“Trans people aren’t a threat to you ... I want people to see others as human and be accepting of each other.”

@katie_gatens sits down with @biminibabes — nonbinary star of RuPaul’s Drag Race UK and Great Yarmouth’s most fabulous export. thetimes.co.uk/article/bimini…
Bimini Bon Boulash doesn’t like labels. “Non-binary is a new term, but the idea has been around for a long time,” the 28-year-old drag queen says.
“David Bowie was non-conforming to gender standards, and people like Prince and Grace Jones were very fluid with their gender identity. I often wonder if people who get so flared up about it ever listen to those artists.”
Bimini is the drag persona of Thomas Hibbitts.

Hibbitts goes by the pronouns they/them, whereas Bimini uses she/her — though she says she’s pretty easygoing about the whole thing.
Bimini knew from an early age that she didn’t fit in. “I was in the kitchen with ruby red slippers watching The Wizard of Oz and clicking my heels. My mum knew I wasn’t what society would deem normal.”
“I’ve gone through a lot of dark times,” she says.

Drag has been the key to Bimini’s acceptance of herself. She dresses as a Vivienne Westwood-style punk, hyper-feminised women with huge boobs, and as androgynous models — the boundary of gender constantly shifting.
“I don’t have to fit into kind of a stereotypical gendered style. I can create my own.”
Drag has also aided her recovery from addiction.

“I don’t think that [drug use] is uncommon within a queer community. You can go into a self-destruct mode.”
Illness and weight-loss ensued, and Bimini rose from the ashes. She discovered yoga, became vegan and entered #DragRace after 18 months of performing on stage.
Drag has also been a way for Bimini to express her politics. “Drag is a form of activism,” she says. “Until it’s fully mainstream and fully accepted by everyone, it’s always going to be political.”

Read the full interview: thetimes.co.uk/article/bimini…

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More from @thesundaytimes

17 Oct
At Harewood House, in West Yorkshire, two men sat down for a difficult conversation.

“My great-great-great-great-grandparents were slaves on your family’s plantation,” the actor David Harewood told David Lascelles, the 8th Earl of Harewood. thetimes.co.uk/article/david-…
“This is a fine house and beautiful grounds. But it was built on the proceeds of slavery. Do you feel any guilt or shame about that?” Harewood asked Lascelles.
“No, not in a personal way,” Lascelles replied. “I don’t feel that feeling guilty for something you have no involvement with is a helpful emotion.”
Read 13 tweets
17 Oct
Voting is now open for the Sunday Times Sportswomen of the Year awards (in association with Sky Sports). Head to sportswomenoftheyear.co.uk to cast your votes. #SWOTY
Today we can also reveal this year's shortlists for each award. First up: the Young Sportswoman of the Year. 🏆

Congratulations to the following young athletes:
@Backstedt_Zoe
@skyandocean_
@AliceCapsey
@HodgkinsonKeely
@bethanyshriever
Maisie Summers-Newton
#SWOTY
Read 8 tweets
16 Oct
Is Scott Stuber now the most important man in Hollywood? He laughs nervously at the question.

“I am just a guy in a chair that someone else will [one day] occupy.” thetimes.co.uk/article/scott-…
It is, nonetheless, a very big chair: Stuber oversees the Netflix film slate and when he joined early in 2017, he had to fix a glaring problem.
While the company was winning acclaim for its original series, customers were still complaining about the quality of its film offering and Hollywood was sniffy.
Read 12 tweets
16 Oct
"Fans or readers, or even critics, who really want to learn more about my life should read my lyrics."

In an exclusive extract from his new book, @PaulMcCartney reveals the stories behind the music. thetimes.co.uk/article/paul-m…
"Some people, when they get to a certain age, like to refer to a diary to recall day-to-day events from the past, but I have no such notebooks. What I do have is my songs — hundreds of them — which serve much the same purpose."
I Lost My Little Girl
Written in 1956, released in 1991

"You wouldn’t have to be Sigmund Freud to recognise that the song is a very direct response to the death of my mother. I wrote this song later that same year. I was 14 at the time."
Read 10 tweets
16 Oct
#WorldAtFive 🌎: They first appear as great black smears on the horizon. As they move closer, they black out the sun and the land goes dark.

Then to the growing rhythm of millions of beating wings, they drop lower and lower, devouring all in their path. thetimes.co.uk/article/un-usi…
Patrick Mutugi, a farmer in Meru, eastern Kenya, watched in horror as the worst locust plague to hit the Horn of Africa for more than 70 years invaded his land.

Terrified villagers, fearing that the insects would enter their homes, tried to chase them away, to no avail.
“They ran around singing, shouting, even throwing stones to try and frighten them off,” he said.

“When the swarm descends, the air is so think with them you can barely see. They carpet the ground.” The crops are stripped bare. The locusts move on.
Read 5 tweets
10 Oct
One of the last links to Hollywood’s golden age, @Joancollinsdbe is about to publish her withering and witty diaries. @thesundaytimes meets her at home in Belgravia. thetimes.co.uk/article/joan-c…
A mood killer in this interview is The Mail on Sunday, writes @joshglancy, which has just printed a story about Collins supposedly having an affair with the patrician Tory MP Alan Clark that is “an absolute, 100% lie”.
The offending anecdote is taken from documentary maker Michael Cockerell’s new memoir.

Collins was “appalled” by the story and is trying to put her lawyer on it. “I’ve never heard of this Cockerell chap,” she says dismissively.
Read 11 tweets

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