that he had commenced his Journey. They had now returned to the presence of the same Baba Vishwanath.
Acharya remembered all the past incidents.
The people of the city welcomes Acharya with great Joy & Devotion. Acharya directly went to the Mandira of Sri Vishwanatha & worshipped
As before, Acharya stayed near the Manikarnika Ghat. Earlier acharya had come to Kāśī from the presence of Guru Govinda Bhagavadapada, with a group of 6 elderly ascetics.
Four among them were still there to welcome him back.
They shed tears of Joy
on seeing Acharya. The disciples took up residence at different places on the banks of the Ganga.
Kāśī shone brighter on the arrival of the great Acharya. Large crowds came to meet him.
Here too, people came for debates.
Here Acharya roamed on the banks of Ganga wearing only a
loin-cloth, immersed in the bliss of the Self. He took rest in Kasi for 3 months.
Sureswara,
Padmapada,
Chitsukha
&
Totaka conducted lessons separately on Bhashyas after the usual morning rituals.
Acharya used to guide earnest seekers in matters relating to Upasana as well as on
the path of Self-enquiry.
The # of people who attended the talks on Vedanta was much more in Kāśīthan in other places.
Still, acharya, enjoying absolute freedom, spent time leisurely walking on the banks of the Ganga, & often worshipping her with delightful Slokas.
Thus Acharya was completely relaxed in Kāśī.
Departure from Kāśī :
{Kasi-Avanti (Ujjain) - Sourashtra - Somnath (Prabhasa) - Dwaraka}
One day, Siladitya the king of Sourashtra, belonging to Maitra dynasty invited acharya to his kingdom. Accepting this invitation, the group
started from Kāśī.
The journey was through Malava or Avanti.
They reached Ujjain, the capital of Avanti.
After a holy dip in the river Kshipra they had the darn of Mahakeshwara.
From there they went to Omkareshwara, & worshipped with Slokas.
Acharya showed his disciples,
the cave where years ago, as an 8 year old boy, he had met Guru Govinda Bhagavadapada.
From there they walked towards Sourashtra & then to Somnath, & had d darshan of Jyotirlinga.
In Prabhasa, they visited all the places reminiscent of the divine sport of Bhagavan Sri Krishna &
very very happy.
Acharya stayed there & taught Gita Bhashya.
From Prabhasa, He reached Dwaraka.
The king of Dwaraka welcomed Acharya with great devotion.
Acharya worshipped Dvārakādeesha with a glorious Sloka :
तवतसर्व सत्यमीवभाति यादेतघवत्सस्मित्यात्मामणि यो ग्यो न्हि हश्तः।
During that period,D Pancharatras were dominant group there.
They met acharya, & spoke to him about their sect.
Pa : We approve of 5 types of differences - that between Jiva & Isvara,
internal differences among Jivas,
differences in inert matter,
differences between inert matter & the Bhagavan,
& finally
the differences between the matter & the living.
A : There is no question of approval here.
These differences are known directly by the senses.
Are the Vedas required to point to a Tree
& say, “This is a Tree? This is an example that d Vedas themselves cite.
After asking, “What is a Forest?” The answer given is ‘Brahman is d Forest, Brahman is the Tree’.
Sruti wishes only to say ‘सर्वं खालविदं ब्रह्म।’.
D Mountain, River, Forest, Jivas - all these different
entities are recognised as such by the natural ignorance itself.
The Duality spoken by Veda in many places is only in acceptance of our Ignorance.
Even if the Vedas speak of Dvaita in many places but proclaim Advaita just once,
Advaita alone must be taken as the Truth.
But Sruti, the greatest Well-Wisher, proclaims over & over again that,
‘There is not being even a trace of multiplicity here’ - नेहा नानस्ति किंचना।’
& that ‘there is no duality here, there is only one’ - ‘एकमेव अद्वितियम।’.
What more Authentication is Required?
The Upanishad declares : ‘those who see multiplicity will go from death to death’.
Vedamata says, ’Those who do not perceive anything other than the Self will never have
envy,
hatred,
competition,
ego
or
rejection.
Pa : can’t we follow any path for the sake of Upasana?
A : it is not possible to attain Purity & Single-Pointedness of the Mind without Upasana.
But any form of Worship done without the understanding that Self-Knowledge is the ultimate goal, will Not bear Fruit.
They were thus awakened by Acharya’s teachings. Acharya & the group
prepared themselves for their journey ahead.
{From Dwaraka [Dwaraka-Gurjara-Pushkara-The West coast (the land of Sindhu) - Purushapura - Bahikadesha - Kamboja - Daradadesa} :
They went eastwards from Dwaraka.
Then turning northwards & passing through d land of Kankanas,
they entered the land of Gurjaras.
Walking a little further they reached the spot where the shores of the River Sindhu merged with the Ocean.
On the way,
at several places, they saw the confluence of the divine rivers mentioned in the Vedas, such as
Sutudri,
Parushni,
Asikni,
Vitasta - with the Sindhu.
Walking along the banks of Sindhu, they crossed several lands.
From there they went towards Gandhara.
From there He went towards Purushapura ( now Peshawar ) that was under the rule of the Karkotaka dynasty.
From Purushapura they walked North-wastwards
& reached Bahilka (now Baluchisthan).
Leaving the land of Bahilkas, Acharya reached Kamboja.
Trivishtapapura (Tibet) was nearby.
Trivishtapa means Heaven. From there Acharya went to the land of Daradas.
People normally find a hundred excuses for Not performing,
doing Spiritual practices like Pūjā, or
Visiting the Mandirā.
‘I am unwell’,
‘I cannot afford rituals’,
‘I have no time’,
‘I do not know the chants’,
there is no place at home where I can worship’
& So on.
Normally,
people feel Pūjā is a mechanical action,
Which has to be ‘got over & done with’ as part of one’s daily routine (Dinacaryā).
People say,
‘pūjā kar ḍālī’ (Hindi),
or
‘pūjā karī nākhī’ (Gujarati),
which indicates, that one has finished it with a sense of relief that it is over, rather than with a sense of fulfilment of having done it well.
Our attitude should be ‘Pūjā kar lī’ ~ completed (with good feelings derived from it).
If We Realize, that whatever He ordains, is for Our Best, We would not be
Disappointed,
Dejected,
Or
Plunged into Doubt,
When our Wish is Not Fulfilled.
We should continue to Worship & Pray to Him.
A sick child demands an ice cream, & Screams at his parents for not fulfilling
his Wish, little realizing, What is good for Him.
Many of Our demands are Childish & Contradictory.
To demand that every Wish of Ours be Fulfilled, is illogical.
A Sāttvika person Prays,
‘May I improve myself.’
A Mature person knows,
‘I will get, what I deserve,
in the passage dealing with the concept of the Paramātmān (Paramātmā~Tattva).
Here one is exhorted to "go to the Guru for refuge".
One Qualification for the Guru is that He must be a Śrotrīya.
A Śrotrīya is one who is steeped in the Vedas. Erudition in the Vedas constitutes his
educational qualification.
But as a Guru He must have a 2nd qualification.
That is He must be a Brahmā~Niṣṭhāka :
apart from possessing Knowledge of the Paramātmān to the utmost-limits,
He must have realisation of it in his Heart.
Such personal experience or realisation is not
ISri Adi Śaṅkarācārya-श्री आदि शङ्कराचार्यII
Sōpānaṁ 43 : Teaching the Chārvāka
One day, a Chārvāka by name Bārhaspatya, came before Acharya & said :
"O Acharya Śaṅkarā! I have been obersving you for several days.
Your religion of Advaita,
will cause a lot of harm to the people.
As you are very kind-hearted & generous, people will listen to your words.
Renouncing all the comforts of the world & taking up the Sanyāsa for the sake of “Moksha” that you talk about, is the height of foolishness.
Sanyāsa is the way of
life meant for the bling, lame & the mentally retarded, to live in this world.
The only treasure that we have is this Body.
We must nourish it so that we can enjoy all the comforts & at the same time help others in need.
रणम कृत्वा घ्रतम पिबेत।
‘Even by borrowing money we must
Hidden in the Mass of Rock,
&
Visible Only to the Transcending Vision of the Sculptor,
is the Graceful Form of the Sculptor’s Creation.
Only an Artist can Bring this Hidden Beauty Out of a Common Piece of Rock.
(1/8)
He has the Subtle Intuition to see the Glory & Perfection of the Form Within.
At last it is Done.
Đ Finished Product Emerges in all its Perfection.
The Artist has added Nothing of his Own to Bring about or Heighten the Beauty.
Đ Beauty was always Throbbing in the Secret Womb
of the Rock.
The Sculptor Only Released it from the Encircling Mass of Formless Rock.
Similarly,
Man does Not Realise how Gross he looks as he lives his Worldly Life,
His eyes Ever-ready to Overflow with Tears from the Smart of Suffering.
His Brow is Ploughed with Discontent &