China is the largest consumer of cement and concrete in the world, the use of which has peaked in the first two decades of the twenty-first century.
Used for the construction of extensive infrastructure and buildings, over the last 20 years renowned Chinese architects have been working in and studying the constructive limits and spatial and superficial effects of exposed concrete.
In the process, they have created a wave of avant-garde architecture in China.
Chinese Brutalism today investigates the compositional, formal, and ornamental reasons for this architecture and its different surface finishes, from rough to smooth.
This new wave of Chinese Brutalism is, in large part, a regional evolution and development closely linked to local construction processes and the available labor force.
The finished tectonics represent not only a way to read the architecture, but also reveals the complex decision-making processes and planning that led from the conception to construction of these buildings.
The Taizhou Contemporary Art Museum, China.
Okinawa is a must for brutalist architecture fans.
It was here where the Allied forces landed in 1945 for an 82-day battle. And, it is here, where only 10% of pre-World War II buildings survive, that Japan’s brutalist experimentation has taken place.
Before the World War II, Japanese buildings were traditionally made of wood and natural materials After occupation, the Americanisation of Japan filtered through not just food, culture and language but architecture, too.
This striking tower by Kisho Kurokawa is archetypal of Metabolist architecture – a Japanese movement that designed modular-style buildings that had the potential to constantly adapt and evolve rather than remaining static.
Photographer Tom Blachford travelled around Tokyo after dark to capture its concrete jewels that he immerses in a futuristic ambiance.
During his travels to Seoul, photographer Raphael Olivier noticed a new trend taking the South Korean capital: a crop of geometric, concrete buildings of all genres. He calls the new style Neo-Brutalism, after the modernist movement that proliferated in the late 1950s to 1970s,
Packed into a commercial storefront and sandwiched between two other Neo-Brutalist buildings, one such project is the Torchlight Baptist Church feel like they just kind of built that.
The Workers Party Foundation Monument features granite sculptures which refer to the founding powers of the country: workers (hammer), intellectuals (brush) and farmers (sickle). #NorthKorea
Many of Phnom Penh’s most cherished buildings were destroyed under the Khmer Rouge, but a number of historic sites survived and remain intact.
The Institute of Foreign Languages in Phnom Penh
One of revered Cambodian architect Van Molyvann's creations
Indian city of Chandigarh was one of India’s first planned cities, created by the Chandigarh Capital Project Team, led by Swiss architect Charles Edouard Corbusier (Le Corbusier).
The result is a city that feels both futuristic, brutal and retro.
Tower of Shadows, is like a sculpture you’re allowed to hang out in. Built to create shade and let in a breeze, the structure is an oddly light and peaceful place amongst the heavy buildings in Chandigarh.
In Bangkok, the emergence of New Brutalism architecture took place between the 60s and 70s. It was a time when the country’s development took place under American influence during the Cold War.
Siri Apartment, Bangkok
The original idea behind the eccentric form of the building is a circle, Dan Wongprasat’s favorite shape, which appeared in many of the buildings he designed throughout his architectural career such as Holiday Inn Silom or his own home.
The Foundation of the Islamic Centre of Thailand, Bangkok
Paichit Pongpanluk designed the building being fully aware of its limited budget. The result was a series of connected hexagonal plans that covered all the required functional demands and spaces. #brutalism
This is Electricity Generating Authority of Thailand (Head Office)
Photo by Ketsiree Wongwan
Hong Kong Seamen’s Union Building is one of my fave brutalist buildings
Back to the Middle East.
Azadi Tower is one of the famous monuments in Tehran which has been built in 1349, the solar Iranian calendar or 1970.
An abandoned concrete building in the heart of Beirut, (known as The Egg) has been everything from a cinema to a bomb shelter to a water tank, but this intervention would fill the gaps in its bullet-ridden shell with a series of lenses, reflecting the city into its vast void.
Its construction began in 1965 but was interrupted with the outbreak the Lebanese Civil War in 1975 and the horse-shoe shaped dome that remains today is now a landmark in Beirut.
Architect: Joseph Philippe Karam
Beersheba or Be'er Sheva, much like other Israeli cities became an open-air laboratory for architecture; a place where architects, inspired by the modernism of Le Corbusier, could experiment with new ways of urban living.
After the devastating Tashkent earthquake of 1966, many large-scale apartment blocks were quickly built to house the homeless.
The Hotel Uzbekistan, centrally located at Amir Timur square, Tashkent, is a classic example of Soviet 1970's modernist-brutalist architectural style.
Influenced by the Soviet space program and Yuri Gagarin's journey into outer space, Soviet architecture also took on ideas of the cosmos and science fiction. One such building in Tashkent is the former Lenin Museum, which now houses the vast State Museum of History of Uzbekistan.
This building in Almaty, the former capital of Soviet Kazakhstan, was erected in the 1970s and now houses Al-Farabi Kazakh National University.
This Lenin monument was built in 1965 in Istaravshan, Tajikistan.
This apartment block in Chkalovsk, Tajikistan, is one of the many Soviet-style buildings across Central Asia showing signs of deterioration.
Built in the 1980s, these residential towers in Tashkent, Uzbekistan, are examples of the experimental creativity of Soviet architects.
Built as the Kazakh State Academic Drama Theatre in Almaty, Kazakhstan, in 1981, this Brutalist landmark now houses the State Academic Russian Theatre for Children and Young People.
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A century-old territorial dispute deepened by the discovery of oil is boiling over between neighbors Guyana and Venezuela.
Potential military confrontation looms over Essequibo, a mineral-rich territory.
As China’s growth has slowed, tensions boiling over Taiwan, and the US continues to limit Chinese access to advanced technologies, the “new cold war” rhetoric has hardened.
Expect Washington and Beijing to woo the “middle powers” of the global south.
Voters, and the courts, will give their verdicts on Donald Trump.
But the consequences will be global, affecting everything from economy to military support for Ukraine.
One could say Vladimir Putin’s fate depends more on American voters than Russian ones.
Traditional thread from me. We've got enough negative news for 2023, here's some good news you've probably missed.
* For the first time, scientists detected low-frequency gravitational waves moving through the galaxy (Wired)
* Tyrannosaurus rex and other carnivorous dinosaurs likely had a different pucker than suspected, sporting lips that covered their formidable teeth (University of Portsmouth)
* Number of discovered planets rises past 5,500 (NASA)
* Phosphorus discovered on Saturn’s Enceladus, a crucial sign that life is possible (CBS News)
* The world’s first CRISPR-based gene therapy was approved by drug regulators in the UK and the US (Nature Journal)
During a match against Qatar last week, England’s 19-year-old Jude Bellingham became the first player born in the 21st century to score a goal in a World Cup match.
The Qatar tournament also features the first set of full siblings to compete for different teams, with Iñaki Williams representing Ghana and his younger brother, Nico Williams, making his World Cup debut for Spain.
Canadian coach John Herdman is the first manager in World Cup history to have led both a men's and a women's team at the tournaments, having previously coached the New Zealand women’s team in the 2007 and 2011 women’s World Cups.