The church at Castlemartin cuts into a steeply sloping rock bank. Perhaps the proximity to a stream and two holy wells gave this site spiritual significance... Or perhaps, nestled in a tree-lined hollow, it offered invisibility from marauders coming from the sea...
This Pembrokeshire site is encircled by earth-banked encampments, possibly prehistoric, and an ancient burial mound, while several early pilgrim paths lead to the church. A 7th-9th century carved cross was found in the churchyard in 1922, but hasn't been seen for decades...
2/
Architecturally, we can place the church in the late 12th century when the parish enjoyed wealth and status due the abundance of fertile, lime-rich soil in which crops thrive. The massive scalloped font and north arcade are the oldest visible remains of this early church.
3/
The small carved faces on the arcades are described as having “a death-like appearance, with closed eyes and shrunken noses and lips.” It is interesting that these masks face north – traditionally the dark or ‘devil’s side’ of the church and could be figures of protection.
4/
The 15th and 16th centuries brought much change to the church: the north and south chapels were removed, as was the north transept. Pre-Restoration sketches also indicate the presence of a west porch of Jacobean character of such size than it more resembled a chapel.
5/
The 2nd Earl of Cawdor paid for the restoration of the church in the late 1850s. The church was re-roofed, re-floored and re-fenestrated, the vestry was added, and doorways rebuilt. As a legacy, encaustic tiles emblazoned with the Cawdor arms decorate the chancel floor.
6/
In the early 20th century, most of the land in Castlemartin - 6,000 acres to be precise - was cleared by the government for use as an artillery range. The church closed in 2016 and was a bit of a milestone for the Friends, being the 50th church we adopted!
7/7
• • •
Missing some Tweet in this thread? You can try to
force a refresh
A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
1/9
The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
2/9
The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
1/6
The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
2/6
The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
1/10
‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
2/10
Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
1/7
Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
2/7
Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
1/8
Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
2/8
Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.