For the new Humboldt Forum galleries, @LillaBRS, Lilla Russell-Smith, has dug out of storage a whole range of 5th-10thC murals from Bezeklik and Kizil near Turfan in Xinjiang. Many have not been on display for decades.
These murals from Xinjiang are so similar in tone to the murals at Ajanta and Bagh they may well be the work of itinerant Indian artists at work in Central Asia.
These apsaras and gandhavras remind me of the similar heavenly begins hovering over Arjuna's penance at Mahabalipuram
The love story of King Udayana, who plays his veena, and his wife Vasavadatta, who dances to his music, when he sees a premonition of her death.
These murals were stripped from the walls of Xinjiang by the German Orientalist Albert von Coq, something that today would be considered the worst sort of colonial vandalism and looting.
But with the Chinese now destroying so much of the Uighur heritage of Xinjiang, the remarkable new installation of Central Asian art at the Berlin Humboldt Forum is a safe and brilliantly curated home for these forgotten masterpieces of expatriate Indic art.
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The Nataraja, Shiva as Lord of the Dance, is arguably the greatest artistic creation of the Chola dynasty. It is the perfect symbol of the way Chola sculptors managed to imbue their creations with both a raw sensual power & a profound theological complexity
The dancing figure of the god is not just a model of virile bodily perfection, but also an emblem of higher truths: on one level Shiva dances in triumph at his defeat of the demons of ignorance and darkness, and for the pleasure of his consort.
At another level- dreadlocks flying, haloed in fire- he is also dancing the world into extinction so as to bring it back into existence in order that it can be created and preserved anew.
Natraj- Chola,Tanjore 11thC
Now in the collection of the Guimet & Humboldt Forum
More faces of Kizil
The first meeting of Indian and Chinese art-- with Persian, Central Asian, Zoroastrian and Manichean influences- at the Kizil Buddhist Caves near Turfan in Xinjiang, c350CE
More faces from Kizil
The first meeting of Indian and Chinese art-- with Persian, Central Asian, Zoroastrian and Manichean influences- at the Kizil Buddhist Caves near Turfan in Xinjiang, c350CE
More faces from Kizil
The first meeting of Indian and Chinese art-- with Persian, Central Asian, Zoroastrian and Manichean influences- at the Kizil Buddhist Caves near Turfan in Xinjiang, c350CE