Remembering Vladimir Horowitz on his birthday π
π· Philippe Halsman, 1966
"The music is behind those dots. You search for it, and that is what I mean by the grand manner. I play, so to speak, from the other side of the score, looking back."
Vladimir Horowitz by Jack Mitchell, 1988
"He hated to record in short sections & would do so only under duress. His artistry was worked out in the larger details. The smaller details came on the spur of the moment."
- his producer, Thomas Frost
Vladimir Horowitz by Ian Berry, 1982
"His Chopin is like a fire-ball exploding."
- Rudolf Serkin
Vladimir Horowitz by Edward Steichen for Vanity Fair, 1930
"A paradoxical and fearsome pianist."
- Harold C. Schonberg
Vladimir Horowitz by Wubbo de Jong, 1986
"He represented an era of keyboard performance when individualism was the highest achievement & every interpretation bore the indelible stamp of the artist`s personality, warts and all."
- John von Rhein
Moving Vladimir Horowitz's piano into his New York townhouse.
π· Waring Abbott, 1985
Vladimir Horowitz by Philippe Halsman, 1966
"I am a 19th-century Romantic. I am the last."
Nathan Milstein, Vladimir Horowitz & Gregor Piatigorsky relax after a concert in Berlin
π· Alfred Eisenstaedt, 1931
Vladimir Horowitz & friend
π· Gjon Mili, 1965
The Horowitz's had two poodles in the 60s: Peppi & Pippo.
β’ β’ β’
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Happy birthday to Nobel laureate Orhan Pamuk π
π· Ara GΓΌler
"His books are multi-layered, allegorical, sometimes fanciful, Proustian in their attention to detail and Borgesian in their dazzling complexity."
- Sarah Lyall
Orhan Pamuk by Sophie Bassouls, 1990
"Books, which we mistake for consolation, only add depth to our sorrow."
It's so great that other photographers have continued Philippe Halsman's #jump! tradition. Here's Orhan Pamuk by Alex Majoli.
This was taken at Cannes in 2007, when Pamuk was a member of the Festival Jury.
Celebrate the Richard Avedon Centennial ππ―
π· Irving Penn, Vogue, August 23, 1993
"He was small, dark & electric with his own sort of vitality. Crackling. Sparks seem to fly out of him. He flashes his fingers like tiny rapid moths."
- Ginette Spanier
On Richard Avedon's Centennial, my favourite portraits
Carson McCullers & Tennessee Williams, April 25, 1950 #Avedon100
On Richard Avedon's Centennial, my favourite portraits
Buster Keaton, 1952 #Avedon100
I'm listening to Concerto Italiano play Bach's Brandenburg Concertos, in their 2005 recording under Rinaldo Alessandrini.
I've always loved the cover photo; it's by Julia Fullerton-Batten. I'll start a thread of some of my favourites of her photos here. π§΅
Julia Fullerton-Batten
The Lady of Shalott, 2018
... which is, of course, a reinterpretation of John Waterhouse's 1888 painting of Lord Tennyson's poem.
Happy birthday Sofia Coppola π
π· Kate Barry
"Coppola is a true auteur β a filmmaker with a distinct worldview and sensibility and a personal set of quasi-autobiographical interests."
- J. Hoberman
Sofia with her dad on the set of Godfather 2
π· Steve Schapiro, 1974
The Coppola family by Ted Streshinsky, 1974
Eleanor & Francis Ford Coppola with their kids Sofia, Roman & Gian-Carlo
Celebrate the Red Garland Centennial ππ―
π· Bill Spilka, c. 1957
"Garland's style was understated and harmonically sophisticated; he would delineate a melody, then shade it with distinctively voiced block chords and hints of counterpoint."
- Jon Pareles #RedGarland100
Esmond Edwards' great album cover for Red Garland's "Red in Bluesville", from 1959. Edwards took the photo, & designed the album as well.
Remembering Bea Arthur on her birthday π
π· Martin Mills, 1972
"Those of us working with her knew we were working with a golden comedic touch." - Norman Lear
Beatrice Arthur with Bill Callaway & Carl Ballantine in Bruce Jay Friedman & Richard Adler's musical A Mother's Kisses
π· Jack Mitchell, 1968
Angela Lansbury & Beatrice Arthur in Mame
π· Friedman-Abeles, 1966
Arthur won the Best Featured Actress in a Musical Tony for her performance. She was Beatrice on the stage & Bea on TV.