Eighth devi of Mahavidya is Bagalamukhi, the devi who paralyzes enemies. Devi Bagalamukhi smashes the devotee’s misconceptions and delusions (or the devotee’s enemies) with her cudgel.
Bagalamukhi is commonly known as Pitambari Maa in North India.
The word "Bagala" is derived from the word "Valga" (meaning - bridle or to rein in) which, became "Vagla" and then "Bagla". The devi has 108 different names.
In Satya Yuga, a great storm started destroying creation. Shri Vishnu was disturbed and performed austerities to appease Mata Parvati on shore of Haridra Sarovar, the lake of turmeric. Pleased with Vishnu, mata appeared.
She then brought forth her manifestation Bagalamukhi from the lake. Bagalamukhi calmed the storm, restoring order in the universe.
Another tale records that a demon named Madan, acquired Vak-siddhi, by which whatever he said came true.
He misused it to trouble humans and murder people. The devtas beseeched Bagalamukhi. Then devi appeared and grabbed the demon’s tongue and immobilized his power. Madan requested Devi Bagalamukhi that he be worshipped with her, she granted him this boon, before slaying him.
Bagalamukhi is known by the popular epithet Pitambara-devi or Pitambari, "she who wears yellow clothes". The iconography and worship rituals repeatedly refer to the yellow colour. She is strongly associated with the yellow colour. She dresses in yellow clothes and ornaments.
Various texts describe her affinity to the colour; yellow is an integral part of her worship rituals. She is propitiated with yellow offerings by devotees dressed in yellow, seated on a yellow cloth. Yellow turmeric bead rosary are used in her japa of her names or mantra.
The colour yellow is linked to the Sun, gold, the earth, grain and fire, signifying auspiciousness, bountifulness and purity. The yellow turmeric is associated with marriage. This is why Devi Bagalamukhi is also known as Pitambara/Pitambari devi.
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Matangi is the ninth Mahavidya and considered to be the Tantric form of Saraswati. The devi who governs music, speech, knowledge, arts and learning. She is also described to love the parrot and is embodied in the nectar of song.
The Shaktisamgama-tantra narrates the birth of Uchchhishta-Matangini. Once, Shri Vishnu and Mata Lakshmi visited Shiva and Mata Parvati and gave them a banquet of fine foods. While eating, the deities dropped some food on the ground.
From there arose a beautiful maiden, a manifestation of Devi Saraswati, who asked for their left-overs. The four deities granted her their left-overs as prasad, food made sacred by having been first consumed by the deity.
यद्यपि देहधारी जीव इन्द्रियों के विषयों से अपने को कितना दूर रखे लेकिन इन्द्रिय विषयों को भोगने की लालसा बनी रहती है फिर भी जो लोग भगवान को जान लेते हैं, उनकी लालसाएँ समाप्त हो जाती हैं।
विषयाः-इन्द्रिय विषय; विनिवर्तन्ते-रोकना; निराहारस्य-स्वयं को दूर रखने का अभ्यास; देहिनः-देहधारी जीव के लिए; रस-वर्जम-भोग का त्याग करना; रस:-भोग विलास; अपि-यद्यपि; अस्य-उसका; परम-सर्वोत्तम; दृष्टा–अनुभव होने पर; निवर्तते-वह समाप्त हो जाता है।
जो मनुष्य अपनी इन्द्रियों को उनके विषय भोगों से खींच लेने के लिए उसी प्रकार से योग्य होता है, जैसे एक कछुआ अपने अंगो को संकुचित करके उन्हें खोल के भीतर कर लेता है, वह दिव्य ज्ञान में स्थिर हो जाता है।
Dhumavati is the seventh Mahavidya and widow devi. In Sanskrit Dhūmāvatī means "the smoky one". She represents the fearsome aspect of Devi portrayed as an old, ugly widow, and is associated with things considered inauspicious and unattractive.
She carries a winnowing basket in one hand which is supposed to carry poverty away from her followers.
She is the devi of strife, loneliness,
unfulfilled desires and inauspicious
things.
Dhumavati’s thousand-name hymn
relates her positive aspects as well as her negative ones.
Dhumavati hardly has an independent existence outside the Mahavidya group. There is no historical mention of her before she is included among the Mahavidyas.
In a story from the Shakta Maha-Bhagavata Purana, which
narrates the creation of all the
Mahavidyas.
जो सभी परिस्थितियों में अनासक्त रहता है और न ही शुभ फल की प्राप्ति से हर्षित होता है और न ही विपत्ति से उदासीन होता है वही पूर्ण ज्ञानावस्था में स्थित मुनि है।
Chhinnamasta is the sixth and self-decapitated devi in Mahavidya. The meaning of her name is "she whose head is severed". Shiva as Kabandha or Chhinnamasthaka (headless) is her consort.
Chhinnamasta is the devi of contradictions and self-sacrifice.
She symbolises both aspects of Devi: a life-giver and a life-taker. She is considered both a symbol of sexual self-control and an embodiment of sexual energy, depending upon interpretation.
She represents death, destruction as well as life, immortality and recreation.
Chhinnamasta carries her own severed head in her left hand.
The attendants of her - Dakini and Varnini (also known as Jaya and Vijaya). Dakini stands at her left side while Varnini stands at the right side of her. They both are depicted nude.