One way to sell news in early modern Europe: combine extraordinary topics that were published elsewhere before, and then republish them in a new pamphlet.
The selection and combination of three extraordinary topics was an easy task for an experienced publisher. To start with, you needed to buy and read other pamphlets or news prints of the time. Media echoes of interesting stoiries were omnipresent and easy to spot. Have a look:
The severe weather, with thunder, heavy rainings and lightning, was all over the German news in 1684. Even if you missed the news reports in newspapers, there were also extra pamphlets devoted to the topic available. Like this one:
Next topic: the ghost story. A classic theme uploaded during the Reformation times that was reinvented all over. In 1684 you could choose your favorite ghost story from many publications, old and new alike. The chosen story of the three-topic-pamphlet came likely from this source
The third topic: the wonder flour. Publishers knew: a miracle story was often a good selling choice. "Wunder Mehl", wonder flour, was one of these good selling topics. Miracles around flour was an established theme - for example from this 1678 #Liedflugschrift:
But the direct source for the three-topic-pamphlet of 1684 was this other pamphlet highlighting the story of the "Wunder Mehl" a few weeks earlier, still in 1684:
Combining news parts was a media selecting practice, a well known observation work done by early modern publishers and authors alike. The media effect: echoes of news stories were travelling in Europe. #NewsHistory#BookHistory
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Cartography was a paper art. The famous painting of late seventeenth-century from the Dutch Johannes Vermeer reflects some of these paper usages: "De geograaf" was a paper using man; early modern #cartography was a paper world of its own. A short thread for #paperhistory.
Let's start with the globe. European-produced globes came in many sizes and forms (such as terrestrial and celestial globes), but most of them were printed globes and had from the first half of the 16th century onward main paper features:
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First paper step: Form two half-hemisphere shells from papier mâché (or thin board).
Second paper step: joining the two paper hemispheres together - by glueing or sewing. Then sealing the paper thing with more paper to form a - to be coated in plaster - paper ball. Et voila! 3/x
There is a paper story included into this famous German painting of 1830s from Carl Spitzweg. You may know the common interpretation of the Poor Poet (German: Der arme Poet): Attention to the material misery of most artists and their work!
Let's start a #paperhistory thread. 1/x
The painting came in three versions and the one remaining copy is nowadays in the Neue Pinakothek (Munich: pinakothek.de/kunst/meisterw…). Let's focus on the paper used and present in this imagined scene of a poor poet in his attic room in the 1830s. 2/x
Easy to spot in the room are a few big bound books. They may be bound in leather but they are printed upon paper, very likely before 1800. These are used books, old books, second hand books. Nota bene: The German antiquarian book trade developed in these days, #bookhistory. 3/x
A scene of paper management and usages: an European early modern tax office was full of papers. Fresh paper sheets, old paper sheets, printed papers, handwritten papers, waste papers, etc. Let's have a deeper look, #paperhistory. A next thread, 1/x
Managing information became a paper business in Early Modern Europe. The expanding administration practices made secretaries, lawyer's offices, tax offices, etc. And they ran on paper, had to store paper, and deal with paper. It was a paper world.
At first sight: a young viola player, painted with oil on panel in 1637 by Gerri Dou. But take a closer look at the shadowy parts and you will see a lot of paper details and various book variations of the time. A hidden #bookhistory thread. 1/x
The painter of this stunning art work, Gerrit Dou, is considered a master painter of the seventeenth century, so please enjoy the images of the thread. Dou painted this piece of art at age twenty-four, in 1637.
Let's zoom into the bookish details. You see some big leather bound books, printed paper in large paper formats - maybe even “double elephant folio” paper, in 1637, these papers were among the largest paper sheets available on the market. And there is more ...
So much paper in this 1665 painting from Cornelis N. Gijsbrechts. You see an open cupboard door, as art history labelled the image, but what you also see: prints, letters, a broadside, an almanac, stored unused paper sheets. Early Modern Europe was a paper age. A
thread, part 1.
This painting of late seventeenth century echoes the availability and usages of paper in Europe. By at least the fifteenth century, paper was increasingly used in more and more individual and public contexts. Have a look: brill.com/view/book/edco…
Part 2 of the thread.
Let's start with the letters. Writing letters, corresponding, was a thing in Europe. Managing your business or scholarly world, wrestling with administrative work, news transmission, and much more, all this was a paper using practice. You see folded and opened letters. Part 3.
What you see is a painted impression of the physical circumstances of an European artist in the early nineteenth century. Among other details and objects, a lot of paper is present. Let's have a a closer look, #paperhistory and #bookhistory. A thread.
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The painting is titled Léon Pallière (1787–1820) in His Room at the Villa Medici, Rome, and was painted in 1817 on oil. The artist: the French Jean Alaux.
Here is a link to more details: metmuseum.org/art/collection…
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The writing place. A place of various paper usages: a letter on the table, a few bound books, folders filled with loose paper sheets, unbound books, a few sheets of paper in-between. Also: an ink pot, and a writing quill. #paperhistory