1) When we think of a famous outlaw with a social conscience, stealing from the rich to give to the poor, a master of disguise outwitting those in power..the name that comes to mind is of course:
Bulla Felix
..The bandit hero who humiliated Rome around the years 205-207 AD..
2) Even at the height of Rome's power, the roads and countryside of the empire were regularly beset by bandit militias ('latrones'), an annoyance usually tolerated by the state until it began to impact commerce and cause large-scale complaints from the aristocracy..
3) The bandit who gave Rome the biggest headache gained his notoriety in the early 200s AD, under the rule of Septimius Severus. Bulla was an educated and charismatic Italian native; a brigand with a code, Bulla targeted the richest Romans, happily relieving them of their gold.
4) Bulla soon attracted a small army of 600 men to his rebel cause. Maintaining an intelligence network throughout Italy, he knew of every patrician setting out on the roads from Rome, every heavily laden boat putting into port - and how many riches he could plunder from them..
5) The emperor was soon forced to dispatch soldiers to swat this bothersome fly harassing Italia's most wealthy. But catching Bulla was like catching smoke, he was everywhere and nowhere, "he was never really seen when seen, never found when found, never caught when caught.."
6) Notorious though he was, Bulla would not kill or harm those he apprehended, just taking their riches and quickly releasing them. If he detained a talented artisan he would make use of their skill in some way, before sending them on their way with a gift..
7) When two of his men were captured and were about to be thrown to wild beasts in the arena, Bulla disguised himself as the governor of the region and brazenly entered the prison demanding condemned men for some labours - quickly securing the release of his followers!..
8) With his repeated evasion of the Romans, Bulla was soon rechristened 'Bulla Felix' - roughly translating as 'lucky charm'. Taking the moniker 'Felix' was itself a subversive act, evoking famed Roman generals who had taken the name such as the dictator Sulla..
9) In another exploit, while in disguise Bulla approached the centurion leading a Roman force sent to capture him. He convinced the centurion he could take him to the robber, but instead guided the soldier into a wood and easily seized him. As if that wasn't humiliating enough...
10) Soon afterwards, Bulla again disguised himself as a local magistrate and convened a mock tribunal for the gullible centurion. Watched by a large crowd, Bulla ordered the centurion's head be partially shaved in the manner of a slave. In a final rebellious flourish...
11) Before disappearing again into the shadows, Bulla demanded that the centurion and assembled crowd carry a message back to their Roman masters: "Feed your slaves, so that they may not turn to brigandage."
When word of these outrages reached the emperor..
12) Septimius Severus was understandably furious. He tasked the prefect of his praetorian guard and famed jurist, Papinianus, with not only capturing Bulla but bringing him in alive - or else face dire punishment himself. Papinianus set off on his last-ditch mission...
13) In the end, Bulla Felix was caught through treachery - betrayed by an informant from his own ranks. The Romans surrounded Bulla in his cave hideout and he was brought before Papinianus. "Why did you become a bandit?" the prefect asked him. Bulla Felix retorted...
14) "Why did you become a Roman prefect?"
Bulla Felix was quickly condemned to death by wild beasts in the arena. Though he had rescued his followers from the same fate, no one came to rescue Bulla - as he had been the source of strength of all his 600 men.
15) Cassius Dio tells the remarkable story of the noble rebel Bulla Felix in his 'Roman History' (77.10). While some see 'Bulla Felix' as a composite 'bandit' archetype, or even pure historical fiction by Dio - the story does recount events from Dio's own lifetime including..
16) ..real figures like the prefect Papinianus, a close colleague of Ulpian. Whether Bulla 'lucky charm' Felix is truly historical, exaggerated or a satirical folk hero created by Dio, we can't know for sure - but the Roman outlaw's adventures certainly make a great story! {END}
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"She takes pleasure in reading my works, which are continually in her hands, and even learns some by heart. How full of encouragement she is when I am entering on some task, and how kindly she rejoices with me when it is completed..
2) "When I am pleading a case she stations messengers to inform her from time to time how I am doing and what applauses I receive. She asks to hear me recite my verses and afterwards sets them to music with her lyre. Her only master is Love, the best instructor..
3) "From this marriage I draw my most assured hopes, that the harmony between us will only increase with our days. She loves me for who I am, not for my youth or body which time will gradually decay. I hope to one day become all that my wife thinks I am."
A Tudor fairytale - Little Moreton Hall was built by William Moreton in stages through the 1500s. The moated, half-timbered house has been called a "feast of medieval carpentry", with a long gallery, 30,000 original leaded panes of glass and 200 tons of stone roofing tiles.
"Richard Dale, Carpenter, made these windows by the grace of God" (1559)
"God is all in all things: These windows were made by William Moreton in the year of our Lord MDLIX (1559)"
1) The enormous tomb monument of the procurator of Britannia, Gaius Julius Alpinus Classicianus. As procurator from 61 to 65 AD, Classicianus was responsible for the financial administration of the whole province, you could think of him as the Roman Chancellor of the Exchequer!..
2) Classicianus took office in 61 in the aftermath of the Boudican revolt. Alongside the new provincial governor Publius Petronius Turpilianus, he would have had quite a job rebuilding the finances of the shattered province; clearly he was a trusted figure in Nero's government..
3) Like most Roman statesmen the fate of Classicianus was unknown - until in 1852 when sections of his tomb were found built into London's 3rd century Roman wall on Tower Hill. This revealed that he had died while in office and though not British, had been buried in Londonium..
1) The brightly painted terracotta sarcophagus of Seianti Hanunia Tlesnasa, an Etruscan woman who was buried near Chiusi around 150 BC. Inside was found Seianti's skeleton, the most complete Etruscan skeleton in existence. Let's meet Seianti and learn a little about her life..
2) The sarcophagus was found alone in a tomb specially made for Seianti. On the lid she reclines in an almost lifesize depiction. Her fine clothing and jewellery speak of her wealth, she wears a diadem, gold snake bracelets, gold-garnet earrings and six rings on her left hand..
3) Seianti wears a traditional white tunic and heavier veil which she lifts to reveal her face. It is possible that Seianti is being shown in the wedding clothes she wore at a younger age, as she prepares to meet her husband again in the afterlife..
1) In today's episode of 'why hasn't this ancient story been made into a movie?'
Julius Alexander was a young Syrian nobleman from Emesa. Despite his aristocratic background, Julius was famed in his hometown as a beast fighter (venator) in the arena. Unfortunately for Julius...
2) ..his exploits in Syria soon gained the attention (and jealousy) of the emperor Commodus, who also fancied himself a venator. He had performed in the Roman Colosseum, even styling himself as 'Hercules Venator' (Hercules the Hunter) - and did not like being overshadowed!..
3) When news reached Rome of a spectacular bout in which Julius on horseback had fought a ferocious lion and eventually killed it with a shot of his spear, Commodus could take no more - Julius had to go. The emperor assembled a team of assassins, as just one would not be enough..
1) The Vindolanda writing tablets offer fascinating glimpses of daily life in a tough frontier fort. One particularly intriguing tablet (no.344) might just be a draft-letter intended for quite the remarkable recipient: none other than the emperor Hadrian himself..
2) The writer drafts his letter to "Your Majesty.." (maiestatem), appealing for justice. In a fragmented yet emotive text, he describes being viciously "beaten with rods" and having his "goods poured down the drain", an "innocent man" treated like he had "committed some crime"..
3) He says he has complained "in vain" to the prefect and beneficarius to no avail, so now can only implore this unnamed "lord" for help. Interestingly, he highlights that he is a "man from overseas" perhaps implying such summary beatings were usually reserved for native Britons.