I actually quite like that there are certain recurring settings/characters in #DoctorWho largely tied to a particular version of the show.

"Peladon" (and arguably the "... Space" stories) for the Third Doctor, Sil for the Sixth Doctor, "the Other" for the Seventh and so on.
In the Moffat era, you have characters like the Paternoster Gang and Rivier Song largely tied to the Eleventh Doctor.

In the Chibnall era, you obviously have the whole "Timeless Child" mythology. All of which, within the show, remains largely tied to a particular era.
I like that, unlike so many major franchises, you can kinda just bite off chunks of "Doctor Who" and treat them as self-contained shows.

So, you don't need to watch (or wiki) forty-odd years of continuity to watch the Davies era, or you can jump on fresh with Moffat or Chibnall.
It does also mean that if there is an era of the show with which a viewer doesn't connect, it's fine. There will be a new era, and a fresh start, along soon enough.

• • •

Missing some Tweet in this thread? You can try to force a refresh
 

Keep Current with Darren Mooney

Darren Mooney Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

PDF

Twitter may remove this content at anytime! Save it as PDF for later use!

Try unrolling a thread yourself!

how to unroll video
  1. Follow @ThreadReaderApp to mention us!

  2. From a Twitter thread mention us with a keyword "unroll"
@threadreaderapp unroll

Practice here first or read more on our help page!

More from @Darren_Mooney

Jul 22
I feel like nobody has really commented on the fact that Warner Bros. marked the streaming release of a fairly major film with an overt hit piece on that film that was very clearly sourced within the studio.

And not the sort of “gossip” pieces you saw with “Fant4stic”, etc.
That’s not conspiracy theory stuff, to be clear. It’s why that story was timed to drop when it did - to coincide with the film’s availability for digital purchase.

It’s a remarkable piece of messaging *from* (not *about*, but *from*) a major studio about one of their own films.
That piece of studio messaging neatly coincides with the upcoming San Diego Comic Con this weekend as well.

It’s fascinating how the story here is just repeating the studio’s talking points, not the studio’s efforts to construct a narrative of failure around its own film.
Read 12 tweets
Jul 22
I empathize with this, truly.

But given that “Prey” is easily the best franchise film Disney have produced this year, unless you consider “Pixar” to be a franchise, and given that so few theatrical franchise films allow just basic storytelling, it’s maybe not the worst thing.
Like, a theatrical “Predator” movie probably has to look like “The Predator”, in that it has to serve larger long-term franchising goals more than just being a film.

Similarly, “Alien: Covenant” is what a theatrical “Alien” film has to look like, serving those same demands.
(Incidentally, the most interesting thing about “Covenant” is the way that it feels like Ridley Scott basically grousing that his “Prometheus” sequel has been reshaped into a more “brand-friendly” prequel to “Alien” that he has no interest in making.

escapistmagazine.com/alien-covenant…)
Read 5 tweets
Jul 21
#NowWatching “Star Trek II: The Wrath of Khan.”
“The Wrath of Khan” is one of those great movies that has somewhat been flattened in the memory of it. It’s brilliant, and epic, and propulsive.

But it is also elegiac and mournful, the story of old men who lead the young to slaughter while chasing phantoms of glories long past. ImageImage
It’s no small irony that “The Wrath of Khan” became a past glory that the “Star Trek” franchise would spend decades pursuing.

Like Kirk chases the memory of command, and like Khan chases his vendetta against Kirk.

“The Wrath of Khan” understands the futility of this.
Read 22 tweets
Jun 17
We have reached the point in the "Top Gun" discourse where the "Top Gun" discourse consists of debates over whether there should be "Top Gun" discourse.
To be fair, "Maverick" gets away with what it does by (a.) being less jingoistic than "Top Gun" and (b.) being more open in its jingoism than most of its competitors.

You go into "Maverick" knowing you're getting a recruitment film. That's not true of "Captain Marvel", say.
I will say the biggest barrier for "Maverick" for me, that wasn't there with the "Mission: Impossible" films, is that it does really try to sell me on Tom Cruise is "a nice guy."

I don't necessarily buy that. I do buy that he is "the living manifestation of destiny", though.
Read 6 tweets
Jun 16
This week, I discuss at @EscapistMag about how #StrangeNewWorlds demonstrates the limits of allegory.

In its eagerness to retreat to the nostalgia of nineties "Star Trek", "Strange New World" eagerly shoves Spock back in the celluloid closet.

escapistmagazine.com/star-trek-stra…
This week's episode of #StrangeNewWorlds is about how gender non-conforming individuals lie about their identities to trick people.

And the humanitarian crisis at the border is a ruse orchestrated by criminal gangs to infiltrate/invade.

It's not good.

escapistmagazine.com/star-trek-stra…
In many ways, this is a retreat for the #StarTrek franchise, particularly during Pride and particularly when trans rights are under attack.

During the nineties, the franchise could only approach gender/sexuality through metaphor, not directly.

them0vieblog.com/2016/02/11/sta…
Read 17 tweets
May 21
An interesting aspect of the "Mission: Impossible" franchise compared to other big franchises is that it's not really about fighting advancing impersonal technology, which is even there in "Top Gun: Maverick."

It's very literally an old-school action hero fighting postmodernism.
Obviously that theme is the subtext of the modern "James Bond" franchise, but it's couched metaphors about drone warfare that makes Bond outdated - until he's not!

I love that the later "Mission: Impossible" movies are like, "Ethan is fighting the very idea of moral ambiguity."
I kind of admire that the big moral and dramatic stakes of these later "Mission: Impossible" movies are, "Just let Ethan Hunt be the kind of hero who does cool stunts and punches people in the face without burdening him with angst or ambiguity."

It's impressively literal.
Read 5 tweets

Did Thread Reader help you today?

Support us! We are indie developers!


This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3/month or $30/year) and get exclusive features!

Become Premium

Don't want to be a Premium member but still want to support us?

Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal

Or Donate anonymously using crypto!

Ethereum

0xfe58350B80634f60Fa6Dc149a72b4DFbc17D341E copy

Bitcoin

3ATGMxNzCUFzxpMCHL5sWSt4DVtS8UqXpi copy

Thank you for your support!

Follow Us on Twitter!

:(