Muthuswami Dikshitar of the Carnatic Trinity, in his composition, Kalavati Kamalasana Yuvati, refers to Sarada Devi as
"Kasmira Vihara, Vara Sarada", once again establishing Sarada Devi worship in Kashmir.
Kalhana in his famous Rajatarangini, venerates the presence of Sarada Devi in Kashmir, as a Hamsa (Swan), in the lake on top of the Bheda hill.
Among the Sakti Peethas, Sarada Devi temple in Kashmir is where the right hand of Devi is supposed to have fallen.
Of all the references to Sarada Devi temple, I'd like to talk about the story from the Madhaviya Sankara Digvijayam.
The story of when the great Adi Sankara visited Kashmir.
Pic: Sankaracharya temple in Srinagar.
Travelling across the length of breadth of Bharatavarsha, Sankara establishes Peethas (seats of learning).
He enters Kashmir, the land of Sarada Devi!
There in the hallowed halls of the Sarada Devi temple is the Sarvajna Peetham, the seat, the throne of Omniscience, of all knowledge.
A throne! Can anyone walk in and occupy it?
No. It may be occupied only by one who is found worthy of it.
Sankara is told that the holy hall housing the Sarvajna Peetham can be entered through doorways in any of the 4 directions.
He is told that learned scholars have opened the doorways on the North, East and West sides
But the doorway on the South had remained shut.
Coming from Kaladi, Sankara feels the natural impulse to knock on the Southern door.
But not so fast! Not so easy!
What does Sankara see at the door?
Pic: Kaladi Sankara temple
At the door, Sankara sees venerable scholars, old and wise, wizened by age and wisdom, with millenia of knowledge amongst them.
But what do the scholars see?
The scholars see a young man, not even 30, his head shorn of hair, walking in the saffron robes of a monk.
"Hmph!", they grunt.
"What does he want with the Sarvajna Peetham?"
Little did they know that Sankara had already won over Mandana Misra and his wife Ubhayabharati in debates not too long ago.
But the challenge this time was different.
Sankara would have to debate not one Darsana (school of thought), but several of them, each convinced of the superiority of their Darsana.
And he would have to debate them all in succession.
Not one to be deterred by an intellectual challenge, Sankara faced them head on!
With Ma Sarada's blessings, his victory was certain.
But there's a twist!
All the scholars acknowledged Sankara's greatness and addressed him as the ocean of knowledge.
They invited him to ascend to the Sarvajna Peetham, the throne of Omniscience.
But... one challenger remained!
Wanting to test her beloved Sankara one more time, Sarada Devi challenged him Herself!
"Sankara! To ascend the Sarvajna Peetham, it is not sufficient for one to be just omniscient. He should be pure!
Are you?"
The details will take us into the story of King Amaruka. But let's keep it for another day.
Sankara replied, "Ma! With this body of mine, I have committed no sin!"
Convinced with the answer, Sarada Devi appeared and by Herself, took Sankara to the Sarvajna Peetham, seating him on the Throne of Omniscience.
I'd like to conclude this thread with a picture of the glorious Sarvajna Sarada Peetham, as it stands today.
Pliny goes on to complain about pepper.
"It is quite surprising that the use of pepper has come so much into fashion... pepper has nothing in it that can plead as a recommendation to either fruit or berry, its only desirable quality being a certain pungency"
He continues, "and yet it is for this that we import it all the way from India! Who was the first to make trial of it as an article of food? and who, I wonder, was the man that was not content to prepare himself by hunger only for the satisfying of a greedy appetite?"
Muthuswami Dikshitar, one of the Carnatic Trinity, and a Devi Upasaka composed hundreds of songs.
Pic: A stamp issued in honor of Dikshitar in 1976 on his 200th birth anniversary.
Well-versed in Sanskrit, Dikshitar composed groups of songs, with the first word beginning with noun declension in each of the 8 cases (vibhaktis) of Sanskrit.
Shall we begin with a thread on the Visvanathashtakam?
(I'm using the spelling I'm comfortable with. Please forgive the non-use of diacritics)
Visvanatha is the Lord of the Universe, the form of Siva in the town of Varanasi. #KashiVishwanathCorridor
Varanasi, a city that is "Older than history, older than tradition, older even than legend, and looks twice as old as all of them put together", according to Mark Twain.
A city that is among the oldest continuously inhabited cities of the planet.
A city that like several others in the world, gets its name from the rivers which cradled civilisation on their banks.
The old town of Varanasi lies on the banks of the Varuna and Assi rivers.
with a palpable thread of sorrow woven into the tapestry of happiness that the song otherwise is.
That famed மென்சோகம், perhaps foreshadowing a latent loss.
This song from Rani Samyukta
With a Sitar, Samyukta sings about her muse, her lover, Prithviraj, about how his memory will last as long as her heart beats.
She sings about her love for him, about his love for her.
But...
But, we know, we know that the future holds tragedy.
Prithviraj will win the first battle of Tarain and then lose the 2nd one.
Their life together forever will come to a premature end.