The US Department of Labor used to enforce regulations that employers and their investment managers chose their employees' investment plans based on financial factors. They'd need to choose mutual funds or ETFs that looked profitable for their employees 401K plans..
That was great, but what about Climate Change and other radical Left wing bottomless pit causes?
A scheme was devised.
Under Obama, employers became able to gamble their employees futures on their own personal social causes & beliefs, by expressly allowing businesses to "make investment decisions that reflect climate change and other environmental, social, or governance (ESG) considerations..."
Obviously, this created a flurry of Woke virtue signaling from big corporations, who no longer needed to prove that they were profitable to attract investor capital, they only needed to prove they weren't transphobic, and cared about Diversity and Inclusion.
It's pretty easy for massive companies like Disney to whore out their comic book publishing division to the required activists, and that's precisely what they've done. It's happening everywhere, but since we're mostly interested in comic books around here, let me be specific:
Marvel and DC have become Woke Bait for potentially trillions of dollars of ESG investment capital. Your future. Your money. They're getting it whether you buy their Woke garbage comics or not.
A year ago, Trump's USDL attempted to reverse this policy, in which everyone goes woke and YOU go broke, but President Biden is currently in the process of reversing that reversal. Quietly. You probably didn't even know it was happening.
But now you know why.
Now it should be clear, why gender and race swapping of classic comic book characters are grabbing headlines. Now you know why every third character is coming out as LGBTQ, and why it's important that CNN and the NY Times report about it.
It's not because these companies are Left, it's because being SJW is easier than demonstrating that you are capable of earning a profit. And all you need to do is read the Twitter accounts of our local comics SJW population to have that brought squarely home to you. #ComicsGate
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Comics Breadtubers evidently don't understand that the Comics Code wasn't some dark night of fascism under Wertham, it was the comic book industry saying, "Point taken, Congress. Some of this shit is rough. We'll monitor our own content, though. You stay out."
The entire point of the Comics Code Authority was to reassure retailers and the newsstand that this comic book was okay to sell...
...to children!
Little kids were the audience back then.
It wasn't enforced. You could still make fucked up shit, but that logo meant more sales.
If you believe fascists brought about the Comics Code Authority, how terrifying must the Motion Picture Ratings System be to you?
Hey #COMICSGATE:
Marvel and DC Comics employ radical Left wing activists to produce social justice propaganda disguised as superhero comics, that they emotionally blackmail their audience into purchasing and supporting.
These activists viciously attack their critics.
These formerly great comic book publishers are now owned by enormously indebted corporations, DISNEY and AT&T, who do not respect our creative medium, and are using it to cynically project Woke values in order to qualify for ESG funds and investors. sec.gov/oiea/investor-…
This isn't art. This isn't comics.
The reason comic books are so lousy right now is that whatever comes from our tiny, beloved industry must first serve the interests of their massive parent companies, who no longer need to prove to investors that they are PROFITABLE.
Superman fought Doomsday to the death. This one single superpowered monster defeated the entire DCU and forced a final performance of selflessness and sacrifice from the Man of Steel that left readers weeping.
SJW creators are quick to cheapen stories like this.
"What? Superman couldn't defeat a single Doomsday without dying, but my cheap-o, knock-off Kroger brand DIVERSE Superfolks can EASILY defeat a whole army of them without breaking a sweat! See? Told you they were awesome!"
When you do this, you diminish and devalue Superman. Evidently, he sucks.
You diminish and devalue Doomsday as a terrifying and ultimate villain.
And you diminish and devalue the work of those who told that story.
So much of who Superman is and has always been is how we relate to him. We're HAPPY to see him. When he arrives, everything is going to be okay. We trust him.
The Snyder movies failed artistically because they failed to capture the almost Christlike purity of Reeves portrayal.
I understand that these aren't "Superman", they're his offspring, but like the Snyder version of the character, I don't trust them. They look angry and menacing, like they aren't here to help and sacrifice themselves if necessary for humanity.
ComicsGate is a rebellion of fans & professionals against Radical Leftism, or "Social Justice" taking precedence in comic books over and instead of good stories and characters.
Leftists feign concern for "marginalized people" to take control of platforms and businesses.
They pretend to cater to "under represented people" so as to cast their critics as "bigots" who are clearly "racist, sexist, homophobic" etc. It's a repressive tactic, and it comes along with Cancel Culture, which SJWs further utilize to create fear in anyone who resists them.
ComicsGate attempted to convince the mainstream comic book industry not to fall for this, to save comics from these political parasites, but the damage was already done to the hobby and industry. It's absurdly "woke" now, with fewer opportunities and unlivable wages. It's sad.
So let's discuss the next phase of ALL CAPS COMICS.
Let's talk about the idea of a monthly CYBERFROG and a monthly JAWBREAKERS series, offered only via subscription. Written by me and Zack, drawn by a couple of consistent and fast artists (like Kirkman found Charlie Adlard.)
This has been something I've been thinking about for a year, because subscriptions have always been Direct to Consumer. It's entirely ComicsGate...it makes sense.
ALL CAPS would have a sudden growth spurt. I'd hire an editor, we'd use a regular printer each time...
And we're already shipping enormous quantities of trading cards, stickers and comics every day.
We'd have to offer an annual subscription, and get 2000 subscribers to make it work, for both books.
The subscription would probably be $125 plus shipping. It might be impractical.