At Harewood House, in West Yorkshire, two men sat down for a difficult conversation.
“My great-great-great-great-grandparents were slaves on your family’s plantation,” the actor David Harewood told David Lascelles, the 8th Earl of Harewood. thetimes.co.uk/article/david-…
“This is a fine house and beautiful grounds. But it was built on the proceeds of slavery. Do you feel any guilt or shame about that?” Harewood asked Lascelles.
“No, not in a personal way,” Lascelles replied. “I don’t feel that feeling guilty for something you have no involvement with is a helpful emotion.”
“You know, there’s nothing you can do to change the past, but you can be active in the present . . . What I am responsible for is what I try to do about that legacy. To try in a small way to make that a force for good today.”
This remarkable conversation was recorded for a new Channel 5 series, 1000 Years a Slave, which sets out to link the history of slavery to modern communities around the world.
The documentary was a deeply personal and emotional journey of discovery for Harewood, whose parents moved from Barbados to Britain in the late 1950s and early 1960s and settled in the Small Heath area of Birmingham.
The building of Harewood House was funded by the profits the Lascelles family accumulated from the work of thousands of slaves on Caribbean plantations that supplied sugar, rum, cotton and tobacco to an insatiable European market.
On an emotional trip to Barbados for the new documentary, Harewood is shown a harrowing document — the Barbados Slave Code of 1661 — a piece of colonial legislation that held instructions for plantation owners on how to control their “chattels” with torture.
This included whipping them and branding their owners’ initials into their faces with hot irons. The code also stated that if a slave owner killed someone who belonged to them, they would not face legal consequences.
During breaks in filming, Harewood discussed the painful fact that the 2nd Earl, the man who inflicted back-breaking work on his relatives, is the source of his surname.
“Had I understood myself in this way sooner, I may have changed my name,” Harewood said.
“You need to understand how painful it is to know that my ancestors were responsible for those terrible things,” said the 8th earl. “But as the beneficiaries of a terrible trade you have to face up to that in order to cope with the present.”
Harewood believes that believes black people suffer from the crimes of the past every day, leading them to question their identity and whether they belong here.
"It can be extremely frustrating, tiring and wearing. It creates a sort of erosion of one’s mental health."
Voting is now open for the Sunday Times Sportswomen of the Year awards (in association with Sky Sports). Head to sportswomenoftheyear.co.uk to cast your votes. #SWOTY
Today we can also reveal this year's shortlists for each award. First up: the Young Sportswoman of the Year. 🏆
Bimini Bon Boulash doesn’t like labels. “Non-binary is a new term, but the idea has been around for a long time,” the 28-year-old drag queen says.
“David Bowie was non-conforming to gender standards, and people like Prince and Grace Jones were very fluid with their gender identity. I often wonder if people who get so flared up about it ever listen to those artists.”
It is, nonetheless, a very big chair: Stuber oversees the Netflix film slate and when he joined early in 2017, he had to fix a glaring problem.
While the company was winning acclaim for its original series, customers were still complaining about the quality of its film offering and Hollywood was sniffy.
"Some people, when they get to a certain age, like to refer to a diary to recall day-to-day events from the past, but I have no such notebooks. What I do have is my songs — hundreds of them — which serve much the same purpose."
I Lost My Little Girl
Written in 1956, released in 1991
"You wouldn’t have to be Sigmund Freud to recognise that the song is a very direct response to the death of my mother. I wrote this song later that same year. I was 14 at the time."
#WorldAtFive 🌎: They first appear as great black smears on the horizon. As they move closer, they black out the sun and the land goes dark.
Then to the growing rhythm of millions of beating wings, they drop lower and lower, devouring all in their path. thetimes.co.uk/article/un-usi…
Patrick Mutugi, a farmer in Meru, eastern Kenya, watched in horror as the worst locust plague to hit the Horn of Africa for more than 70 years invaded his land.
Terrified villagers, fearing that the insects would enter their homes, tried to chase them away, to no avail.
“They ran around singing, shouting, even throwing stones to try and frighten them off,” he said.
“When the swarm descends, the air is so think with them you can barely see. They carpet the ground.” The crops are stripped bare. The locusts move on.
A mood killer in this interview is The Mail on Sunday, writes @joshglancy, which has just printed a story about Collins supposedly having an affair with the patrician Tory MP Alan Clark that is “an absolute, 100% lie”.
The offending anecdote is taken from documentary maker Michael Cockerell’s new memoir.
Collins was “appalled” by the story and is trying to put her lawyer on it. “I’ve never heard of this Cockerell chap,” she says dismissively.