"(Roger Stone) protege Jacob Engels appeared at a School Board meeting, blending in with concerned parents, to discuss sex education books. When Engels took the mic, he read aloud an explicit passage from (the graphic novel) “Gender Queer: A Memoir.”"
This is exactly what I've been tweeting about. And again here's Maia Kobabe's graphic novel GENDER QUEER being used as scare tactic in school board meetings.
This is the book outraged zealots and professional rightwing plants wave around at school board meetings.
This exact same performance is happening all around the country. The playbook was written by Christian Nationalist "think" tanks & creeps like Steve Bannon, & is bankrolled by dark money.
This is their plan of attack for 2022 and 2024.
At the center of it now is GENDER QUEER, an award-winning autobio GN about Maia's personal journey.
I get it, that the indie comics world has ground to a full Covid stop. The fests, where this would've been a hot topic, have been shut down for 2 years (and counting).
We can't let that be the excuse, because Covid hasn't slowed down our enemies one bit.
Trust me, when the Christian Nationalists come after YOUR book, like they came after mine, you'll understand the urgency. Purging just Queer Comics won't be enough for these people. That's NOT how they're wired.
These scholastic book purges should be WAY more of an issue in comicdom, especially in the indie comics community. The zealots are coming after our books. Don't think they aren't.
Drawing bare trees takes a lot of patience. And you can't do it fast or you'll screw it up. I had to redraw quite a few of them in KENT STATE because I wanted to move on to other things, and they looked like hell.
Done beautifully here. This is how you do it, kids.
The trick is to stick to the proper sequence. You start with the main trunk and major branches, which gives you the basic shape of the tree. Ash, Oak, maple etc all have different shapes. Then you draw the smaller branches, then smaller still
But too many branches, especially for trees in the distance, and the visual gets clogged up. I'm right on the edge of that here, especially those trees dead center.
I used a .05 pen for the big branches, then a .o3, and finally the .01. Can't get any finer than that!
I guess this is what Marvel bigshots wanted, but every cover is a crowded fight scene, usually with a superdude flopping over backwards with one of Kane's signature limp-wristed poses.
Kane drew like 75% of Marvels covers in 1972, 73, 74 and 75 and one is pretty much the same as the other. Sweet gig for Gil, but I would've MUCH rather had him drawing stories.
Since everyone is talking about the crisis at the @usps and the Trumper creep #DeJoy, the Postmaster General. These are mail sorting machines at the main Cleveland postal facility last August.
DeJoy ordered them torn out and they were left to rot in the parking lot.
Not removed and reused at another facility. TORN THE FUCK OUT, and purposely left outside to get rained on and ruined so they could NEVER be used again.
And no effort was made to mask what they were doing! You could see (and photograph) these things from the street!
When called on this, DeJoy insisted they were torn out "months" ago. Postal workers revealed it was just days.
With Jose Canceso trending for some reason, let's remember one of the greatest plays in baseball history, when a fly ball bounced off his head for a homer!
I was at this game!!
It was 1993, and the Indians were a very young, very talented, but not very good team. It was the final season in wretched old Cleveland Stadium.
Carlos Martinez, a journeyman 1B, hit a long fly ball to center. The rest is history.
Cleveland Stadium was huge (seating 75,000) and no one in my section could see what happened. There was no video scoreboard then. We thought it was an out, but Martinez started circling the bases. WTF? Then a dude with a radio in front of me started laughing hysterically.
Another blow from the Year That Won't Stop Sucking. The great Ron Cobb has left us, dead at age 83.
Cobb is one of the greatest political cartoonists of the late 20th century and on the short list for greatest ever. he worked exclusively in the underground press of the 60s and 70s. His cartoons were devastating, gut-wrenching and cut to the bone.
There were no gags-of-the-day with Cobb. When he took aim, the blow landed full force, right between the eyes.
Hmmm. Not seeing much here that looks any different than Fury Road or any other action blockbuster. Certainly doesn't match the visuals of David Lynch's glorious mess of a film. They should've just replicated those visuals and made a better movie.