1. Iconography in Vol 1 of Yumi Tamura's BASARA (under the word Vajra). From an Iznik charger by Baba Nakkaş, an Ottoman ceramic artist (1480). This pattern is called "Rumi-Hatayi". Collection of Musée National de Céramique de Sèvres, France. (Cont) #shojo#manga2. (Contd) #Thread
The Rumi-Hatayi pattern comes from 2 different cultures, Seljuk (Rumi) & Chinese (Hatayi). It's a combo of vegetal (plants) & zoomorphic (wings or beaks of animals). It symbolizes divine power, heroism & the struggle between good & evil.
Illustration from Yumi Tamura's BASARA manga. Patterns behind Shuri, Tatara & Ageha are based on Seljuk Empire's 13th century tiles: star & cross shapes with vegetal, dogs, peacocks, two birds & the Tree of Life motifs. Collection of Karatay Madrasa,Turkey (Cont)
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(From Yumi Tamura's BASARA illustration) 1. A dog (greyhound?) in an 8 point star. This is one of the patterns of 13th century Seljuk era tiles found in Kubadabad Palace, Turkey.
The dog symbolizes intelligence and patience in Seljuk's tradition of hunting.
Detail of an illustration for the cover (vol.19) of Yumi Tamura's BASARA manga. Princess Ginko (The White King) is holding 2 Hina dolls: the empress (in red junihitoe, holding a fan) & the emperor (in blue-white sokutai, holding a scepter). The dolls... (Cont)
(Contd)
(From Yumi Tamura's BASARA manga)
The dolls were probably made during the Edo period, as seen from the elaborate phoenix crown of the Empress doll. This crown model is probably copied from a real ancient crown of a Japan Empress' (Cont). #Thread