Once upon a time, a lonely woman roamed these hills.
Her name was Ellyw. She was a princess, granddaughter of Brychan, Prince of Brycheiniog, but her family insisted she renounce her faith and marry a royal suitor, leaving Ellyw with no choice but to flee her home.
She wandered across the Black Mountains in Powys seeking refuge. At each village she came to, the villagers, who feared her grandfather, refused to help her. Eventually, Ellyw found a small hut on a mountain top near Brecon and secluded herself there.
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But Ellyw didn't live happily ever after in her solitude. The prince to whom she had been promised hunted her down. Once he found her, he demanded that she return at once and marry him. But Ellyw was resolute and refused. In a rage, her rejected suitor cut her head off.
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Ellyw's severed head tumbled down the mountain. At the spot in the valley below where it came to rest, a spring burst forth from the earth.
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A chapel was built at the site of Ellyw's martyrdom, which from the 1100s celebrated a feast in her honour each August, attended by people seeking relief from disease. They sang and danced around the churchyard, acting out the sins they had committed in the previous 12 months. 5/
At Cwm Rhyd-Ellywe, the spot where the miraculous spring broke a church dedicated to St Ellyw was built. The current church at Llanelieu, Powys dates back to the 1200s but sits within an oval, walled churchyard indicative of pre- or early Christian origins.
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... and in the churchyard are 7th-9th century pillar stones incised with simple Celtic-type crosses.
Note: all photos in this thread are of St Ellyw, Llanelieu, Powys. As far as we know, the mountain top chapel at the site of her martyrdom does not survive.
Nestled in the centre of a small village in the Welsh countryside, St Mary's, Derwen is renowned for its wondrous collection of medieval woodwork.
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The church is entered through a charming late medieval wooden door, with iron studs and fleur-de-lys decorated hinges, set in a surround of gorgeous South Cheshire sandstone.
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Naturally, the medieval wooden treasures of this Denbighshire church continue inside. Foremost is the the fine late 15th-century rood screen and loft that dominate this interior.
A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.