With competition for subscribers growing fiercer, media companies have increasingly turned to well-known genre franchises, including #TheWitcher and #TheLegendOfVoxMachina, in a hungry grab for IP that they hope comes with a built-in fan base. bit.ly/3dzEQIn
Launching a franchise that perpetuates for years needs time to grow, but some platforms have chosen to jump-start the process, greenlighting a show’s second season well in advance. Amazon has publicly committed to produce 50 hours of “The Rings of Power.” bit.ly/3dzEQIn
Between purchasing the rights from the Tolkien estate and production and marketing costs, Amazon is likely to spend upwards of $1 billion on just the eight-episode first season of “The Rings of Power.” bit.ly/3dzEQIn
HBO, Netflix and AMC are also shelling out small fortunes to compete in a landscape in which cinematic production value and spectacle are seen as preconditions for top-tier success. And that success is far from foreordained. bit.ly/3dzEQIn
“You take one false step and the whole thing blows up," says Mark Johnson, the chief producer overseeing AMC’s Anne Rice universe. "You do one piece of miscasting, or you make something funny that is sacrosanct, and you’ve undone the whole thing.” bit.ly/3dzEQIn
The first two installments of Neil Gaiman’s 10-volume graphic novel series make up Season 1 of #TheSandman. If future seasons keep to that pace, Netflix will need to produce at least five seasons of the show in order to tell the story in its entirety. bit.ly/3dzEQIn
“We’re putting all of our chips in the middle,” says Netfix's Peter Friedlander. “We really feel like this is an opportunity to tell a dark fantasy story that is completely different from anything else in the marketplace right now. We’re coming in bold.” bit.ly/3dzEQIn
It’s almost too easy to pit “The Rings of Power” and “House of the Dragon” against each other in the TV colosseum.
Those involved with both shows were at pains with Variety to make clear there isn’t a rivalry between them, friendly or otherwise. bit.ly/3dzEQIn
“What a great time for people where you have these two huge, iconic worlds that people are so invested in and love so much, to be able to explore them at the same time,” says Vernon Sanders, global TV chief at Amazon Studios. bit.ly/3dzEQIn
“Having ‘Lord of the Rings’ on when ‘House of the Dragon’ is on, I don’t see it as only one can survive," says HBO/HBO Max content chief Casey Bloys. "I’m also not that worried about what anybody else is doing. I can only concentrate on what we’re doing.” bit.ly/3dzEQIn
Some fans have already decided that several of these shows have strayed too far in the effort to give a fresh perspective. The decision to cast actors of color as elves, dwarfs & harfoots in “The Rings of Power” unleashed a torrent of racist abuse. bit.ly/3dzEQIn
#HouseOfTheDragon's Steve Toussaint addressed backlash on playing a role written as white: “There are people outside who find it a little hard to stomach that someone who looks like me would play this part. But that’s an issue they have to deal with." bit.ly/3dzEQIn
“We have to know that some people are going to love all of the choices, some people are going to love some and not others, and some people are just not going to feel like it’s their version of it. And that’s OK," said Amazon’s Vernon Sanders. bit.ly/3dzEQIn
Before Martin Scorsese’s “The Aviator,” Christopher Nolan wrote a script for a Howard Hughes biopic that he wanted Jim Carrey to star in. Nolan has called it his best screenplay and the role Carrey was “born to play.”
Luca Guadagnino wanted to make a sequel to #Suspiria with a story “layered in five different time zones,” including 1200 Scotland. The first movie’s box office failure killed the plan: “How [can I make a sequel]? The movie made absolutely nothing.”
EXCLUSIVE: Ezra Miller has broken their silence about the troubling behavior that they have exhibited in recent years, which has led to a series of legal issues and assault and abuse allegations. Miller also apologized for their actions. wp.me/pc8uak-1lBmRa
“Having recently gone through a time of intense crisis, I now understand that I am suffering complex mental health issues and have begun ongoing treatment,” says Ezra Miller in a statement provided exclusively to Variety. wp.me/pc8uak-1lBmRa
“I want to apologize to everyone that I have alarmed and upset with my past behavior," Ezra Miller says. "I am committed to doing the necessary work to get back to a healthy, safe and productive stage in my life." wp.me/pc8uak-1lBmRa
When Warner Bros. Discovery CEO David Zaslav spoke to investors on Aug. 4, he stated that the company had created a team with a “10-year plan focusing just on DC” — similar to Disney's structure with Marvel Studios chief Kevin Feige. bit.ly/3QEwWfi
Zaslav did not disclose who would be a part of that team, nor did he acknowledge that Walter Hamada, the executive who’s led the DC Films unit since 2018, actually has a long term plan for DC’s cinematic universe and has already been implementing it. bit.ly/3QEwWfi
Zaslav’s announcement appeared to dismiss Hamada and his team’s preparations, creating an atmosphere of confusion — and rampant speculation — over the future of more than a dozen DC film and TV projects. bit.ly/3QEwWfi
Angus Cloud reveals where the scar on his head came from.
“It’s real,” he says. “I broke my skull on Friday the 13th.” 🧵 wp.me/pc8uak-1lBlv3
As Cloud tells it, in 2013, he peeled off from a group of friends who were walking through downtown Oakland, where he grew up. Alone and in the dark, he didn’t notice the construction pit in front of him until he was already falling. wp.me/pc8uak-1lBlv3
“I woke up 12 hours later at the bottom,” Cloud says. “I was trapped. I eventually climbed out after — I don’t know how long.” wp.me/pc8uak-1lBlv3
#Prey, the action-thriller prequel to #Predator, notched the most viewing hours ever on Hulu in its first three days — including all TV series and movies.
#Prey premiered Aug. 5 on on Hulu in the U.S., as well as on Disney’s Star+ in Latin America and Disney+ under the Star banner in all other territories.
The film follows a young woman, Naru, a fierce and highly skilled warrior who has been raised in the shadow of some of the most legendary hunters who roam the Great Plains. So when danger threatens her camp, she sets out to protect her people.