4/ Here's another song about the hadith with a music video made up of some of the most violent scenes from the Turkish historical drama "Diriliş: Ertuğrul" edited together with clips from Khadim Rizvi
5/ Then these music videos and speeches are distilled to even shorter clips made for people to use as Whatsapp status videos or ringtones for mass distribution, such as this one:
6/ The result? You can guess, but it's depressing.
Here's one example. Note that the indirect connection to the Ertugrul TV drama in the previous music videos is not benign: facebook.com/bilawal.quresh…
7/ In this clip, a TLP devotee cites the hadith while explaining why he is gifting a sword (made to be a replica of Ali's Zulfiqar) to Khadim Rizvi's son and current TLP leader Saad Rizvi
8/ Here you can see the hadith being used as slogan of faith by a TLP protester while being detained
9/ Of course, I don't mean to suggest that a line from religious text is the primary motivation for people to commit a lynching -- but certainly people who do commit them for any reason know they can defend their actions by citing texts that have been given mass popular currency
10/ Was looking for this clip but it had been deleted from my saved link
Remember, the issue isnt that the hadith chain is weak, but that kids are being taught to murder people for their words. The problem is the state's patronage of this movement
1/ This is the racy iconic Bollywood song "Tu cheez badi hai mast mast". It might not look very classical, but the melody is based in the Hindustani classical music system using Raag Bhimpalasi...
2/ In this thread I want to explore how deeply and widely South Asian musical culture has been informed by the raag system. I want make the case that one can even use it to define the bounds of what we call "South Asia" or rather "Hindustan"...
3/ From Kabul to Chittagong, from Kathmandu to Kerala (or further to Colombo), classical musicians can converse fluently through the language of raag.
Eg this is the Peshawar based Rubab maker and player Ustaz Sarparaz playing in Raag Bhimpalasi also
1/ Kaafi by Bulleh Shah "Hori khelungi keh bismillah" with a beautiful incorporation of a Quranic verse
«اَلَستُ بِرَبِّکُم» پریتم بولے سب سکھیاں نے گنگھٹ کھولے
«قالُوا بلیٰ» ہی یوں کر بولے لا الہ الا اللہ
2/ "Alastu bu rabbikum" (from Quran 7:172) is usually interpreted as the primordial questioning of human souls by Allah asking "Am I not your Lord". Bulleh Shah has visualized this scene as an ecstatic celebration akin to Holi celebrations...
3/ The performance above is by Madan Gopal Singh. Here is a slightly Urdufied qawwali adaptation of the same Bulleh Shah Holi poem performed in Bihar by Meraj Afzaly:
The praise of Ali in a few South Asian musical forms
1/ Manqabat in the form of Dhrupad -- the oldest Hindustani classical vocal genre. This is in Raag Malkauns performed by Ustad Wasifuddin Dagar
2/ Manqbat as the bandish of a khyal in raag Bairagi Bhairav set to jhaptaal (10 beat rhythm cycle), performed by Shafqat Ali son of Ustad Salamat Ali Khan.
This musical phrase is said to be inspired by a lion's movement:
3/ Qasida on Ali in the form of a Chakwali dhol geet
This is a good summary by @cybertosser of the factors for the timing of this sectarian upsurge. While the factors related to political economy are of course paramount, the role of social media has also created a novel situation that is particularly worrying because... 1/n
2/ Unlike earlier when rival scholars would have to pore over each others' dense technical volumes to find something that could be deemed heretic, now a lay Sunni sitting at home anywhere can watch a Shia majlis pretty much anywhere streamed live. And within a few hours...
3/ bite sized clips from the majlis are uploaded to social media for easy consumption. It may be possible for a well meaning Sunni to set aside the cursing of some of the Sahaba because those zakirs are often labelled "extremists" by orthodox Shias themselves...
Visiting the Missing & Murdered Baloch on YouTube [video thread]
1/ In 2009, @NasimZehra did an episode of her talk show on student issues in Balochistan. The most vocal guest was a young poli sci student from Karachi University named Zahid Baloch
YT:
2/ Zahid was secretary general of the Baloch Students Organisation (@BSO__AZAD) then, a student group aligned with the Baloch separatist movement. He later became chairperson of BSO-A before he went "missing" (read kidnapped by security agencies) in March 2014.
3/ Zahid hasn't been seen since, like thousands of other Baloch nationalists who have been extrajudicially kidnapped or murdered in our Dirty War in Balochistan. When those of us in "mainstream" Pakistan hear about these incidents, it's easy for us to ignore...