with engraved 4 vulvas, so it was called #Aluengalería (vulva in basque) by its discoverers.
☕️Good morning to all! In today’s first #FridayPaleoArt of #October1st we are going to look for the prehistoric hunters through Paleolithic art.
Cave: #PechMerle
Place: Cabrerets, Lot, Francia
Motif: Wounded Man. Gallery of the Wounded Man
Chronology: Possibly #Solutrean
👇😉
Today we are going to visit a well-known cave for its great animal representations, especially the spotted horses, but what about the humans?
Although this cave was known to locals, it was not until 1922 that the speleologist A. David, his sister Martha and Henri Dutertre, discovered the so-called “decorated cave.” Later, the parietal study was carried out by A. Lemozi, A. Leroi-Gourhan and M. Lorblanchet.
➡️Specifically, these days we have carried out an Experimental Archeology work that will help us to characterize the combustion residues of the Paleolithic lamp located in the #Atxurra cave, as well as to know its thermo-dynamic operation and the type of lighting.