For cozy mystery: (1) Identify your sleuth and her intriguing profession to unlock the door to your story. What unique setting and secondary characters come to mind? says @ajthenovelist
Develop a character problem the sleuth will need to overcome to eventually see the solution to the crime. How can this problem help or hinder her while investigating?
Outline a personal reason for the sleuth to get involved and a reason the police can't be trusted to solve the crime. These will provide plausible and powerful internal and external motivation to act. What's odd about the murder to the sleuth? Why is she so invested?
For more, check out @ajthenovelist's book on cozy mystery: amzn.to/3AKOCgN

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More from @JaneFriedman

17 Oct
Currently attending a query critique panel with agents at @MarylandWriters annual conference. Two out of the three agents do not like rhetorical questions in queries. They prefer direct, strong story statements. #braintobookshelf21
Re: comp titles, agents agree it's OK to use TV/movies to show what your book is like and who it is for.
Re: comps, you may need to be specific about why you're choosing a comp. Similarity of the protagonist? Voice or writing style? Humor? Plot line? Etc.
Read 11 tweets
11 Jun 20
Let's talk about the NYT bestseller list (a thread): People *care* about this list + according to a 2004 study, it increases book sales. Even if it doesn't, I think it's fair to say that authors dream of hitting that list and it matters to marketing.
The list has often been criticized (for sooo many things), and it's a pretty open secret that it's not really a straight/factual accounting of bestsellers if you were to go strictly by the numbers or volume of sales.
So it annoyed me a little when—in response to recent criticism tied to #PublishingPaidMe —the NYT recently tweeted that the list is not "curated." That strikes me as somewhat disingenuous.
Read 20 tweets
8 Jan 19
Thread: You'll see many headlines this week about declining author incomes b/c there's a new study out from the US-based Authors Guild. I have great respect for the Guild, which does essential work on behalf authors. However, I have continuing skepticism about all such studies.
These studies are based on a self-selecting sample. Surveyed authors may not be representative of the population of books recently published. That doesn’t mean the study is devoid of value, but the data isn’t verifiable. I'm not convinced incomes are on the decline on the whole.
As you consider the results of any such study, remember it is always done to support arguments and legislation for protecting authors in some way, sometimes through stronger copyright legislation or to point a finger of blame at Amazon and/or big publishers.
Read 7 tweets

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