This one's interesting, and I've never tried it. Follow #TenThingsAboutMagicRealism to collect them all!
1. Magic realism has many forms. I'm using the term in its loosest form, which is, as I see it, the inclusion of fantasy or magical elements in an otherwise "realistic", real-world narrative. #TenThingsAboutMagicRealism
2. The first thing is to ensure the reader's suspension of disbelief. That means making the "realistic" aspects of your real-world scenario as familiar and relatable as possible. That way your fantasy will have a solid background on which to play. #TenThingsAboutMagicRealism
3. I find that sense-impressions help a lot here: so do universal experiences. That's why so much magic realism is set against a background of food and domesticity. Readers are more likely to accept a new idea if it accompanies something familiar. #TenThingsAboutMagicRealism
4. The more immersive, the better the suspension of disbelief. That means using tastes, smells and physical sensations. #TenThingsAboutMagicRealism
5. I find that it's much easier to write magical realism from the protagonist's POV, that is, first-person or close third. That way, anyone who doesn't buy into the magical aspects can be allowed to believe that it's a unique character perspective. #TenThingsAboutMagicRealism
6. The more characters share in the magical perspective, the less easy it is to keep the magic-realism plates spinning. Because real-world magic is subjective, you'll need to work out how the different characters see or relate to it. #TenThingsAboutMagicRealism
7. Whatever your perspective, remember that magic always has rules. Whether you're using an existing magical system (eg, runes, divination, High Magic, etc) or one of your own invention, you need to know and establish the rules (and stick to them). #TenThingsAboutMagicRealism
8. Be careful when doing this: no-one likes an infodump. It's better to feed information gradually to your reader throughout your story. #TenThingsAboutMagicRealism
9. Example: imagine your protagonist has a cat, invisible to other characters. In three scenes: 1: Show that no-one else can see the cat. 2: Show that the cat can communicate information to the protagonist. 3: Reveal that the cat sees dead people. #TenThingsAboutMagicRealism
10. Of course it's up to you which magical elements you want to use in your narrative. They can be as small as a talking cat, or as large as a whole expanded fantasy world. But keep your real world close at all times, and as tangible as possible. #TenThingsAboutMagicRealism
If you enjoy these occasional threads, you might like to check out my book, TEN THINGS ABOUT WRITING... septemberpublishing.org/product/ten-th…

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More from @Joannechocolat

10 Sep
People keep asking me for this one. Let's do it today. Follow #TenWaysToGetBackYourMojo to collect them all!
1. The muse. Inspiration. Mojo. Doesn't matter what you call it, we all know what it's like. Sometimes the Muse just doesn't turn up. And Covid, lockdown, social media and current events aren't helping. So - how to get back in the zone? #TenWaysToGetBackYourMojo
2. First of all, don't panic. Just because you've lost your mojo doesn't mean you're broken. But if you've been struggling vainly for months, it might be a mental health issue. If so, get professional help and practice self-care. The work can wait. #TenWaysToGetBackYourMojo
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15 Aug
"So you see, the incel movement is a response to feminism..."
"You can't even pay a woman a compliment any more..."
"Women can be murderers, too."
Read 8 tweets
13 Aug
People who care about words, compare and contrast the following sentences:
1. A man shot six people in Plymouth.
2. Six people were killed by a shooter in Plymouth.
3. Six people died in a shooting in Plymouth.
"A man shot six people in Plymouth." This is the simplest and most direct description: active voice, with full prominence given to the subject of the verb; that is, the man who shot six people.
"Six people were killed by a shooter in Plymouth." This version is in the passive voice, giving prominence to the six people, rather than the shooter. Even though it's a longer sentence, the meaning is already less clear, and the information that a man was involved has been lost.
Read 5 tweets
12 Aug
1. Crime fiction comes in all shapes and sizes. The police procedural; the cosy detective; the psychological thriller. With so much to look at, let's concentrate on the actual crime itself. #TenThingsAboutWritingCrime
2. The great majority of crime novels deal with just one type of crime: murder. #TenThingsAboutWritingCrime
Read 12 tweets
8 Aug
Cup of tea: ten minutes to kill. You know what that means, Twitter: #Storytime.
New followers, to explain. #Storytime; in which I write a new story, live and unvarnished, on Twitter. And it always begins like this:
"There is a story the bees used to tell, which makes it hard to disbelieve."
There once was a man who lived on a hill. The hill was not a large one, but it gave the man certain advantages. #Storytime
Read 25 tweets
1 Aug
Okay. Today's #TenTweets is on the timely subject of TITLES. Follow the hashtag to collect them all! #TenThingsAboutChoosingaTitle.
1. Choosing the name of your book is one of the big challenges for any author. I find that a work-in-progress doesn't quite have an identity until it has a name. #TenThingsAboutChoosingaTitle
2. Although it doesn't count as plagiarism to use the same title as another book, it can be hard to find something original. It's worth Googling your proposed title, just to make sure. #TenThingsAboutChoosingaTitle
Read 11 tweets

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