A few years back I saw a zoomer review of “taxi driver” where the zoomer was shocked that Travis, who had a job, pretty big apartment (in nyc no less), and gf was considered a loser in the late 70s. A peak loser, even. The average young man in current year is much worse off. 1/
“Taxi driver” is what I call a “catcher in the rye” film. It continues the theme of “catcher” but fits it into its current year. Holden Caufield of “catcher” is even better off than Travis; being a rich kid in a boarding school. But with thr same issues (set to his era). 2/
“American psycho” is the next “catcher” film after taxi driver. Patrick Bateman is better off financially than Travis, reflecting the improved economy of Usa in the late 80s and early 90s. But his psychosis is worse. Shows how material wealth can carry the germ of mk insanity. 3/
“Fight club” is the next “catcher” film w the catcher having wealth similar 2 Patrick Bateman but he’s beginning 2see the emptiness of material wealth. He “slums jt” with his fight club the same as Holden Caufield literally slums it by leaving preppy boarding school 2go to nyc 4/
Next up is “observe & report” with a delusions of grandeur mall cop. Similarly to “fight club” he feels he can escape phoniness through masculinity. Unlike fight club his idea of masculinity is about consumption. He doesn’t get in shape he buys guns & talks big. 5/
“O&R” “catcher” (like millennials) lost tyler durden realization material things themselves r part of their spiritual imprisonment. “O&R” guy is fully spiritually colonized; fantasizing about rising to the ranks of real law enforcement (the foot soldiers of the evil system) 6/
We all know what the most recent “catcher” film was. 7/
Arthur is a true loser. Bottom rung. He has aspects of all the previous “catchers”:
-sees material things as pointless
-everyone is phony
-tfw no gf (except in his mind)
-wh0re mom
-abused as a kid
-poor af
-gun f3tishism
-fully mk by tv 8/
By killing Travis Bickle, Arthur is ascending 2peak “catcher” &venting zoomer rage at how far young men have fallen. Being on average even worse off than 1970s peak loser. Riot at end of film is symbolic of the system and media mk having turned an entire gen into “catchers” 9/9
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Tonight I have a new Traveller character named Beat Takeshi. Fresh out of mustering out of the merchants he’s got a katana, daggers, and a Honda civic. He will find men of honor to join his crew on this new weird planet. #moonstein #brosr 1/
Gm Jeffro has noprep rolled up our starting planet as 10s of billions of people. This is now a city #Braunstein
There’s a thousand stories in this space city and I’m just the man to bring it honor! #moonstein #brosr 2/
High law (no visible weapons allowed) and 1 tech. Underground planet hollowed out. Alien warren world of caves and cities up top. Let’s do some morality plays of the haves and have nots! #moonstein #brosr 3/
Dune Part 2 is an astonishing achievement in filmmaking that is ruined by the worst female love interest that has ever been put to screen. 1/
The cinematography and action proves you can lean hard on cgi and still do amazing things. The arena/fight scene on Gedi Prime with washed out b&w and casual brutality is one of the most disconcerting things I’ve ever seen; and effectively sets up the alpha bad guy 2/
Even more than Lynch’s film, the fremen were effectively depicted as superhuman t4liban as Herbert imagined they must have been keeping the soviets out of Afghanistan. Probably bc we’ve since gotten rolled post 9/11 trying the same thing. 3/
Goodman Games:
>remove all the male/female pronouns from your Dcc book to please tbe hard left
>hard left attacks you in the replies for only having white men in your panel
Was it worth it? #brosr #inlivingcolor
Happy secular non-denominational holiday season! “It’s a Wonderful Life” is a wonderful film that was an early entry in the psyop to make modern men unhappy in their lot. Its major psyop was fully revealed in “The Shining” and fully established in “Tomorrow War”. 1/
The defining characteristic of George is he wants to travel. Back then you couldn’t have your hero be a full on post-modernist orc who doesn’t value family etc.
So “wants to see the world” was the best you could do for your hero 2/
So the film turns it into more of a lark that he doesn’t want to be like his father. During the course of the film he has self loathing because he’s forced to be like his father bc of circumstances and duty. Modernists hate their dads, we see it all the time these days right? 3/
Had actual conversations with @VassalOfChrist and others in March of 2020 where I said “so they’ll rush out this poisonous v4ccine and…”
I had to deal with “right wing” dorks getting mad at me saying stuff like “bro if trump oversaw the v44x its fine! If we don’t get behind it he’ll lose the election!”
Many Gen Z prob have subconscious hate for parents due to all their aborted bros and sisters
Then there’s the extra metaphysical humiliation of making Junior parrot your reasoning. “Oh it’s my moms body her choice,” he says with a metaphorical gun (mom’s conditional love) to his head.
Survivors’ guilt knowing he made it past assassin mom when his big bro didn’t bc mom wasn’t ready to settle down yet.