The ideal team size for software development is five makers.

Note: No one ever asks me this, but I just felt like saying it out loud.
The ideal sprint size is don't have sprints.

Note: No one ever asks me this, either, but I just felt like saying it out loud.
The ideal branching strategy is push to head, pull from head, test at head, ship from head.

You guessed it: Nobody asked me this.
The ideal distribution of mobbing/pairing/soloing is 1/3, 1/3, 1/3, which, by the way, is the title of a hilarious short short story by Richard Brautigan.

Couldn't find anyone to ask me this one.
The ideal product specification is a description of the next problem we need to solve.

I did get asked this once, but I lost touch with the asker once we were released, so I never was able to answer properly.
The ideal way to incorporate stakeholder input is to incorporate a stakeholder as a maker.

I was actually just asked this, so, you know, now the pattern's ruined.
The ideal editing environment is the one that knows and can tell you the most about the project.

Back to unasked, except by Ingmar recently in an effort to bait me.
The ideal measurement of productivity is sit down with the group every week or two and ask everyone whether they're having a good time or not.

*Everybody* asks me this, but none of them like my answer. :)
The ideal pairing partner is the one who will tell you when they don't know where the hell you're going with this.

Again, often asked, generally ignored.
The ideal time-gap between pull and push is the smallest we can pull off that's under a half-hour.

I don't remember whether someone asked me this or not, as I have a very short attention span, on purpose.
The ideal braces placement is if this matters very much your method is too long.

Why would anyone even ask this?
Finally, the ideal cornbread is warm, a little granular, not cakey, and placed at the bottom of the bowl underneath the ideal soup.

Speaker, I yield my remaining time.
Oh, let me buttress all this with a citation. Here's 1/3, 1/3, 1/3, by Richard Brautigan.

roominate.com/pdfs/Richard_B…

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More from @GeePawHill

18 Sep
CW: Bob Martin

...
This is not news, but folks tell me just the same that my stance on Bob is not clear to them, and further, that it is of some benefit for someone with my particular position in our community to say clearly. I will keep it very short.
I do not follow Bob. I do not quote him. I do not recommend the study of his work to geeks. This is the direct result of his repeated and conscious decision to deny the accuracy and significance of the trade's ongoing and valuable self-critique around its own sexism and racism.
Read 7 tweets
17 Sep
I stan Teddy The Gentleman Wilson, who is possibly the most underrated arranger/bandleader in the history of jazz.
Billie was good, I mean, she was really good. She was the first female vocalist in American pop to *sing* like a jazz instrumentalist, like, in fact, an impossible clarinet.
But she was no Ella. And every astonishing take she ever did was backed by a Teddy Wilson arrangement. Diamond? Yes, of course she was a fucking diamond. But a diamond on black velvet is just a potential. A diamond *set*, *framed*, is wealth beyond belief. Teddy Wilson set her.
Read 6 tweets
17 Sep
I know I just said things about gangsta that would sound blanket.

Here's "Colors", young Ice-T.

(Video's kind bad, which is true of most of my shared links.)
The rap here, I swear I mean no offense, is dead fucking slow so people who don't hear so close can still understand it.
Read 4 tweets
17 Sep
Here's Gang Starr, "Jazz Thing".

Gangsta burnt me out, so much hate, so much casual misogyny. I ain't hatin', but the music did not move me. So when the GeeKid got into rap, I challenged him. I said, bring me some fucking love. He brought me, among other things, Gang Starr.
This is the metaphysics of a jazz thing.
Read 7 tweets
17 Sep
Otis Spann, "Worried Life Blues".

The trouble with Otis Spann is that he will never ever fit into a tweet.
Spann represents the late flowering of Chicago style. He played behind the great Muddy for several years into the '50s. He had a lovely voice, and was a great arranger and bandleader, and his piano is one of those "could recognize it anywhere" things.
Read 4 tweets
16 Sep
Here's James Booker, "Goodnight Irene".

I meant to play another stunning take of it John Hurt, with his beautiful playing and tenor and his way of projecting kindness across all his work.

But in quest of it, I was reminded of the astonishing life of James Booker.
Classically trained Booker, imagine him, at Angola, black and gay with one great skill, the keyboard. I can't, really, even conceive of it, only guess.
Read 6 tweets

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