[You with boundless valor to support all entities! What is this astonishing meditation of yours? O Support of the Universe! Is there any auspicious object of the three worlds (other than you)?]+
[O foremost puruSha who bestows bliss on his meditators! Withdrawing your senses & mind into the intellect, you are sustaining the 4th state of meditation similar to a swoon]+
त्वं प्रपन्नाय भक्ताय शिरसा प्रणताय च । ध्यानस्यास्य यथातत्त्वं ब्रूहि धर्मभृतां वर
[Bowing my head to you, considering you as the means, with one pointed devotion to you as the refuge, I ask you why you meditate, O best (as leader) among your devotees who support dharma!]+
Here is why bhagavAn is meditating. When a j~nAni meditates on bhagavAn, latter feels a great love for the j~nAni’s body & qualities, which were the instruments of bhakti+
bhagavAn considers the body of the j~nAni which was used in his services, as a pure and holy object.
To him, the body of the j~nAni is as attractive as his own form and worthy of being meditated on. guNAs of the j~nAni are enjoyable to bhagavAn, like his own guNAs+
[bhIShma, lying on the bed of arrows like a fire cooling down, is meditating on me. Therefore, my mind is also going to him.]+
यस्य ज्यातलनिर्घोषं विस्फूर्जितमिवाशनेः । न सहेद्देवराजोऽपि तमस्मि मनसा गतः
[My mind is going to that bhIShma, the thunderous sound of whose bow-string resembles that of the sudarShaNa chakra and cannot be borne even by Indra.]+
येनाभिजित्य तरसा समस्तं राजमण्डलम् । ऊढास्तिस्रः पुरा कन्यास्तमस्मि मनसा गतः
[My mind is going to that bhIShma, who triumphed over all the Kings in the hall and carried away Amba, Ambika and Ambalika.]+
त्रयोविंशतिरात्रं यो योधयामास भार्गवम् । न च रामेण निस्तीर्णस्तमस्मि मनसा गतः
[My mind is going to that bhIShma, who fought with paraShurAma for 23 days constantly and could not be overcome by the latter.]+
[My mind is going to that bhIShma, who is the favored siShya of paraShurAma, pANDava! Who is the support of all branches of knowledge.]+
एकीकृत्येन्द्रियग्रामं मनः संयम्य मेधया । शरणं मामुपागच्छत्ततो मे तद्गतं मनः
[Making his senses one pointed towards me, with mind under control by knowledge of me as the master, he has sought my refuge, ie, surrendered to me for bhakti yoga. Thus, I focused my mind on him.]+
bhagavAn here has explained the reason why bhIShma's form and qualities are so attractive to him.
They are instruments of exalted bhakti and so pure+
स हि भूतं भविष्यच्च भवच्च भरतर्षभ । वेत्ति धर्मविदां श्रेष्ठस्तमस्मि मनसा गतः
[My mind goes to that bhIShma, who is the foremost among knowers of the means, who knows the inner controller who is signified by past, present and future, best of bhAratAs!]+
The extreme love bhagavAn had for bhIShma’s form on the bed of arrows, and his qualities, made him actually perform "bhakti yoga" towards bhIShma.
He only reluctantly makes his bhaktAs relinquish their bodies prior to moksha for this reason+
In thiruvAimozhi - thirumAlirunchOlai malai pathigam, Nammazhwar has a similar experience.
Azhwar says he was ready to go to paramapada by discarding his body, but was facing one major obstacle+
That obstacle was thirumAlirumcholai azhagar who had grown fond of Azhwar’s body and qualities due to the latter’s bhakti. He was not willing to let Azhwar depart his body+
Thus Azhwar laments, “I want to go to paramapada. I cannot do that without discarding my body. But this Azhagar has entered my body, he is in love with it, what can I do? Going to paramapada with my body intact is shAstra-virodha, but he doesn’t listen!”+
The same sentiment was shown by bhagavAn to bhIShma, as he meditated on the latter’s great guNAs of j~nAna, bhakti, vIrya, shourya, parAkrama, dhairya, etc, dwelling with love on his resplendent form reclining on the bed of arrows!+
This is also the reason why he wanted the touch of the gopIs’ bodies and to be close to them. bhagavAn loves the bodies of his devotees and the experience their qualities.
Though he tells us not to see body as the self in gIta, he himself gives lot of importance to the body!//
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Everybody knows mantharA was the one who poisoned kaikeyi's mind and made her send rAma to exile. But what was mantharA's motivation and why did she have such enmity to rAma?
This is explained by azhwars as a parama-rahasya and is only hinted in smR^iti. Will produce both here+
First, the words of thirumazhisai azhwar.
kUnagaM pugazh therindha . koRRa villi allaiyE
[Are you not the master of the victorious bow, which straightened the hump of mantharA and thus by this playful act, was the cause of protection of the worlds.]+
Thirumazhisai azhwar explains the reason for mantharA's animosity. When rAma was a child, he used to have a toy bow & shot mudballs with it.
Whenever he saw mantharA's hump, he shot mud balls at her hump. Her hump got straightened by the shots, then wobbled back into place+
This reminds me of an incident Embar identified. Once a Sri Vaishnava Arayar was enacting Krishna leela according to Periyazhwar's pAsuram, "appUcchi kAtuginran" - As a child, Krishna scared the little kids out of mischief
All Acharyas incl. Acharya Ramanuja were listening+
"appUcchi" means when the kids played, one kid (bhagavAn) scared other kids by a sudden act.
The Arayar interpreted the act of bhagavAn as flipping the eyelids to reveal the red color, which would scare the other kids+
Embar however, who was sitting in the crowd, felt that such scare tactics would only be employed by mortals. He signalled to the Arayar to change his gesture.
He felt, Krishna scared the little kids by showing shankha and chakra as well as his additional hands+
Here is an interesting little shloka from the Mausala Parva.
While describing how the pANDavAs felt when they heard news that bhagavAn had departed for his abode, vyAsa uses the following wording:
nidhanaM vAsudevasya samudrasyeva shoShaNam vIrA na shraddadhus tasya vinAshaM shAr~NgadhanvanaH
[The loss of vAsudeva was like the drying up of the very ocean. Those valorous ones could not believe that (news), which was the loss of the bearer of the shAr~Nga.]+
Superficially, it seems to imply that the pANDavAs could not believe the death of bhagavAn, who is immortal, had occurred.
But this is a mistranslation. For the pANDavAs were j~nAnIs and well knew about bhagavAn’s true nature.+
The shankhAyaNa AraNyaka enjoins meditation on prANa as follows:
Sa esha samvatsarasamAnashcha chaturmayashcha – shrotramayashcha chandomayo manomayo vAgmaya AtmA+
[This is the prANa that is the support of the human body (Atma), which is similar to the year, having fourfold form – the form of the ear (shrotramaya) the form of the Vedas (chandomaya), the form of the mind (manomaya), the form of speech (vAgmaya).]+
Now, what should one meditate on? Is it mere prANa? No. It is prANa-sharIraka-paramAtma who is meditated on.
Who is this paramAtma who is meditated as prANa? Refer to the prayers of brahmA to kR^ishNa in the padma purANa+
Here is the shloka from Udyoga Parva. Karna visualizes the war as bhakti yoga with kriShNa as the object of sacrifice. He summarizes the role of duhshAsana here+
Superficial meaning: When you see the son of Pandu (bhIma) with the blood of duhshAsana roaring in anger and making sounds of victory at the same time, then will the day of the extraction of Soma commence (in this sacrifice of war).+
Despite the fact that duhshAsana was possibly more evil minded than Duryodhana, it is a funny fact that he stands for the tattva of the Vedas from a metaphysical aspect according to Karna in Udyoga Parva+
"duhshAsana" - the command or instruction that is difficult to understand or follow - represents the Vedas. Him torturing Draupadi is like the jIva subject to sorrow due to chasing after the alpa-phalans of the Vedas (traiguNya viShaya veda...gIta 2.45)+
bhIma tearing open his chest for blood - bhIma is meditation on Brahman. The Vedas are aparavidyA and by meditation which is paravidyA, they are "torn open" to reveal the nectar of auspicious attributes which is signified by duhshAsana's blood+