👣🗾SCATTERING EARTH🤏⛰️
For 25 years Kurita Kōichi (栗田宏一) has walked the length and breadth of Japan, gathering small samples of soil from each settlement (whether hamlet, village, town or city) he passes through.
At Hōnen-in (法然院) he made a dedication of his life's work.
Kurita's dedication was inspired by the temple's 'sange' (散華), a ritual offering of flowers made early each morning. 25 flowers (usually camellia) are dedicated to a statue of Amida. The flowers represent the 25 bodhisattva who help Amida take the souls of the dead to paradise.
Hōnen-in is no stranger to using earth and sand as a form of offering.
Upon entering the temple visitors pass through the 'Byakusadan' (白砂壇), 2 terraces of white sand (roughly 7m long, 3m wide and 10cm high).
Said to symbolize water, the sand purifies the body and soul. #京都
Every 4 or 5 days a priest rakes new patterns in the 'Byakusadan', reflecting the weather or season.
As part of his brief, 7 day residency, Kurita also scattered soil he had collected from across Japan upon the two sand terraces. #Japan#Kyoto#京都#Honenin#法然院#白砂壇
You can read all about the origins of Hōnen-in (法然院), an often overlooked temple on the Philosopher's Path (哲学の道), here🧵⬇️
From the millions of soil samples collected over two and half decades, Kurita-san made a dedication of 729 portions (in the actual sange ritual only 25 flowers are used).
When finished, the soil was symbolically gathered up and scattered on the Byakusadan as a universal prayer.
Working for 5 hours each day for 3 days, Kurita-san made 729 small piles of earth, organised in rows of 27.
At the very centre was soil gathered from Hōnen-in (法然院) itself.
After 7 days the soil was swept up into a single pile...this took only 30 minutes😓 #Kyoto#京都#法然院
It is perhaps incorrect to call Kurita-san an artist as his dedication to a single goal is almost religious in nature. Known to some as a 'researcher of soil', Kurita-san has been active in France in recent years.
In 2017 alone he collected 35,000 samples from around Japan.
In many ways Kurita-san's work is not only an offering but also a memorial. He has a particular interest in collecting samples from old settlements, hometowns that are declining and may well disappear for good. By preserving samples he is honouring their memory🗾🛻🤏🪨👝🙏 #Japan
Astonishingly Kurita-san's last 'exhibit' at Hōnen-in (法然院) was 25 years ago, shortly before his odyssey to gather soil from across the country began.
The idea that soil can be imbued with sacred or otherworldly power is not a new one.... #栗田宏一#法然院#土の散華#散華
In 1829 the head of Ninna-ji sent Hisatomi Totomi-no-kami to collect earth from all temples on the Shikoku Pilgrimage. The soil was enshrined in 88 halls on the mountain behind Ninna-ji.
Completing the 3km course was said to have the same merit as finishing the actual pilgrimage.
in poor soil
little by little it blooms...
chrysanthemum
痩土にぼつぼつ菊の咲にけり
-Kobayashi Issa (小林一茶), 1804.
Trans. David G. Lanoue.
Maybe in 25 years Kurita-san will return to Hōnen-in (法然院) for his 3rd 'soil scattering'.
Given the dramatic societal and environmental changes going on right now, it is difficult to imagine what Kurita--san will experience on the next stage of his adventure. #Japan
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Just beside our Camellia Garden teahouse runs Kinukake-no-michi (きぬかけの路 the 'Silk-draped Path'), a 2km stretch of road that joins the UNESCO World Heritage sites of Kinkaku-ji (金閣寺 The Golden Pavilion), Ryōan-ji (龍安寺) and Ninnai-ji (仁和寺).
An iconic golden pavilion (restored after a novice burnt the original down in 1950), the world's most famous Zen garden, & a former imperial palace are just some of the most well-known attractions to be enjoyed along Kinukake-no-michi.
But always venture off the beaten track!😉
But what does the road have to do with draped silk?
Well, Kinukake-no-michi (きぬかけの路) winds through the foothills of Mt. Kinugasa (衣笠山), known also as Mt. Kinukake (絹笠山).
The mountain is named after an incident involving Emperor Uda (宇多天皇). #Kyoto#Japan#衣笠山
In its traditional form, mitarashi dango is made up of 5 small rice dumplings...skewered, grilled, and served with a sweet soy sauce glaze.
Legend has it that the inspiration for the snack came from a miraculous incident involving Emperor Go-Daigo (後醍醐天皇 1288-1339). #Japan
During one of Go-Daigo's outings to Shimogamo-jinja, 5 bubbles appeared in the water as he purified his hands.
Interpreted as the human body (五体 - head, arms and legs), it was taken as a fortuitous sign.
The emperor offered 5 rice dumplings (4 big & 1 small) to the shrine gods.
A popular summer snack in Kansai, the melt-in-your-mouth warabimochi is a jelly-like sweet traditionally made from bracken starch (わらび粉 'warabiko').
It's covered with sweet, toasted soybean flour (黄粉).
There is a legend that Emperor Daigo (醍醐天皇 885-930) loved a particular type of warabimochi so much that he bestowed on it the rank of 'dayū' (大夫 -5th court rank). Over time 'Oka-tayū' (岡大夫) came to be used for warabimochi in general. #Kyoto#Japan#わらび餅#warabimochi
As real bracken starch (warabi) can be very expensive, many stores nowadays substitute it with potato, tapioca or kudzu (Japanese arrowroot) starch.
Today's delicious warabimochi is from Sagano's 'Chikuji-an' (嵯峨野/竹路庵). It's absolutely buried in kinako!🙌 #Japan#Kyoto
Between July 10-14th the floats that will participate in the Gion Matsuri's first parade (the 'Saki Matsuri' 先祭り - July 17th) are constructed. The parts are laid out, slotted together, and then meticulously bound in rope. #Kyoto#祇園祭
The 'hoko' (鉾) take around 3 days to complete, the smaller 'yama' (山) only 1. Float decorations are displayed in the 'kaisho' (会所), the meeting place of each 'float neighbourhood'.
Using only rope to bind the float skeletons allows for much more flexibility during the parade.
Float frames are known as 'yagura-gumi' (やぐら組み 'turret style'), and the method of binding is called 'nawa-garami' (縄がらみ 'rope construction').
Ropes are held in place by a series of intricate knots, such as the 'prawn knot' (海老結び) & 'female butterfly bow' (雌蝶結び).
🥁THE FLOATS OF THE GION MATSURI🙌
July, consumed as it is with the Gion Matsuri, always passes in the blink of an eye, so I thought I'd compile a list of the 34 individual floats ('yamaboko' 山鉾) that you'll be able to see at this month's festival.
The Naginata-hoko always leads the Gion Matsuri's first parade, the 'Saki Matsuri' (先祭り). As it is exempt from the lottery to determine the position of the floats, it was known in the past as 'Kuji-torazu' (くじ取らず 'Lot-drawing Not Necessary').
The float's name comes from the long halberd (鉾 'hoko') that rises from its roof to drive away evil. It is said the original was made by famed swordsmith Sanjō Munechika (三條宗近) in the 10thC to thank the gods after his daughter was spared from a terrible plague. #Japan#Kyoto