WHAT IS ANASARA PATTI ?
During the bathing festival of Mahaprabhu Shree Jagannath (Deva Snana Purnima) the Sri Jiews of the temple have a bath with 108 pots of cold water to fight the heat of summer.
After this royal bath ceremony the three Jiews are sick and they stay away from the public view for a period of 15 days. This period is known as 'Anasara' or 'Anavasara' period commences from Jyestha purnima and ends with Ashadha amavasya.
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During these days the Sri Jiews stay away from the public view and there is a need for substitute images for the public and to whom daily rituals can be offered at temple, so during this time three patta paintings of Sri Jagannath, Sri Balabhadra & Maa Subhadra are worshipped
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in the temple. These patta paintings are known as 'Anasara patti' or 'Anavasara patti'. During Anasara period the door of Patitapabana, the representative image of Sri Jagannath worshiped at the right side of Simha dwara (main entrance) is also closed. Besides the
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three main patta paintings, another small Anasara Pati is also prepared for Patitapabana and placed in front of the door for public view.
Preparation of Anasara Pati begins on Jestha amavasya. On this day, the temple Chitrakaras receive pieces of cloth from the Jagannath
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Temple administration to use as pattas (canvas). A group of 10 to 15 artists, under the guidance of the chief artist, work on the paintings and paint the images of Shri Ananta Narayan, shri Ananta Basudev and Goddess Bhubaneswari. The three paintings represent the SriJiews.
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Shri Ananta Narayan represents Lord Jagannath, Shri Ananta Basudev is Lord Balabhadra and Goddess Bhubaneswari represents Goddess Subhadra. Each patta painting is made on a cloth of 5.5 feet long and 4 feet wide. It takes 15 days to finish the Anavasara pati.
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After completion, Priests from the Puri Jagannath temple come to the chief artist's house with a garland (Aagyanmala). As per the tradition, special Puja is performed at his house and after the puja the Anasara Pati is rolled and tied with a piece of cloth and then carried to
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the Jagannath Temple by the Chitrakaras and temple Priests in a ceremonial procession accompanied by Hymn, bhajan, kirtana, mridanga, ghanta etc. A Tati (temporary partition wall made of Bamboo) is constructed in front of the original deities and on this tati the three
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Pata Paintings are placed as the representatives of the three Deities.
The three Pata Paintings represent the traditional form of Narayan, Basudev and Bhubaneswari with their usual attributes. Narayan is carrying Sankha, Chakra, Gada and Padma with his four arms.
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Basudev is holding Sankha, Gada, Hala and Musala. Bhubaneswari holds two lotuses. It is believed that visiting the temple of Alarnath of Brahmagiri to see Prabhu Alarnath is as good as seeing Shree Jagannath during the Anasara period,
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so thousands of devotees visit Brahmagiri to have a darshan of Alarnath.
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#AkshayaTritiya 2022
The chariot construction work for Puri Ratha Yatra commences today at ‘Ratha Khala’ on the occasion of Akshaya Tritiya. 😍🙏🏼↓
On the auspicious day of Akshaya Trutiya, the ‘Agyanaa Mala’ (consent garland of Mahaprabhu) is received
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and Ratha Katha Anukula ritual is performed.
This starts the process of chariot construction for Prabhu Balabhadra, Devi Subhadra & Mahaprabhu Jagannatha at the Bada Danda of Shree Jagannatha Temple, Puri.
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Three 12-feet-long Dhaura logs are brought to the Ratha Khala. The process begins with an axe being given the divine touch after getting the ‘Agyanaa Mala’ from the deities followed by special rituals conducted by temple priests.
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History:-
Parakira Pandian who ruled over Tenkasi wished to worship the lord at Kasi. The family deity of the king namely lord Muruga offered the king a rare medicinal tablet and made him worship Kasi Viswanathar by travelling through the sky.
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The king became worried as he could not go to Kasi every day to worship Viswanathar. The lord appeared in his dream and told him that he was there at a small distance. A colony of ants moving in procession would show him the way.
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Another alluring temple of Tamilnadu. 😍🙏🏼↓
Arunachalesvara Temple or Annamaliyar Temple, Thiruvannamalai.
The structure of this temple dates back to the 9th century according to the inscriptions found in the premises & was built by the Chola kings.
⬇️ twitter.com/i/spaces/1MYxN…
Expansions and renovations were later executed by the Vijayanagara rulers, and then subsequently by the Saluva Dynasty and the Tuluva Dynasty.
Some inscriptions also indicate Thiruvannamalai was ruled by the Pallavas before the 9th century.
The ancient Tamil saints Appar and Sambandar are also believed to have worshipped Annamalaiyar in the temple.
The Chola kings were dominant in the region for over four centuries and patronized the temple frequently. The temple and the town of Thiruvannamalai
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Perpetually, respect a person by judging its intellectual knowledge, wisdom and purity of Atma. Never disrespect someone having bad physical appearance.
Go through this thread about Maharshi Astavakra. 😌✨⬇️
Once, Rishi Ashtavakra entered the king’s court, everyone looked at him and started to laugh because of his physical deformities. Ashtavakra just looked about with silence and then broke into such laughter that everyone became shocked at the intensity of his laughter.
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When questioned about his identity by Janaka, Ashtavakra replied he was disappointed to find only shoemakers in the assembly instead of wise men. Ashtavakra told the king that his counselors were only seeing skin. They did not see the atma.
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Dinna was a staunch devotee of the Vayu linga of SriKalahasti which he found in the forest while hunting. Being a hunter, he did not know how to properly worship Lord Shiva. It is said that he poured water from his mouth on the Shiva lingam which he brought from the nearby
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river Swarnamukhi. He also offered Lord Shiva whatever animal he hunted, including swine flesh. But Lord Shiva accepted his offerings since Dhinnan was pure at heart and his devotion was true. Once, Lord Shiva tested the unshakable devotion of Dinna. With his divine power,
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THREAD
Battle between Sri Krishna and Devaraj Indra for the tree of Parijata flower is depicted beautifully here on the walls of Hoysaleswara temple, Halebeedu.
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Here, Sri Krishna is flying while sitting on the broad shoulders of Garuda. Maa Satyabhama can be seen at the left side of him. Sri Krishna has four hands, holding Shankha, Chakra, Mace, Lotus & holding Satyabhama. Garuda is holding a beautifully carved Parijata tree trunk
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in his left hand while holding a weapon in his right hand, attacking Indra.
The sculptor has shown the leaves, branches, and flowers of the Parijata tree very elegantly. Looking closely enough, you can see a bird, eating a fruit on a tree as well. Under the tree trunk,
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