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18 Dec, 11 tweets, 4 min read
This partially completed monolithic Pallava rock cut temple from Mahabalipuram presents a very good visual representation of how ancient Sthapatis went about carving out material from a monolithic rock. Valayankuttai Ratha was being built during the reign of Parameshvaravarma.
If the Sthapatis had managed to complete the above Temple, it would have looked similar to the Temple below. This is the Arjuna Ratha from the same Pancha Ratha Temple complex. The Upapeetha(base) & Adisthana(plinth) remained incomplete in the previous Ratha.
This is also a good opportunity to understand the different elements that make up a Ratha type temple. It basically comprises of 6 major parts or Angas as it is called in the Shilpashastra.

Lets have a look with the above example

Bottom most part is the Upapeetha, the sub base
On top of the Upapeetha, we have the Adisthana. Usually these two elements are refered as a single element usually. The rest of the Temple structure rests on this element. Sometimes the the Adisthana is intricately carved with a variety of ornate carvings. Usually simhas & Ashvas
The Adisthana itself is further divided in a series of sub parts Kandhara, mahapatti, jagati, kumuda, kampa, kapota, pratimuka, vaajana etc. But we'll have a look at only the basic 6 elements for now.
This part is the Paada(walls). The paada also contain a number of Sthambas(pillars). The recess where carvings are made is called the Koshtha. In the case of the Arjuna Ratha there are 5 carvings

On either side is a Pratihara(Guard). In centre we have Skanda seated on elephant
Then comes the Prasthara or what in english we call as entablature. It is basically a horizontal beam which seperates the Paada(wall) from the upper structure. Prasthara too has a number of elements like Kapota, Uttira, Vyalavari etc. All these elements are intricately decorated
This element is the Haara, the Parapet. The Ratha/Vimana type Temple can have a number of storeys. The Arjuna ratha is an example of a simple single storeyed Temple. A ratha type Temple can have as high as 16 storeys. Each one of them is called jaati vimana.
This element is called the Greeva or the neck.
Finally we have the Shikhara which is the spire. On top of it we usually have a Sthupi or Kalasha(which is not visible here).

These are few elements of a Vimana type temple.
Dharmaraja ratha is the tallest among Pancharatha temples. It is a tri-tala (3 storeyed) Vimana type Temple. Each one of the storeys are functional. Despite its grand look, it is actually an unfinished temple. We can only imagine how much more grander finished one would have been

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More from @_ugra_

18 Dec
Datta Jayanti good wishes everyone.

The upadesha that Dattatreya gives to King Alarka should be read by all. It is all recorded in the Markandeya Puranam.

Bibek Debroy has written a nice essay on this topic. Have a look.

openthemagazine.com/columns/the-mi…
Vishnudharmottara purana tells us that Dattatreya must be depicted just like Valmiki. One more iconographic text, Rupamandanam identifies Dattatreya under another name. He is called Hari-Hara Pitamaha. Ajayameru museum houses a fine sculpture of this form indianculture.gov.in/ajmer-museum-h…
Rupamandanam states that the image of Hari-Hara Pitamaha should have 4 faces, 6 hands &
single body made to stand on a pitha. The right hands should carry the akshamala, the trisula &
the gada, while the left hands should be made to hold the kamandalu, khatvanga & chakra.
Read 4 tweets
17 Dec
After nearly 5 years of lifting heavy weights & eating healthy vegetarian food. Same dress, same place.
How I went about the transformation. twitter.com/i/events/12688…
For folks saying 2nd one is gym body, unhealthy etc. I haven't been to the gym for 2 years. Majority of this was achieved at home with minimal equipment and on a vegetarian diet rich in protein. One needn't go to the gym to get stronger.
Read 9 tweets
13 Dec
The doorway of a classical Nagara style temple is probably the highest expression of art achieved in Bharat. Each and every element of the doorway including the threshold is intricately decorated. The doorway is comprised of numerous elements. Lets have a look at each element (1)
This part of the doorway is called the Lalatabimba. A miniature form of the deity present inside the Garbagriha is depicted here. (2)
On top of the Lalatabimba is an element what is known as Uttaranga. It is where usually Brahma, Vishnu, Maheshwara & sometimes even Skanda along with their respective devis are depicted. (3)
Read 9 tweets
10 Dec
There is not one good reason for a Hindu man to be consuming alcohol. Not one. I can write a lengthy thread on how it is condemned in the Shastras, on how in ancient & medieval times the society had a very low opinion on the ones consuming it.
So when one sees men here proudly sharing their drinks stack or whatever they call it, one cannot help but not think highly of such behaviour.
Usual justification given by alcoholics is "In Rigveda people consumed Soma"

But what they will not tell you is that Soma & Sura are two entirely different things. Rigveda itself make out a distinction between the two

Sura is condemned by all major Dharmashastras.
Read 6 tweets
10 Dec
Indian men in the 1930's. One of them in the picture(striking the front double bicep pose) is Bishnu Charan Ghosh. He was brother of Paramahamsa Yogananda. He was a practitioner of Hatayoga. In 1930 he authored a book called Muscle control where he details various exercises.
Simple instructions given in the book which are applicable even today.

1)Avoid over exertion
2)Perform the exercise in correct form.
3)Good ventilation & breathing techniques
4)Healthy eating.
5)Proper sleep of atleast 7 hours.
Most pertinent point of all. He tells us alcohol is NERVE POISON & to avoid it.

Note that anabolic steroids were not developed until 1935. All these Indian men built strength & muscle naturally. With a combination of Hatayoga & weight training.
Read 8 tweets
9 Dec
Tamilians know how to honour their military heros. An example from history. When Hoysala king Ballala deva was forced to leave his capital Dwarasamudra in Karnataka following the sultanate invasion in the 1300's, he made Tiruvannamalai in TN his capital. (1)

#VeeraVannakam
Ballala Deva fortified Tiruvannamalai & would use it as a base for many years to fight invaders. Even though he was a Kannadiga, he is revered by Tamils even today as "Veera" Vallala. So much that one of the Gopurams at Tiruvannamalai Temple is named after him. #VeerVanakkam
Veera Ballala sacrificed a lot for his people. You can read about this great king here.
Read 4 tweets

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