1 - 🎃 Welcome to #ThreadTalk! It's the spookiest month & we're jumping right in with a look at ghostly garb👻!
Thrills, chills & blood-curdling horrors await as we take a trip through history & ask the question: "Okay, but what would that ghost *actually* be wearing?" 🎃
2 - We're starting in Japan. Because Japan has the best ghosts & my favorite art. Yūrei (幽霊) are closer to a Western concept of ghosts, but spirits of all kinds are common through Japanese folklore.
This one is from the incredible Bakemono no e, dating from around 1700.
3 - The Yūrei are often depicted as women with long, black hair. By the date of this print, I'd say a kosode (a kimono precursor) would be a good match.
The colors are natural, pale, haunting. You see in the embroidered closeup, too, all the sea grass & shellwork. Just wow.
4 - Tsukioka Yoshitoshi (月岡芳年) 1839-1892 was known for many prints during the Meiji period, including his 36 Ghosts.
I cannot tell you how much I love this one, The Spirit of the Komachi Cherry Tree. Perhaps not technically a "ghost" but like ::incomprehensible sounds::
5 - I can get lost in kimonos, but I was going for color here. This outer layer kimono might have been a courtesans or possibly for the stage, but the colors and composition seem about right. Dreamy, gorgeous.
6 - You can't get far without folks talking about Hamlet's father's ghost. The play was written just around 1600, stage adaptions loved dressing the cast up like this.
Which, well. Certainly historical, but for the king of the Danes? Not quite. Fuseli can't be blamed for this.
7 - If King Hamlet was a Dane, his helmet (haha Hamlet's helmet) would have looked more like this 10 C example from Norway.
He also probably had a lovely beard. The Danes were quite fastidious about their grooming, & buried their grooming kits with them in the afterlife.
8 - In Europe, it seems like everything is haunted. But you hear about the "dames blanches" (white ladies) often (and I don't mean Karens).
One such is Perchta von Rosenberg, 1429–1476, rumored to haunt Český Krumlov Castle in the Czech Republic and/or Stockholm Castle.
9 - The dames blanches are very popular in France, but they also made their way to Quebec, where my folks are. It's said Mathilde Robin haunts Montmorency Falls, where she perished after hearing her fiancé died in the 9 years war in 1759.
She even has a commemorative stamp.
10 - Reports say she wears a white wedding gown and can still be heard crying. Now a) Mathilde was probably not wearing white & b) was probably not wealthy enough to afford an expensive gown. BUT.
Maybe if she had the $$, she could have worn something like this. We can dream.
11 - Pushkin's famous ghost story, The Queen of Spades, features a most terrible main character who tries to woo the heiress of a wealthy old countess.
He threatens the countess with a gun & she dies of shock, which propels the rest of the story (which also includes her ghost).
1 - Dim the lights, grab the popcorn: #threadtalk is going to the (creepy) movies. 🎃🍿🥤
This special edition features a broad list of films that haunt, terrify & sometimes titillate--but always with style. Horror, musicals, cartoons (& odd Disney choices) we've got 'em all. 🔪
2 - NOTE: Inclusion in this list does not mean my personal approval of their director(s), creator(s), actors, producers, etc. Hollywood is nasty on a good day, & some of these films have not aged well.
These are pulled from *my* personal experience in horror films. So, YMMV.
3 - I'm beginning with ROSEMARY'S BABY (1968). Starring Mia Farrow as the mother of a the spawn of Satan himself, I definitely saw this movie way too young (thanks, Mom!).
The poster it fantastic, but it's Farrow's innocent pastel wardrobe that makes the fashion statement.
It's astounding how often spicy scenes get trashed in fantasy, but I find I spend way more time working them out--especially because they have to serve a lot of purposes.
For me, it's always an emotional/character moment. The reader is going to be REALLY paying attention now.
This is especially true in a romance, where the characters are coming together for the FIRST TIME.
It's got to have that emotional punch, and a lot of complexity. Otherwise it's like a bad fight scene. Lots of equipment/weapons, and bad choreography.
Personally, for me, *how* a character initiates intimacy, with whom, and in what way, is a big glimpse into who they are.
1 - It's time for #threadtalk! Today's topic, the Grand Dame of Damask: Anna Maria Garthwaite.
This silk icon has quite a tale, but so does her stomping ground of Spitalfields, London.
And beyond the frippery? The horrors of 18thC England: persecution, riots & taxes🕍🔪💷
2 - Anna Maria was born in 1688 in Lincolnshire, to Rev. Ephraim Garthwaite & Rejoyce (rad name). The family was well to do & Anna Maria would have had a basic education. She showed early artistic prowess, like in this 1707 cut-paper work of a village w/remarkable detail.
3 - I mean, look at the incredible detail on this. Each and every tree has a different shape & leaf pattern, far beyond basic representation. The little horse and rider, the delicate horns on the deer. Painstaking work here that foreshadows the skill of an artist, to be certain.
Buckle up, though. There is a distinct lack of dazzle today.
We're meeting the makers & laborers of apparel history--& how they lived & died for their craft.
2 - In Asia, & China specifically, silk became one of the first real fabric blockbusters for trade during the Han Dynasty, beginning the Silk Road.
Traditionally, weaving was left to women while men farmed & sold, and this continued as trade grew.
3 - Francesca Bray puts it simply in "Textile Production & Gender Roles":“The growth of the textile industry involved new forms of organization of production that made men the skilled workers and marginalized women.”
This is by no means unique to China. It's the story of fabric.
1 - Hey folks! It's a surprise #threadtalk on the medieval theme of the moment: #TheGreenKnight! I just had to come out of hibernation to talk about what I saw in the theater.
Velvet! Crêpe! CROWNS! Pentagrams! I've got you covered. Well, at least *partially*. 📗🪓
2 - Yes, we're starting with that cloak & color choice. Keeping things spoiler-free here, Gawain is seen wearing a golden velvet cloak very early on.
It's quilted, so nice & warm. It's golden, but also a bit ochre--yellow can mean golden, but also... well, cowardice, y'know?
3 - Velvet is a perfect choice for the nephew of Arthur. It's HELLA expensive (as we've covered; links later). This is SILK velvet. Not polyester crap from the 70s. And it takes skilled labor beyond reasoning to make.
But it also *absorbs light*. I feel like this is essential.
Do I hate Lancelot? No. I'm mostly French. I enjoy quite a bit of the French stuff. I also like that he sticks it (hahahahaha) to Arthur.
Do I hate Malory? Hate is a strong word, but I think a lot of Malory is crap and ruinous.
That said, I'm generally of a mind that nearly everyone in the Arthurian canon is terrible in one way or another.
As I said in my #GreenKnight review: it's about entropy and destruction, a golden age deteriorating toward a dystopia.
There are glimmers of joy, but it's rough.
Love means treason; loyalty means war.
Unification means subjugation and cultural erasure.
Mordred isn't the problem. Uther begins the whole dynasty with unspeakable violence and deception. Magic is the scapegoat, but it's a weapon of war just the same.