Tori Matsuzaka
- Korou no Chi LEVEL2

1. Portrayal
Trapped by both Yakuza and the police, Hioka's energy is tremendous as he tries to pursue justice while turning a blind eye.

cinematoday.jp/news/N0125320
His desire to avenge the murder of Gami is conveyed throughout the film without the need for explanation in dialogue.
2. Relationship to crew

This film is a completely original story by screenwriter Junya Ikegami. As it's a completely new story of Hioka, Matsuzaka must have felt not only the pressure of "sequel" but also the pressure of playing the lead role and taking over from Koji Yakusho.
Nevertheless, Matsuzaka remained considerate to the staff and co-stars throughout the film. While showing a gentle appearance, he continued to play the role of Hioka with earnestness and sincerity.
3. Schedule arrangements

Matsuzaka joined the crew late on the 6th day of shooting, Dir. Shiraishi later said that this created the best chemistry between Matsuzaka and Uebayashi (Ryohei Suzuki).
During these 6 days, the main scenes were Uebayashi clan and they had completely taken over the set. As the film was shot in Hiroshima, Uebayashi clan became more and more unified. Suzuki, together with the young actors of the clan, welcomed Matsuzaka with all their might.
Uebayashi (Suzuki), welcomes Hioka with a "I've been waiting for you" attitude, and Hioka (Matsuzaka), who arrives on the scene full of energy, also challenges them with a fearless smile. This created the unusual tension that pervaded the screen.
4. Action Stunts

In the previous film, we didn't get to see much of Hioka's illustrious career as the karate club member at Hiroshima University, but in this film, we witness his physical strength.
One week after Matsuzaka arrived on set, the scene where he falls through the glass from a 10-meter high building onto the roof of a police car was shot. The scene was filmed in several parts.
It began with him breaking through the glass and jumping out from a room on the third floor of the building with a wire attached to his body. The film crew then moved to the outside of the building and shot Matsuzaka falling on the roof of the police car onto the lights.
For that scene, people from the action team pulled up Matsuzaka's body wrapped with a harness, and with the command "1, 2, 3!" they loosened the rope and slammed him against the roof.
In fact, there were no cushions on top of the police car, so his body was repeatedly slammed against the roof. Dull thuds echoed conveying the impact. Matsuzaka repeated many times without making a single whimper.
5. Final Duel

The duel between Hioka and Uebayashi was filmed on the 28th day of shooting, just before the crank-up. The scene was shot on consecutive nights at a site in a port area in Hiromachi, Kure City.
Despite the tension of the important scene, Team Shiraishi always maintains a friendly and good atmosphere, which is the charm of the film. Director Shiraishi, his eyes shining, smiled and said, "Well, it's finally here!"
On the other hand, Matsuzaka Tori and Suzuki Ryohei repeatedly checked their action moves as they waited for the call to shoot. Once they start acting with emotions, they don't have time to think about the movements one by one.
Therefore, they have to keep practicing until their bodies move by themselves. The intensity of this duel is hotter than a blazing fire that I wanted to watch repeatedly. Matsuzaka, who went through the filming during Covid with the crew, welcomed the crank-up with a happy smile.

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More from @Umechan01234

16 Sep
Oh ...I was reading this in book form. LOL Image
😆 Image
Read 6 tweets
14 Sep
Arata Furuta and Tori Matsuzaka, Classy Part 2

What do you like about each other?
Tori: Furuta-san's voice. During Paddington, he recorded first so that we have a guide to record. Thanks to him, it's much easier for us. I really like his warm voice.

classy-online.jp/lifestyle/1687…
Tori: Also, his communications skills. He can communicate with all people from various occupations from different places.
Tori: Third, he's very observant. Just listening to our interview today, his powers of observation of people are amazing. He spewed this venom (lol), but I realized that he observes so many people and has a big picture view. I thought it was cool.
Read 6 tweets
13 Sep
Arata Furuta and Tori Matsuzaka, Classy

Impression on each other
Tori: He's a person who has established his own position and his own things. I don't think there is anyone who can match Furuta-san. I feel that he is unique. I've seen him on stage many times. Image
Tori: I first came to know Furuta-san in "Kisarazu Cat's Eye (2002)". I was still a student. Furuta-san's role left a strong impact on me, and I laughed every time. Since I started working here, I've gradually come to know that he's an amazing person.
Furuta: I've known him since he was in "Samurai Sentai Shinkenger". At first I thought, "Tori Matsuzaka is going to play a bear? Aren't we wasting money?" but I enjoyed a lot working with Tori in Paddington.
Read 8 tweets
9 Sep
Dir. Keisuke Yoshida
- Kuhaku/ Intolerance

Q: First of all, I want to say it's amazing. It made me feel glad to be alive and gave me light.

A: Thank you very much.

eiga-board.com/posts/10901
Q: The main characters were all impressive and stuck in my mind. What did you pay special attention to in terms of casting and direction this time?

A: The main cast is made up of famous people, but I wanted to work with only people who are really good at acting for this film.
A: It may sound bad to put it this way, but I didn't want to cast people just because they were popular. Of course, Furuta-san and Tori are very good actors and very popular. Basically, I cast them based on their skill in acting and whether they fit the role or not.
Read 18 tweets
8 Sep
Tori Matsuzaka, So-en
- Kuhaku

Q: Beside your expression ability, your physical appearance here was also impressive. You seems to be having contractures steadily, your eyes are faint, and yet you seem to be staring at the same point. (T/N: Pls watch trailer.) Image
A: Yes, I did. In the scene where I confronted Furuta-san, I wanted to express the feeling of being unable to look or move, so I ran simulations before filming the scene.
Q: Your physical approach in Call Boy was also famous. Is this a style that you've been pursuing for a long time?
(T/N: Apparently in Japan, acting is termed as psychological and physical approach. I think? Why am I searching these in Japanese?)
note.com/asakawa13/n/n8…
Read 8 tweets
7 Sep
Tori Matsuzaka, FLIX
- Kuhaku

On performing Aoyagi

I'm sure there are many people who feel like Aoyagi. So, rather than creating a character, I worked on facing Aoyagi, thinking about what I would do if I were in the same situation.
If I were Aoyagi, I would have this kind of expression on my face, or I might make this kind of choice.

The fact that I was able to perform the role while making use of my own reactions must mean Aoyagi has elements of "ordinariness" which apply to every real person.
Playing Aoyagi, I thought it was really difficult to perform an ordinary role. He doesn't have any outstanding characteristics or archtype. But real people are not that simple or easy to understand.
Read 27 tweets

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