1. Via the work of Bloch, Bauman & Mannheim, and as vividly depicted in Jacob Taubes’ work on “occidental eschatology”, the concept of utopia went through a seismic conceptual re-appropriation in the 20th century.
2. That is to say, the concept of “utopia” became positively re-deployed as a framework for literary & artistic production, and as a tool to relate social theory to social praxis.
3. A good example is “Utopia: The Search for the Ideal Society in the Western World” catalogue of 2001, & Ruth Levinas’ sociological work on “Utopia as Method”.
4. Those working in this new tradition have no interest in utopia understood as the fortuitous or imagined recovery of a lost earthly paradise or golden age, nor as a future, apocalyptic unveiling and donation of some such space by means of the providence of God.
5. Rather, their utopia is a goal to-be-worked-towards, one that can inspire progressive action in the present: utopia as a progressive composition of the common world.
6. This understanding of "the progressive composition of the common world" is right up Bruno Latour's street, of course. In fact, it could be argued it’s his very definition of "politics" and “the political”.
7. For Latour, the concept of utopia does not facilitate a social imaginary in which a different configuration of human existence to the one currently being lived might be thought and through which progressive action to achieve it might be unleashed.
8. On the contrary, for Latour that sort of utopia serves to neutralize all thought of an alternative future, thereby de-animating the associative political forces that would be required to bring it about. For Latour, utopia = "no politics".
9. Quote from Latour: "For me, the whole history of the Moderns offers up a most radical utopia in the etymological sense: the Moderns have no place, no topos, no locus to sit and stay".
10. Latour thus has to be located in this Taubes-inspired political-theological tradition that deploys utopia as a tool for agency composition in the present. Here, the future infuses the present & provides it with a political dynamism that nothing else can match.
11. See a little article of mine here: "No Place like Home: Rethinking the Politics of Utopia" | On political agency and the environmental crisis

bit.ly/2qn7eRU

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More from @AimeTim

27 Aug
1/ Serres’ 1983 ‘Détachment: Apologue' is an important “bridge” work in that very important sequences of books in the 1980s from ‘Genesis’ to ‘The Natural Contract’.
2/ It does have an obscure English translation, I believe, which I have never got hold of. There is also a useful chapter in Maria Assad’s book on Serres & Time.
3/ The opening scenario of 'Détachment' depicts a Chinese agricultural landscape filled & saturated with cultivation: “tout est consommé” .
Read 12 tweets
27 Aug
1. Carl Schmitt's 1923 essay "Roman Catholicism and Political Form" is essential for understanding the political theological roots of his juridical thought, & how this has been misused in contemporary integralist thought.
2. Schmitt argues that concept of the political is encoded in the power of personalist representation. Representation refers to the function of representing a value or concept of importance, of staking a claim, of claiming something that is meaningful.
3. Representation must be "personal" or "personalist" for Schmitt because it demands a sort of moral stake on behalf of the human: this contrasts with the sort of banal presentation of reality made to us in the economic/ technical thinking of modernity.
Read 6 tweets
2 Apr
1/ The tenth chapter of @BrunoLatourAIME’s Où suis-je? pivots from how the pandemic has challenged the ideological structures of modernity (the Economy, the object, Nature), to the way it has caused us to rethink the intimate & apparently subjective site of the human body itself. Image
2/ Latour rejects simple dichotomies of objective materiality to which is added “mon corps vécu de l’intérieur, celui de ma subjectivité” (p.120).
3/ Crucially, & poignantly, Latour explains that he has been reminded of this by his own, very sad experience of cancer over the last two years, that I know he has faced with dignity and good faith.
Read 18 tweets
16 Mar
1/ I am continuing my chapter-by-chapter summary of @BrunoLatourAIME’s new book, où suis-je. Here, we come to the ninth chapter. For previous chapter threads, do scroll down on my feed. Image
2/ Latour begins by recounting his participation in a piece of performance art designed by architect & urban planner Soheil Hajmirbaba that visualises attachments & dependences in a group by means of a compass diagram drawn on the floor that is traversed. s-o-c.fr/index.php/abou…
3/ This highlights the artificiality & brutality of any art that interrupts movement in order to fix it on a wall. For Latour, this is quintessentially represented by the “white cube” gallery aesthetic characterised by its square shape, white walls & elevated light source. Image
Read 11 tweets
7 Mar
1/ Continuing my threads on Où suis-je? (see previous threads) – chapter 6 provides an example of @BrunoLatourAIME’s constructive interpretation of Christianity as a religion that can inculcate forms of attentiveness & responsibility with respect to our Gaian interconnectedness. Image
2/ Lockdown has been interesting for “les âmes religieuses”: after all, these people normally have their eyes fixed on the hereafter, & yet lockdown has forced them to appreciate the significance of the “ici-bas”, for a while at least! (p.66).
3/ The religious “above” was never intended to indicate a topography or spatiality; rather, “l’envol vers un au-delà de paix, de recompense et de salut” (p.67) was intended to inspire forms of sympathy, co-belligerence & peace for those who live down here, the poor & downtrodden.
Read 15 tweets
1 Mar
1/ And so I continue my reading of @BrunoLatourAIME’s new book, "où suis-je?". The fifth chapter, entitled ‘Troubles d’engendrement en cascade’, asks what have been the diagnostic effects of lockdown. What have we learnt from this dreadful experience?
2/ No doubt we all agree that lockdown has prompted a sort of generalised concern, “une angoisse partagée par tous”, with respect to the terms of our shared existence with others & how this needs to stay the same or change in the future.
3/ In the political realm, it has exacerbated the tenor of certain existential questions: how to prevent the collapse of the modes of life we had come to rely on? (hence the discourse of “extinction” in XR & other movements, as charted by Danowski & Viveiros de Castro) ... Image
Read 13 tweets

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