Remembering Marilyn Monroe on her birthday 🎂
📷 Ed Feingersh, 1955
“Her fame increases, & as it does so we see how far she depended on, and excelled in, photographs - not movies. She is funnier in stills, sexier, more mysterious & protected against being. ”
- David Thomson
On Marilyn Monroe's birthday, my favourite photos.
Marilyn with George Cukor on the set of her last film, Something's Got to Give
📷 Lawrence Schiller, 1962
Simone Signoret, Yves Montand, Marilyn Monroe & Arthur Miller by Bruce Davidson, 1960
Marilyn Monroe backstage at MSG
📷 Ed Feingersh, March 30, 1955
For Marilyn Monroe's birthday, my favourite photos
Philippe Halsman
Marilyn Entering the Closet, 1952
Marilyn Monroe with photographer Milton Greene, in a great 1955 shot by Gene Lester. Many photographers seemed to have a real rapport with Marilyn; they speak much more highly of her than the directors who worked with her.
Len Steckler
Marilyn Monroe - the Visit, December 1961
Marilyn dropped in to Steckler's apartment to visit his friend Carl Sandburg.
"She said 'I am sorry I am late. I was at the hairdressers, matching my hair to Carl's'."
Marilyn Monroe by Alfred Eisenstaedt, 1953
And from the same photoshoot, I believe, Marilyn Monroe & Alfred Eisenstaedt together.
Marilyn Monroe by Milton Greene for Picture Post, 1956
This shot of Marilyn Monroe is one of my favourite Eve Arnold photographs. It's from the set of John Huston's The Misfits, 1960.
Marilyn Monroe by Arnold Newman, 1962
Elliott Erwitt's wonderful shot of Marilyn Monroe, Thelma Ritter & Montgomery Clift on the set of The Misfits, 1961
Marilyn Monroe & Tony Curtis on the set of Billy Wilder's Some Like It Hot
📷 Richard C. Miller, 1958
Marilyn Monroe by Cecil Beaton
bromide print, 1956 @NPGLondon
Marilyn Monroe by Ed Feingersh, Ambassador Hotel, March 1955
Cornell Capa was part of the Magnum Photos team (9 photographers!) on the set of John Huston's The Misfits in Nevada, 1960. I love this shot of Clark Gable & Marilyn Monroe.
One of Philippe Halsman's best #jump! photos, of Marilyn Monroe. It made the cover of the November 9, 1959 issue of Life magazine.
Remembering Leonard McCombe on his birthday 🎂
📷 Jun Miki, 1955
"'What's going on?' you ask yourself. 'Where's my story?' It's like being on the outside of a shop window looking in. Somehow, you have to break through the glass."
Happy birthday Miguel Calderón 🎂
📷 Matthew Takata, 2013
"Whether because of luck, or serendipity, or connection, or empathy, Calderón unlocks and discovers hidden worlds, strange beings, and unusual situations throughout the city."
- María Virginia Jaua
Remembering Clementina Hawarden on her birthday 🎂
📷 A possible self-portrait, c. 1861-62
"Doubly interiorized within the confined space of the first-floor studio and the pages of the family albums, Hawarden’s photographs represent seclusion, even exclusion."
- Carol Mavor
Clementina Hawarden
Photographic Study, early 1860s @metmuseum
Hawarden called her photographs "photographic studies"; this is a portrait of her daughter Clementina Maude.
Clementina Hawarden
Another photograph of Clementina Maude, from c. 1863/4.
Note the placement of the hat in the pool of light at the subject's feet. This is a surprisingly modern-looking photo from this period.
Remembering George Hurrell on his birthday 🎂
📷 Self-portrait, 1947
"The most essential thing about my style was working with shadows to design the face instead of flooding it with light."
Richard Nickel on his birthday 🎂
📷 Self-portrait
"I charge the cultural elite of Chicago with the doom of the Chicago School buildings. They rape the city for their private fortunes in order to enjoy private art in the suburbs."
Richard Nickel
First Regiment Armory, Chicago, built in the late 1880s
Richard Nickel's wonderful photograph of Adler & Sullivan's 1894 Chicago Stock Exchange
Remembering Ellsworth Kelly on his birthday 🎂
📷 Alex Majoli, 2012
"Like Cézanne, Kelly observes nature. He simplifies and then flattens shapes until they become abstract."
- Laurence Madeline
Ellsworth Kelly by Clarence Williams, 1996
"The negative is just as important as the positive."
Ellsworth Kelly
Blue and Red from the series Line Form Color
1951 @MuseumModernArt