Remembering Marilyn Monroe on her birthday π
π· Ed Feingersh, 1955
βHer fame increases, & as it does so we see how far she depended on, and excelled in, photographs - not movies. She is funnier in stills, sexier, more mysterious & protected against being. β
- David Thomson
On Marilyn Monroe's birthday, my favourite photos.
Marilyn with George Cukor on the set of her last film, Something's Got to Give
π· Lawrence Schiller, 1962
Simone Signoret, Yves Montand, Marilyn Monroe & Arthur Miller by Bruce Davidson, 1960
Marilyn Monroe backstage at MSG
π· Ed Feingersh, March 30, 1955
For Marilyn Monroe's birthday, my favourite photos
Philippe Halsman
Marilyn Entering the Closet, 1952
Marilyn Monroe with photographer Milton Greene, in a great 1955 shot by Gene Lester. Many photographers seemed to have a real rapport with Marilyn; they speak much more highly of her than the directors who worked with her.
Len Steckler
Marilyn Monroe - the Visit, December 1961
Marilyn dropped in to Steckler's apartment to visit his friend Carl Sandburg.
"She said 'I am sorry I am late. I was at the hairdressers, matching my hair to Carl's'."
Marilyn Monroe by Alfred Eisenstaedt, 1953
And from the same photoshoot, I believe, Marilyn Monroe & Alfred Eisenstaedt together.
Marilyn Monroe by Milton Greene for Picture Post, 1956
This shot of Marilyn Monroe is one of my favourite Eve Arnold photographs. It's from the set of John Huston's The Misfits, 1960.
Marilyn Monroe by Arnold Newman, 1962
Elliott Erwitt's wonderful shot of Marilyn Monroe, Thelma Ritter & Montgomery Clift on the set of The Misfits, 1961
Marilyn Monroe & Tony Curtis on the set of Billy Wilder's Some Like It Hot
π· Richard C. Miller, 1958
Marilyn Monroe by Cecil Beaton
bromide print, 1956 @NPGLondon
Marilyn Monroe by Ed Feingersh, Ambassador Hotel, March 1955
Cornell Capa was part of the Magnum Photos team (9 photographers!) on the set of John Huston's The Misfits in Nevada, 1960. I love this shot of Clark Gable & Marilyn Monroe.
One of Philippe Halsman's best #jump! photos, of Marilyn Monroe. It made the cover of the November 9, 1959 issue of Life magazine.
Happy birthday to Nobel laureate Orhan Pamuk π
π· Ara GΓΌler
"His books are multi-layered, allegorical, sometimes fanciful, Proustian in their attention to detail and Borgesian in their dazzling complexity."
- Sarah Lyall
Orhan Pamuk by Sophie Bassouls, 1990
"Books, which we mistake for consolation, only add depth to our sorrow."
It's so great that other photographers have continued Philippe Halsman's #jump! tradition. Here's Orhan Pamuk by Alex Majoli.
This was taken at Cannes in 2007, when Pamuk was a member of the Festival Jury.
Celebrate the Richard Avedon Centennial ππ―
π· Irving Penn, Vogue, August 23, 1993
"He was small, dark & electric with his own sort of vitality. Crackling. Sparks seem to fly out of him. He flashes his fingers like tiny rapid moths."
- Ginette Spanier
On Richard Avedon's Centennial, my favourite portraits
Carson McCullers & Tennessee Williams, April 25, 1950 #Avedon100
On Richard Avedon's Centennial, my favourite portraits
Buster Keaton, 1952 #Avedon100
I'm listening to Concerto Italiano play Bach's Brandenburg Concertos, in their 2005 recording under Rinaldo Alessandrini.
I've always loved the cover photo; it's by Julia Fullerton-Batten. I'll start a thread of some of my favourites of her photos here. π§΅
Julia Fullerton-Batten
The Lady of Shalott, 2018
... which is, of course, a reinterpretation of John Waterhouse's 1888 painting of Lord Tennyson's poem.
Happy birthday Sofia Coppola π
π· Kate Barry
"Coppola is a true auteur β a filmmaker with a distinct worldview and sensibility and a personal set of quasi-autobiographical interests."
- J. Hoberman
Sofia with her dad on the set of Godfather 2
π· Steve Schapiro, 1974
The Coppola family by Ted Streshinsky, 1974
Eleanor & Francis Ford Coppola with their kids Sofia, Roman & Gian-Carlo
Celebrate the Red Garland Centennial ππ―
π· Bill Spilka, c. 1957
"Garland's style was understated and harmonically sophisticated; he would delineate a melody, then shade it with distinctively voiced block chords and hints of counterpoint."
- Jon Pareles #RedGarland100
Esmond Edwards' great album cover for Red Garland's "Red in Bluesville", from 1959. Edwards took the photo, & designed the album as well.
Remembering Bea Arthur on her birthday π
π· Martin Mills, 1972
"Those of us working with her knew we were working with a golden comedic touch." - Norman Lear
Beatrice Arthur with Bill Callaway & Carl Ballantine in Bruce Jay Friedman & Richard Adler's musical A Mother's Kisses
π· Jack Mitchell, 1968
Angela Lansbury & Beatrice Arthur in Mame
π· Friedman-Abeles, 1966
Arthur won the Best Featured Actress in a Musical Tony for her performance. She was Beatrice on the stage & Bea on TV.