1) This thread is as long as a CVS receipt. It details the harms and legal threats I’ve faced since Feb in Joe Penney’s attempt to steal or control my film work. It’s giving Cadillac Records but with no budget. Thru his unprompted apologies, you can see why I’ve been so stressed:
2) I found out the film #sunofthesoil was on Netflix through IG. I worked on it for $0 from 2017-2020 as a writer, co-director, and producer. I own 50% of this film. But I now need a lawyer to advocate for me as an investor and to eventually be paid. Joe also controls the socials
3) I believe #joepenney is also trying to steal over $33K of co-owned film equipment. It’s been in his possession since its purchase in Oct 2021, and he’s refused to sign a standard agreement to share it.
4) Joe Penney claims he’s the sole director of #sunofthesoil, despite the fact that I wrote its frame, shot lists, and was there to help execute them. I also contributed to edits, right down to the trailer. Here’s #joepenney saying he’ll revise the credits on 01/20/2022:
5) It was under pressure that I signed our rights and distribution agreements in 2020 and 2021. Fights broke out when I tried to speak up. I just wanted the film to do well, and gave in. Joe Penney doesn’t say I didn’t do a director’s work. He says that I signed contracts.
6) The star of the film Abdou Ouologuem has regularly participated in erasing my originating role in #sunofthesoil. He and Joe Penney both eventually created a hostile, sexist set and work relationship. Especially after I refused to deliver a Mansa Musa series script in 2021
7) In a Q&A on 01/21/22 Abdou reduced Black American history to "starting in slavery and poverty," an inaccurate, awful, anti-Black sentiment. I spoke up then but both men refused to release a team apology. Dr. Gomez already addressed this in #sunofthesoil
8) On 01/27/22, our distributor said she’d cancel the Netflix deal if Joe didn’t revise the credits. She cited poor optics, and was worried about her reputation. Joe told her that she’d signed a contract. She tried to help but I was facing a potential lawsuit so couldn’t answer.
9) In the cease and desist Joe Penney sent to silence me on February 14, 2022 💝 he claims I lied + MADE THREATS. He claims I’m manipulative. IMAX projector tings. Meanwhile, #joepenney tweets stuff like this:
10) #joepenney also said the “POLICE and a MENTAL INSTITUTION” should know that I’m “dangerous.” Think about what it means for him, who never correctly paired his Nikes w/ his socks a day in his life, to say this to a Black Muslim immigrant woman. I have rarely felt so unsafe.
11) Joe Penney claims he owns my Mansa Musa series outline and script, which I started in 2019. I was told he has legal rep in South Africa, where there may be interest in my work. He now claims he was “interested in Mansa Musa first,” + “taught me” who he was, where Mali is 🙄
12) Joe Penney claims he co-directed Sam, Underground featuring @CoJustsam How did he get a co-director credit instead of a DP credit? He put his name (and first) in Premiere, then submitted it minutes before deadline. This is Sam Diaz, my fave American Idol:
13) Here is a recording of Joe Penney on January 20, 2022 saying he’ll remove his co-director credit on Sam, Underground, release a statement, and inform Topic:
14) Joe Penney claims producer control over The Ascendants tho I pitched, had many admin duties on top of directing. I took much shit 2019-2021 cuz these films were in progress at the same time. I didn’t want to fail @jeandeauxmusic@akenyamusic@ChristianJaLon IG: oprah_gucci
15) Joe Penney refuses to sign a release to “Hermit 9,” J Bambii’s music video, which he did not direct or produce. This is the rest of J Bambii’s video addressing multiple projects (IG: oprah_gucci)
16) Joe Penney claims he co-directed another unreleased short Form & Flight but here he is giving me back my own work by email 01/24/22. So why won’t he sign the release for that film?
17) Finally, Joe Penney refuses to sign releases on my poetry videos that I directed and he filmed. Which??? I have been sighing for almost 4 months now.
18) On top of using a lawyer to silence me as he went back on his word, I was informed on 04/28/22 that #joepenney is claiming I’m ok with his thefts, and have an emotional fixation on him. 🤮 This is sexual harassment and I need it to stop. This is a terrible impact on my life.
19) It’s hard to listen back to my own upset voice but I’m so grateful to @jessybeshir and @aishajama especially for helping me recover my love for filmmaking and my trust in collaboration:
20) I’m calling all of you in as witness to amplify my voice, to witness abuses that are far too commonplace, and to help me keep control over films that I made *despite* the violences Joe Penney continues to enact. Thank you.
In March, Zoe Rana Mungin (30) wasn’t admitted to a clinical trial for Remdesivir. Her sister Mia turned to Twitter for help. Zoe, a writer and teacher, had been denied a COVID test twice. The *3rd* time Zoe went to Brookdale Hospital, she was put on a ventilator a day later.
After a month-long fight for her life, Zoe Mungin died on April 27, 2020 at 12:25pm in the same hospital where another sister died of an asthma attack at the age of 20.
Zoe’s sister Mia was denied a COVID test *four times* despite being a nurse in NYC during the height of this pandemic! Mia was “assumed” sick from exposure. Rana’s symptoms were dismissed as a “panic attack.”
This was so beautiful: École des Sables performing The Rite of Spring in collaboration with Pina Bausch Foundation. Location: Toubab Dialaw, Senegal. Director: Florian Heinzen-Ziob DP: Enno Endlicher
The expressions, the commitment to moments, the air of conviction, the people on the beach pausing to watch... this was truly dance as a summoning. I wish I could hear their hair and footfalls, the wind that evening.
Thinking of this dancer, of submission, desire, falling, the difference between listlessness and stillness.
Today would've been Emmett Till's 79th birthday. Mamie Till Mobley said he was "the happiest baby in the world… you could put him in his bed, and he would lie there and kick and coo for hours." (Beauchamp's 2005 documentary)
"We had fun together, we laughed together... he was very good in art and he was very good in science. He seemed to unravel that science like nobody’s business. He was very good in spelling, too.”
Weeks after his 14th birthday, he left Chicago to spend the summer in Mississippi. Before he got on the train, he said to his mother: "Take this watch, I won’t need it where I’m going." I love to think of Emmett as a teen, intending to live in suspended time with his cousins.
This thread doesn’t challenge whiteness. It is whiteness. Giuliani’s tweet is a racist, targeted attack—part of a sustained violence against a US Congresswoman. Whiteness is quietly doing the work to help others understand the logic of that attack (well, they do look alike).
Whiteness is misnaming violence and making it a feature of race instead of practice. Violence does not have to be fixed or tribal. Whiteness is acting like an ally here while softly echoing the initial violence. Whiteness is refusing to see, hear, or actually resist.
Any refusal to see Omar’s likeness to white politicians holding guns is very similar to why Anderson thinks these Somali women bear a “striking resemblance.” Lack of care in looking. Lack of practice in careful looking. And lack of insight. All are violences.
1/4 Stills from our short documentary: Sam, Underground. Samantha Diaz is an incredible young artist who's been singing on NYC trains since middle school. Co-directed with @joepenney for @topicstoriestopic.com/labor-days-mix…
2/4 While Sam completes her first album, she busks to take care of herself and her grandmother. Sam will appear on @AmericanIdol this season after years of fighting audition nerves.
3/4 Sam's rich voice, her phrasing and sincerity are surreal to encounter on a train. In our short, she performs her take on "Sometimes I Feel Like a Motherless Child" after discussing her past attempts to reconnect with her estranged birth mom by singing outside her job.
Age 14, first and most repurchased scent is Noa: peony, coriander, musk, white flowers, pepper. It’s a really dreamy, flexible, clean, inky, elegant scent that works for me year-round
Next I tried Amor Amor, a super bright, tart, sugary perfume. Young auntie vibes. Grapefruit, jasmine, amber, cedar. Its loudness could almost make you squint but in a mostly good way
Detour to sprays and oils because perfume was still for special occasions. I wore natural jasmine, lilac, Egyptian and white musk oils. Also used harsh sprays by Body Fantasies and Amber Romance by VS. Those too-sweet scents remind me of mono and mutual peer rejection