Dr. Jacqueline C. DjeDje says a lot about how Black music in the US has been erroneously essentialized as coming from West African drumming. Since her work focuses on West African fiddling and African American fiddling, probably good to listen to her.
from her "The (Mis)Representation of African American Music: The Role of the Fiddle"
"I demonstrate how the misrepresentation of black fiddling ... has greatly impacted our understanding of both black and white musicking in the United States."
Sylviane A. Diouf, another Black scholar who researches the African diaspora and slave trades, and is the author of "Servants of Allah: African Muslims Enslaved in the Americas" also makes the connection between string playing, Islam, and the Blues.
So maybe this isn't the best thing to say as a yt music educator working in Afrodiasporic musics/culture.
Dr. DjeDje's words here are almost prophetic in the context of yt people discussing Black music and culture without engaging with Black scholarship about Black music and culture.
Not even sure if this is parody or not. "raciodivergent"? I've seen "racial fluidity" before (in the context of bi and multi racial issues) but raciodivergent is too much.
"When Heterophony Becomes Polyphony: Two Ways of Looking at Multipart Music on a Continuum and how that Influences Composition and Performance Practice."
But I'm really looking forward to this as I'll be framing it from the standpoint of creating inclusive pedagogies by highlighting Heterophony/Polyphony as types of musical practices embodied as variations across cultures. Similar to what I describe here:
One ultimate goal of which is to get away from essentializing musical practices while also acknowledging how they are modeled in different ways because of different knowledge systems.
When you're researching 16th c. music prebends of Olivença and the Diocese of Ceuta and get distracted by mention of Japanese slaves in Portugal and start going down that rabbit hole... 😬
This helps give a lot of context to the Mardijkers of Batavia, many of whom were descended from Portuguese slaves and went on to form slave orchestras in Batavia.