The majestic 15th-century roodscreen fills the interior. It bursts with life: the bressumer trails with vines, pomegranates and water-plant issuing from the mouth of a wyvern. The vines symbolise Christ. The pomegranate represents eternal life.
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The thirty-four coving panels are decorated with seventeen different designs, creating a restlessness. The tracery heads hang like lace. The loft carries a line of twenty-five canopied niches. The carving is the work of the Newtown School of Carvers, Montgomeryshire.
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But by 1874 it was in a “dreadfully dilapidated state”. An engraving of that date shows decay and destruction. Soon after architect, David Walker visited. He wrote, “It is to be deplored that this ancient church ... should be permitted to fall into irretrievable ruin..."
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Walker returned and set about rebuilding the dilapidated church. The specification accompanying the faculty application shows just how thorough he was. Some stone and timber was reused. The screen was carefully dismantled and stored until the works were complete.
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Walker commissioned Boultons of Cheltenham to carve replacements of the long-lost figures that had originally filled the niches on the west face of the loft. Christ is in the centre, to his right are Old Testament figures and to his left are the twelve apostles.
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We are so proud to have adopted this little but fiercely important church when it closed in 2018, so that it can continue to inspire awe for centuries to come.
In the Vale of Aylesbury, there are low-lying limestone hills surrounded by clays and sands. There, at Waddesdon Hill in 1792, ragged limestone was used to build the Strict & Particular chapel. And under the pebble-dash render, we found an ammonite as big as your head!
The chapel had a thick layer of lumpy cement render on three sides, the last side had a light slurry of lime mortar. The render was causing problems of damp and decay, so we removed it to replace with a more permeable lime layer.
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During the removal, we’ve been fascinated by all the fossils – some small, some enormous – that we’ve uncovered. The gigantic ammonite spiral is a real thrill, but there are several brachiopods (clam-shell shape) and chunky crinoid stems too.
In churches, hard surfaces and sharp angles of stone, brick, glass and wood are softened by the delicate draping of intricately woven and embroidered altar-cloths, comfortable cushioning of communion kneelers & pleasing curves of plump hassocks, stitched with great care. 🪡
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Today we’re celebrating our churches’ softer side …
1. Altar cloth, St Mary's, Long Crichel, Dorset ⬆️
2. Altar frontal, St Philip's, Caerdeon, Gwynedd ⬇️
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3. Hassocks, St Andrew's, Woodwalton, Cambridgeshire
When we took Tuxlith Chapel in West Sussex into our care in the 1970s, it had been derelict for decades. At the time we didn't have enough money to re-instate the lath and plaster ceiling, so we nailed some painted boards across the ceiling.
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This did the trick until last year, when the boards began to fail, so we went back, and this time, thanks to a Culture Recovery Fund grant, we can restore the lath and plaster ceiling.
The plasterer, Ian Holloway, carefully removed all the rusting nails and damp boards, and has set out the base for his plaster: carefully spaced riven oak laths.
While we don’t mean keep visitors away from Llancillo church, getting there is a bit of battle, involving sharp turns, potholes, rattling cattle grids, boorish cattle, watchful sheep and a busy train-track. But this area is no stranger to battles...
It’s here, along the spellbinding Welsh Marches, that you’ll find the densest concentration of motte-and-bailey castles in England and Wales. These castles were the result of William the Conqueror’s plan to subdue the Welsh by installing Marcher Lords along the border.
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But defence wasn’t new to the Marches: along their length, the Romans built forts to defend themselves from the Welsh. The Anglo-Saxons dug an 80-mile ditch. So, it's no wonder really that our little church at Llancillo is in the shadow of an ancient castle.
From yawning arcades and stone arcs floating in a limewashed wall to sloping skew-passages and pointed scars of lost roofs, these shapes chart the 900-year architectural history of the church.
Cut into a steep sandstone bank just a couple of miles from the Pembrokeshire coast, the earliest parts are the south and western walls (and font) which date from the late 1100s. This includes, we believe, the four-bay arcade.
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The chancel was rebuilt and extended in the 1200s. At the same time the north aisle was reconstructed and the tower erected over the south transept. A north transept was also added at this time.