no, you misunderstand. i don't "dislike" disney. i'm not "not a fan." i genuinely believe that disney, its subsidiaries, and all their products are a catastrophic empire-focused parasitic evil exceeded only by the us military & the cia in its detrimental effect on human culture.
if i seem unhinged when i call disney "the great satan of our time" it's only because i literally believe that disney is the great satan of our time
"come on it's not that bad" there are explicitly homophobic films from the 20th century that are better representation than *anything* disney has produced in the last twenty years
which like, fuck representation as a concept, i don't want to be represented by a corporation anyway? my point is that they have so much fucking money they can just invent a reality where people *have* to be impressed by a gay doing hiroshima or whatever
this faceless corporation has deprived us of an entire CENTURY's worth of public domain works to draw from and so made themselves the sole proprietors of virtually all american culture. disney is, first and foremost, a rentseeking landlord of uncountable quantities of ideas.
our entire conception of art as "IP," as properties you must get permission to trespass on, as a plot of land in ideaspace that can be bought and sold and legally enforced- i'm not saying disney is the only one to blame, but boy howdy do they sure bear a lot of it
i know a lot of folks agree that disney's ratfucking of copyright law is bad, but it still feels like the prevailing attitude is, well, you know, it sucks, but it's not the end of the world, other people besides disney can still make stuff, and obviously *i* don't have ideology
the thing is that i DO think it's the end of the world, in the sense that disney's collective cultural affect forms a tremendous part of the ideological framework that is propelling us headlong into irreparable climate apocalypse on a global scale
this framework, this relationship we have to the ownership of ideas in combination with the simple reality of how much of our culture is owned property, it doesn't just affect how we think about art, it shapes our entire conception of reality in a million different ways
i don't know how else to explain the absence of violent widespread outrage over our government's abject refusal to enact a TRIPS waiver other than to say that we've been conditioned from birth to accept that such things are normal and make sense EVEN AS WE FIND THEM BAD
it's always been conspicuous to me that across the disney canon there is *such* a devotion to maintaining the worth of hereditary monarchies and the villainy of lower class upstarts. the lion king and black panther are the first to jump to mind, but it's *everywhere* in disney
and even when you get something like thor ragnarok, which IS critical of hereditary monarchies, it still has to end with some middling "i've learned my lesson about the evils of empire, now i'll be a ~good~ king, i promise!" once you see this unspoken theme, you'll never unsee it
it's conspicuous because if you confront a disney fan with the evils of disney they'll still probably say "yeah that's bad, but, you know, i like disney movies." like yeah, you know, the king does bad stuff sometimes, but who doesn't? at least he keeps up the bread and circuses!
i don't care if this is intentional. i don't care how much anyone is to blame or whether it's fair to say x or y about the one good movie they make every ten years. these little discourse games are a distraction from the inarguable cumulative evil that this corporation represents
the thing about capitalists is they don't have to be mustache twirling villains to commit unspeakably evil crimes, they just need the profit motive
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i am a fan of villeneuve and i have been holding out hope for dune from the beginning yet somehow i am still SHOCKED by how good villeneuve's dune actually is
dune is not an action movie, it's cosmic horror. the plot is basically, what if everyone realized that paul atreides is stuck in the hero's journey and that it spells the end of civilization as they know it and there's literally nothing they can do but watch it unfurl
what's really shocking to me is unlike blade runner 2049, which mostly just feels like a straight up and down sequel to blade runner, dune is very directly drawing attention to its real world parallels. this film has a proper sociological perspective. it's like a REAL movie
everyone who followed me from my nft posts is now obligated to read all 386,936 words of my ongoing homestuck fanfic series godfeels. i invented an entire metaphysics of intellectual reality for it. there's gender. it is better for you than every nft post. archiveofourown.org/series/1475819
eventually there's a naval battle between a galleon and a giant octopus conveyed entirely from the perspective of a character who is bleeding to death and pinned to the deck with a big lance. this coneys nothing substantial about godfeels i just think this scene is funny
i actually did a video on godfeels back when it was just a story about a girl with gender. it's pretty good imo and i'm probably gonna do a sequel to it in the nearish future since i did in fact learn a few more things writing 150,000 words in three months
buncha new followers today, time to talk about homestuck to thin the herd
i like homestuck, it's a good web comic, there's a part where a girl draws the outline of her body on the ground several pages before keeling over and dying in that exact position, which is how i wanna go
june egbert is canonically transfem and the toblerone wish was a spoiler, if you think june is a tryhard head canon then you have never talked to a trans woman in your life and also you're boring and have boring taste
"homestuck is bad" no homestuck is good actually fuck you
it is extremely funny how often nft guys, and even people writing nft-critical articles, straight up just don't know how nfts work. for instance: did you know that nft art is NOT stored on the blockchain?
if you buy an nft, the only thing actually on the blockchain is a hyperlink. the art itself is stored on a server just like any other digital file, likely one owned by the company producing that particular brand of nft.
the supposed advantage of the blockchain is its decentralized nature, right? everyone has a copy of the ledger, so unauthorized changes get caught immediately. this is only feasible at scale if the ledger itself is relatively small. hence: actual media must be stored elsewhere.
i'm just gonna be a codger here and say almost every american movie and television show of the last decade looks the same and sounds the same and feels the same. such inexpressive and disposable media. netflix hbo and disney ought to be nuked from fucking orbit
even when i'm watching shows i nominally enjoy, my praise is like picking flecks of gold out of a bowl of porridge. our idea of "prestige" media is so brainsplittingly bland it's no wonder adults flock to children's media just to remember what colors look like
folks mourning the impending death of the cinema as if it's been anything more than an overlong roller coaster ride since 2007.