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Jun 24, 2022 3 tweets 2 min read Read on X
Detail from an illustration in bunko edition of Yumi Tamura's BASARA manga. Princess Senju's hairstyle.

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12th century hairstyle of noblewomen (Western Europe). Braids with ribbons (minus hair buns). From Eugène Emmanuel Viollet-le-Duc (1874)'s book. #BASARA #田村由美 ImageImage

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More from @basara_talk

Jul 14, 2022
Short #Thread

1. Iconography in Vol 1 of Yumi Tamura's BASARA (under the word Vajra). From an Iznik charger by Baba Nakkaş, an Ottoman ceramic artist (1480). This pattern is called "Rumi-Hatayi". Collection of Musée National de Céramique de Sèvres, France. (Cont) #shojo #manga A circle with rumi motif an...Charger with rumi motif and...
2. (Contd) #Thread

The Rumi-Hatayi pattern comes from 2 different cultures, Seljuk (Rumi) & Chinese (Hatayi). It's a combo of vegetal (plants) & zoomorphic (wings or beaks of animals). It symbolizes divine power, heroism & the struggle between good & evil.

#BASARA #shojo Difference between the Rumi...
3. (Contd-2) #Thread
Imho by putting the pattern under the explanations for the etymology of Vajra and BASARA, the iconography serves its function well (the meaning of the pattern fits the story). #YumiTamura #Shojo

Image
Read 4 tweets
Jul 9, 2022
Short #Thread

Illustration from Yumi Tamura's BASARA manga. Patterns behind Shuri, Tatara & Ageha are based on Seljuk Empire's 13th century tiles: star & cross shapes with vegetal, dogs, peacocks, two birds & the Tree of Life motifs. Collection of Karatay Madrasa,Turkey (Cont) Characters from Yumi Tamura...A part of the thirteenth ce...
Short #Thread
(Contd)
(From Yumi Tamura's BASARA illustration)
1. A dog (greyhound?) in an 8 point star. This is one of the patterns of 13th century Seljuk era tiles found in Kubadabad Palace, Turkey.
The dog symbolizes intelligence and patience in Seljuk's tradition of hunting. ImageImage
Short #Thread
(Contd-2)
(From Yumi Tamura's BASARA illustration)
2. A peacock in an 8 point star. This is one of the patterns of 13th century Seljuknera tiles found in Kubadabad Palace, Turkey. The peacock symbolizes paradise and royalty. A smiling anime character m...Thirteenth century tile fro...
Read 8 tweets
Jun 18, 2022
Short #Thread

Correction of a tweet.
Detail of an illustration from Yumi Tamura's BASARA (Sarasa's emerald(?) dagger).

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Topkapi Dagger. A gift from Ottoman's Sultan Mahmud I to Shah of Iran, mid 18th c. Collection of Topkapi Museum Palace, Turkey.

(cont) #田村由美 #BASARA ImageImage
(Contd - Yumi Tamura's BASARA)

Comparison of the hilt (Sarasa's dagger hilt vs The Topkapi Dagger / Jambiya hilt)

The topkapi dagger has a hilt adorned with 3 cabochon-cut emerald and is made of gold.

(cont) #田村由美 #BASARA #Thread

ImageImage
(Contd 2 - Yumi Tamura's BASARA)

Comparison of the scabbard (Sarasa's dagger vs the Topkapi Dagger)

#田村由美 #BASARA #Thread ImageImage
Read 6 tweets
Jun 13, 2022
Short #Thread.

Detail of an illustration for the cover (vol.19) of Yumi Tamura's BASARA manga. Princess Ginko (The White King) is holding 2 Hina dolls: the empress (in red junihitoe, holding a fan) & the emperor (in blue-white sokutai, holding a scepter). The dolls... (Cont) Image
(Contd)
(From Yumi Tamura's BASARA manga)

The dolls were probably made during the Edo period, as seen from the elaborate phoenix crown of the Empress doll. This crown model is probably copied from a real ancient crown of a Japan Empress' (Cont). #Thread

ImageImage
(Contd-2)
(From Yumi Tamura's BASARA manga)

The dolls in Hina festival is a celebration for a girl's health and happiness. In the hands of Princess Ginko who is unhealthy & unhappy, maybe the dolls symbolize her puppetry of Shuri (the red king) & Asagi (the blue king). #Thread Image
Read 4 tweets

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