So I was thinking about how one might quickly explain what accelerationism was actually about, and the example occurred to me of the famous line of Marx/Engels about the bourgeoisie creating its own gravediggers, and the fact that this can be understood in two different ways -
On the one hand, you can see it as an argument about immiseration: capitalism steadily makes things worse for workers, to the point where revolt and overthrow of the system becomes inevitable.
On the other, you can see it as an argument about structural possibility: proletarianisation gives rise to new kinds of organisation, those who work together in the factory can strike and take ownership of the factory together.
The former reading gives rise to the "vulgar" understanding of accelerationism as about wanting to intensify and speed up immiseration, so as to hasten the moment of revolt and overthrow. But that's not what Marx and Engels were driving at, and not what accelerationism's about.
The latter reading, in which capitalism produces social and technical forms which outstrip the bourgeoisie's powers of surveillance and control, is where accelerationism looks for a foothold - where is this occurring, what opportunities arise as a result?
Now, we're currently in a moment of intense pessimism about technology platforms, cyberculture, "the internet" and so on: all of these things are now commonly pictured as apparatuses of surveillance and control, operated by huge monopoly players: capital has the upper hand.
And that's because we're in a period of sweeping reterritorialisation. The streaming platforms have taken over where peer-to-peer sharing used to be. There has been massive centralisation of social media and group conversation - Facebook groups where once there was Usenet.
Years ago I wrote a post on "the internet as norm" which talked about what people meant when they ascribed a sort of moral agency or tendential drift to "the internet" itself, as in "the internet treats censorship as damage, and routes around it"
I don't think people *do* talk much in that way about "the internet" any more: it has become dumb substructure (which nobody who isn't involved in keeping it working really understands these days) and all the world-shaping agency has moved up the stack
And this highlights one of the pitfalls into which accelerationism tends to fall: it looks for something moving stealthily under the surface of business as usual, some disruptive force with its own tendential impetus, and identifies with it, seeing it as a counter-power.
But this identification with a sort of infra-social power, whether it's the libidinal flows of desire running through popular culture or the new cyborg flesh being imagined into being by emerging music technology, is always a hostage to fortune. Eventually the money men catch up.
Someone, and I'm sorry I've forgotten who, was saying a while back that we haven't finished mourning the utopian promise of the internet, that our present feeling of "stuckness" has a lot to do with the collapse of that project and the imaginary associated with it
(Of course for many people right now the frustration of the Corbyn project is a much more raw and immediate object of unresolved grief - along with the receding prospect of any sort of viable continuation of life as we have known it...)
But the other side of accelerationism is the awareness that there is no final victory for capitalism, because its own internal dynamics constantly push it to introduce new "accelerants" into the socio-technical system.
Some things got shaken loose during the period of "high" internet utopianism; much of today's turmoil around gender, for example, owes a great deal to experiments in community and communal discourse which really exploded during that era.
Twitter, gross monopoly eyeballs-selling platform that it is, is also a "site of contestation" around voice, platform, identity, representation, status, the prerogative of the heckler and so on, in ways that we're still struggling to grasp: an extraordinary organ of consciousness
So while we might regard the techno-utopian exuberance of (sigh) the CCRU as quaint, cringe or (given subsequent developments, or even just a clear-sighted understanding of what was in play at the time) politically dubious, I think a "fidelity to the fidelity" remains possible:
platforms aren't monoliths, there are no *total* systems of control, everything that acts generates turbulence and the more you tighten your grip, the more star systems will slip through your fingers

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More from @dynamic_proxy

3 Jan
Going off Python a bit. Used it for this year's Advent of Code, and for poking around with Wordle, and there are things I like and find very comfortable (basically: generators and generator comprehensions; tuples and destructuring assignment everywhere), but...
...ergonomically it's frustrating me somewhat, there's a lot of fussing around getting things to work, which I think is down to being used to being backed up by a static typing system I understand very well. Python with type hints doesn't quite deliver this, even with PyCharm.
There's also a large family of things I'm used to using lambdas for in Kotlin where Python's quite restricted lambda syntax doesn't really cut it. There's no equivalent to Kotlin's "getOrPut" on a dictionary, for example.
Read 4 tweets
3 Jan
boltzmann porn brain
the sf premise that maybe all your memories were implanted in you in the factory where you, a replicant, were assembled; except it’s your perversions, your unconscious biases, your fetishes and phobias, all the hard-won trophies of psychic development
the real reason you find X such a turn-on is that you were manufactured as a sexbot for someone who wanted one that would be turned on by precisely that
Read 6 tweets
10 Nov 21
There was a later tweet where Lehmann was like "wot, no mathematicians?", and I think the problem here is not that no mathematicians exist who are also contrarian/right-wing cranks, but that science of any kind without reputable peer review is a total non-starter
Obviously the academic humanities also do peer review, etc, but you can fulfil the public podium bullshit-artist thinktank-wanker role without it (indeed, it's really an impediment to that role). Mathematics *by itself* has little to offer in that sphere.
So Kathleen Stock can armchair-philosophise freely about what must be going on in trans people's heads, or how all sexual orientations are exclusive because tightly-coupled to one of the Two Sexes so bisexuals must have two orientations then, stands to reason dunnit...
Read 4 tweets
5 Nov 21
“Land - inventor of eugenics concepts like accelerationism and ‘hyper-racism’…”

Leaving aside the chumpery of “inventor”, and the fact that neither term was in circulation in the period in which Land and Fisher collaborated, neither is properly speaking eugenicist either
Eugenicism is about convergence on a model of racial “health”, carving away “dysgenic” elements (people) in the service of a teleological model of human function: this, and only this, is what being alive is “for”; life not oriented towards these ends is unworthy of life.
Both “accelerationism” and “hyper-racism” (I mean yuck, obviously, but let’s at least try to be precise) are concerned with divergence, deterritorialisation, the explosion rather than constraint of optionality. Fabian eugenicists would be horrified by both.
Read 32 tweets
24 Jul 21
Firstly, NRx is puerile and fashy and you really should consider growing out of it. Secondly, Illegal Dances was (almost) entirely written by Patrick J. Mullins, who used to comment on Molly Klein's blog amongst others, and contains no Original Nick Land Content whatsoever
My involvement is limited to a poem Patrick liked for some reason (he seemed to especially appreciate a line about "Old Adam strutting as the overman") and asked me if he could include; I couldn't see a compelling reason to refuse.
I do have a copy of the book, which sits alongside a handful of others containing small bits and pieces by me; but I'm not selling it, as much as it would amuse me to charge a Land fanboy an extortionate amount for a volume of Patrick's idiosyncratic stream-of-consciousness.
Read 6 tweets
16 Jun 21
There are some words I use a lot, as tools, whose actual meaning (as in the discriminatable bounds of their usage and application) I might be hard-pressed to define. "Moral" is definitely one.
The sense is something like "contributing towards
the narrative function of establishing an order of values". I don't often use "moral" to mean "good"; I often use it to mean "salient within the process of determining what 'good' is"
And often, in that sense, I'm using it critically, to note where one genre of discourse - narration organised around the purpose of discovering or demonstrating value - is aliasing another (e.g. factual description).
Read 9 tweets

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