This is the most important #thread we’ve ever written.

The Church Commissioners are running a consultation that makes deeply worrying proposals that we believe would diminish the democracy of the church closure process, and reduce transparency and accountability of the Church.
In summary, the consultation seeks to make it faster and easier to close churches. They propose dispensing with expert advice from bodies such as Church Buildings Council and the Statutory Advisory Committee, and limiting rights to object to closure or reuse schemes.

2/
Trying to squeeze this into a tweet is going to be hard, but I will do my best.

There’s a piece of legislation called the Mission & Pastoral Measure (MPM) which, among other things, governs the disposal of churches no longer needed for regular public worship.

3/
The consultation says, “12 dioceses were planning a light number of closures (fewer than 5), 9 were planning a medium level (6-12), but 5 dioceses were planning a much larger number of closures (up to 40) within the next 2-5 years”.

That’s anything between 131 and 368.

4/
So more churches will need careful appraisal, but the proposals seek to remove or diminish the expert advice that informs decision-making. The Commissioners seek to cut reports from the Church Buildings Council and instead buy in the expertise. A “development style” approach. 5/
They want to diminish the role of the Statutory Advisory Committee, the expert body, which has 4 State nominees protecting the State’s interests in these nationally important, public buildings.

6/
The Church of England benefits from Ecclesiastical Exemption. Local authorities do not have the level of expertise necessary to deal with places of worship. They are also poorly funded, under-resourced, and at least one third do not have a Conservation Officer.

7/
Furthermore, listed building consent covers the building only and cannot control the fate of contents which are not fixtures. When it comes to valuable, moveable heritage, this is vitally important.

 8/
Parish churches are public buildings, originally built and endowed locally and all members of the parish, whether practising Anglicans or not, are entitled to be heard and considered properly.
But the Commissioners propose to reduce the rights of the public in this instance.

9/
Historic churches are the essence of placemaking. It should not be fast or easy to close a place of worship. Their futures should be assessed by people with appropriate expertise and there should be a reasonable opportunity for the whole community to contribute its views.

 10/
There also seems to be a failure to appreciate the relationship the Church has with the State, esp. in terms of public money it has received to repair its buildings; and the 70% State funding of the CCT to protect historic churches for the benefit of the nation.

11/
You can read the consultation here: churchofengland.org/sites/default/…
 
We have submitted our response and urge you to read and respond too, if you can. We would be happy to chat through any aspect of this, or share our response with you if you DM your email address.

 12/
This is a very condensed version focusing on the heritage/church buildings proposals only.

Do read the paper for yourself.

Thank you for sticking with us till the end!

13/13

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More from @friendschurches

10 Oct
Digging into records about St Helen's, Skeffling (the most recent church to come under our wing), we've discovered a connection to *Madame Sarah Grand* — a Victorian feminist author who was internationally famous (and scandalous!) in her day but has since been largely forgotten.
Born Frances Bellenden Clarke, she married at 16 to a much older widower with children not much younger than herself. It was an unhappy marriage, and after leaving her husband, she devoted herself to writing, lecturing on women's issues and campaigning for votes for women.
Grand's novels centred on the 'New Woman', a name she coined for educated women who sought independence from oppressive marriages, and greater social freedoms. She promoted women's cycling, and argued for less restrictive, 'rational' clothing, such as split skirts.
Read 15 tweets
9 Oct
St Giles’, Tadlow is a “well-lit by jewelled blue-grey windows; a characteristic floor, delicate strips of pink and yellow on the sanctuary walls, and a delicious font of pinkish grey on a white base”.

And it’s on the Heritage at Risk register.

#thread
The quotation above is from Paul Thompson, William Butterfield’s biographer. You see, this is a medieval church “pleasantly placed, in a leafy position”  that had a Butterfield restoration in the late 1800s.

2/
If, like us, you keep an eye on the Church Commissioners’ consultation page on closed churches, you will see that there is a live consultation which seeks to put this Grade II* Cambridgeshire church into our care.

3/
Read 10 tweets
7 Oct
This image of the Llananno screen has always spoken to us. We love that you can see the human hands that carved it over 500 yrs ago in the way the timber thins and thickens, the shapes squeeze and spread..

The design is restless, alive.

And it inspired our new logo.

#thread
The eagle-eyed among you might have noticed that we've updated our profile photo. The egg-yolk yellow logo was inspired by the perfectly imperfect quatrefoils in the majestic medieval roodscreen of St Anno's, Llananno, Powys.

2/
This screen has borne the whips and scorns of time.

Candle wax streaks, beetles gnawed the oak, hands gripped the frame, bats roosted in the loft, the roof leaked, worshippers left - and came back.

This screen - chipped, cracked, crumbled, surviving - has seen it all.

3/
Read 9 tweets
1 Oct
At Llangattock Vibon Avel, as light radiates into the church of St Cadoc, it illuminates St Michael’s golden armour. A dazzling sight.

But this beautiful stained glass wouldn’t exist today if the maker, Charles Eamer Kempe, hadn’t had a stammer.
Kempe, the son of a Lord Mayor of London, attended Oxford and originally intended to take holy orders. However, he realised that his stammer, and his shyness, would make preaching extremely challenging. The priesthood just wasn’t meant for him.
While pondering his future, Kempe was inspired by William Morris's design for the Oxford Union's debating chamber. He decided that "if I was not permitted to minister in the Sanctuary I would use my talents to adorn it".
Read 9 tweets
29 Sep
Glittering alder trees once filled the valley of Gwernesney. Among the lime green leaves and yellow catkins, an Old Red Sandstone church has sat for 800 yrs.

Weathered heads watch with blank expressions as visitors pass under the broad chamfered arch of the south door..

#thread
Carved in the 1200s, this doorway, along with the lancet windows and the trefoil-headed lights in the east window are the oldest parts of the church. The windows at St Michael’s span seven centuries of styles creating an architectural collage - a fenestration i-Spy.

2/
Forget the pews, the monuments or the font... inside, the eye is immediately drawn to the heavily stained rood beam and screen. Spilling over the chancel arch, the 15th-century beam is carried by three stone corbels and is pierced with a delicate foliate trail.

3/
Read 7 tweets
26 Sep
Brithdir has powers of transportation.

Behind a thicket of fleshy, fuchsia rhododendrons, a rugged granite church hides. Inside, the stippled plaster walls are daubed in burnt sienna, the ceiling soars in royal azure.

But the Mediterranean vibe doesn’t end there... #thread
St Mark’s, Brithdir was built in the 1890s. Louisa Richards commissioned Henry Wilson to design the church in memory of her husband, the Rev’d Charles Tooth, founder of St Mark’s church in Florence.

He had died within a few months of their marriage.

2/
Wilson was inspired by Tooth’s legacy in Florence, but also by “those delightfully simple churches just south of the Alps”.

3/
Read 8 tweets

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