The emperor is dead *and* immortal! And a blonde. My newest digital restoration is Augustus as Jupiter, the king of the gods. A melding of Roman realism with Greek Classicism. A lot to unpack here … #polychromy#archaeology#art 1/
The statue was unearthed in Cumae, a wealthy Roman city near Naples, once a Greek colony and home to the prophesying sybil. The restorers were able to use ancient coins and cameos depicting the Olympian #Zeus and Augustus as Jupiter to guide their reconstruction work ... 2/
Coins like the one below, depicting Augustus as Jupiter Terminus, holding a winged thunderbolt and Victoria. The goddess is also shows up on the reverse of the coin that Augustus minted after the battle of Actium: Victoria on a globe, holding a wreath. 3/
Another example of the deified Jupiter-Augustus is the stunning Gemma Augustea, showing Divus Augustus, Jupiter’s eagle under his throne. The Capricorn, Augustus’ birth sign, floats above. (📸 James Steakley) 4/
The model for this sculpture is the colossal chryselephantine statue of Zeus at Olympia by Phidias. It’s even depicted in Ubisoft’s ‘Assassin’s Creed Odyssey’ game. *Its robe was made from panels of gilded glass and carved with animals and lilies*. 😍 5/
A huge *16 ton* Roman Flavian sculpture of Jupiter in the same format sits near our Augustus in the Hermitage. They were once part of the same collection in the 19th century. Even George Washington was sculpted in this format, scandalizing American society! (📸 Google Arts) 6/
And let's not forget Monsieur Ingres' portrayal of the more modern French emperor, #Napoleon. The iconography connects directly back to the Imperial imagery of ancient Rome and to the Greek Olympian Zeus. 7/
Suetonius, writing decades after Augustus’ death, writes that the emperor was 'inclining to golden', but no mention is made of his eye color. Therefore, I’ve created both blue and brown-eyed versions - select your poison. His hair has had gold dust applied, as one does. 8/
The inspiration for the colors of Augustus’ robe was the fresco of the enthroned Jupiter from the Casa dei Dioscuri, in Pompeii. Appropriately, Imperial purple! 9/
The pain of the bling! Painting shiny gold orbs is *hard*. But ultimately, after a lot of trial and error, I think it works with the iconography of a (now) gilded sculpture of Victoria and the addition of a golden eagle, the symbol of Jupiter. 10/
The largest part of underlying photos for this piece were taken by Sergey Sosnovskiy, and can be seen on the ancientrome.ru website.
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My recent reconstructions of the busts of Septimius Severus and Julia Domna at the Eskenazi Museum of Art at Indiana University. I worked on these with Mark Abbe, who performed MSI scans of the original busts and discovered traces of pigments (paper forthcoming). #polychromy 1/
The unrestored busts are below (although I’ve digitally added socles). These really are magnificent Imperial portraits. 2/
📸 Eskenazi Museum of Art, Indiana University
Details about Mark’s analysis of the busts will be published soon, so no spoilers, but we had to make color decisions about the areas where no pigments were found. What better guide than the Severan Tondo? Poor Geta has been erased (damnatio memorae). 3/
With the discovery of the tomb of Marcus Venerius Secundio in #Pompeii (and his mummified body) came the discovery within his burial enclosure of the tomb of Novia Amabiles, her glass urn preserved together with those of three children, in a bronze container. 1/
📸 me
The tomb of Secundio was an unusual inhumation burial and his mummified body was inside, retaining some hair and an ear.👂Secundio was a freedman, once a public slave, who became one of the Augustales, a well-off priest of the Imperial cult. 2/
Below is the marble columella gravestone bearing the name of Novia Amabiles, who is thought to have been Secundio's wife. The children sharing her urn were probably their offspring. 3/
The only surviving Roman draco (dragon) standard was this gilded bronze version found in the ruins of the Limes fortress in Niederbieber, Germany. It would have originally had a fabric ‘windsock’ attached which would billow out behind the head. 1/
📸 me
📸 Codrin.B (Wikimedia)
In the 2nd c. CE, Arrian writes that the Romans adopted the draco from the Scythians, but he probably meant the Sarmatians/Dacians, as we can see from spolia represented on the base of Trajan’s Column and a relief from the Hadrianeum in Rome. These were more wolf-like. 2/
📸 me
The earliest representation of a Roman draco standard is on the 2nd c. CE Portonaccio sarcophagus (1st pic, top). A more snaky version can be seen on the 3rd c. Ludovisi Battle sarcophagus (2nd pic, top). It would emit a hissing sound, installing terror in enemies. 3/
One-stop statuette to pray to multiple gods! Silver statuette with gilding, of the Gallo-#Roman goddess Tutela, with a double cornucopia and a mural crown worn as a protector of a city. She holds a patera (libation dish) in her right hand. Let's identify the gods ... 1/
The double cornucopia holds the heads of Diana and Apollo, and her upright wings carry the busts of the Dioscurii, Castor and Pollux. Above them is a stand with the busts of several other gods ... 2/
The seven gods at the top of Tutela's wings represent the seven days of the week. Starting with Saturn, the eldest, then Sol (sun), Luna (moon), Mars, Mercury, Jupiter, and Venus. ALT tag for more.
Ca. 150-220 AD. Excavated in Mâcon, France. #BritishMuseum (1824,0424.1). 3/
I'm always interested in how a scene from myth is shown in different media. Here we have Achilles - in women's clothing! - hiding out among the daughters of King Lykomedes on the island of Skyros. Always shown at the moment of discovery by Odysseus (in cap). 1/
1st example: a sarcophagus made in Athens, ca. AD 180-220, depicting scenes from the life of Achilles. On the right side is the scene from Skyros, with Achilles hiding behind his shield, the young, pregnant Deidamia hanging from his neck, pleading him to stay. #GettyVilla 2/
2nd example: a fresco this time, from the House of the Dioscuri in Pompeii. Odysseus - in his pileus cap - discovers Achilles hiding on Skyros, dressed in women's clothing (fetching thigh!). Diomedes, King of Argos, grabs the warrior from behind. #MANN 📸 @carolemadge 3/
Another day, another clusterf**k from Twitter. Apparently, the platform is removing text message two-factor authentication, which will henceforth only be for (snicker) Twitter Blue subscribers. It must be turned off, or you lose access to Twitter. OK, so let's do it ... ah. 😆
I mean, sure, turn off a security feature that's standard on most platforms, just so your CEO can say 'suck it, losers' to all non-Twitter Blue subs. Unbelievable.
Of course, this is some kind of hacker-dream b.s. Removing two-factor authentication will make hacking your Twitter account *so* much easier. I've never heard of a platform charging for security. Musk is a childish loser.