Equal parts heavy and ethereal, it’s fitting that the album contains song titles like “Up the Beach” and “Ocean Size,” as the tracks play like waves crashing into the sea.
98. Lucinda Williams – Car Wheels on a Gravel Road
Across 13 tracks, you learn a few things about the record’s central narrator, but there’s one lesson that stands out in particular: You don’t fuck with Lucinda Williams.
Although they owe Schoolly D and the Park Side Killas some credit for pioneering gangsta rap, N.W.A can proudly say that they brought this style of uber-catchy, ultra-violent hip-hop to the mainstream.
From start to finish, Yankee Hotel Foxtrot mesmerizes and beguiles, and somehow manages to sound like both falling in love and the end of the world. It’s untouchable.
It stands as a testament to confident womanhood, a statement sealed in the record books as the best-selling album by an American girl group ever and the first to reach Diamond status.
The very first seconds of Morissette’s breakout record feature a blend of electric guitar and harmonica, signaling right from the beginning that a new voice in alt-rock had something to say.
Exploring everything from panic attacks to masturbation to bisexuality, the lyrics struck a chord with fans of all ages and positioned Green Day as the modern punk band for the masses.
The pieces all fit together, yet much of its greatness lies in how they refuse to congeal, with Coltrane and her collaborators embracing generosity while maintaining autonomy.
A credit to Rick Rubin’s raw production, the album sounds brutally intense to this day, unmarred by time — a sacred artifact of extreme metal in its earliest form.
It had all the angst and darkness that grunge was known for – both in its lyrics and its heavy sound – but with stadium-ready expansiveness and a vocalist destined for icon status.
Expressing triumph, rage, tenderness, fear, and more, Chrissie Hynde puts you inside her head, recalling painful memories and detailing incredible narratives as if she’s made an ad hoc audiobook.
Rather than just sticking to their playbook of reggae, jazz, and punk, Synchronicity finds the group creating their own path and telling everyone else to come along if they can.
There may not be a more divisive pop icon in music, but I challenge you to listen to “Vienna” or “She’s Always a Woman” and say Joel wasn’t at the height of his powers on The Stranger.
For most of the seven years between ‘96-’03, JAY-Z was one of the genre’s dominant figures. Even on his “last” album, that competitive hunger is still palpable.
Something so perfectly realized, so revealing in its depth, so wholly enjoyable has to be one of the best albums of all time. Otherwise, what are we doing here?
The language, both musically and lyrically, of Highway 61 Revisited is poetic, sarcastic, and ironic — tongues that have always spoken to some essential part in the human makeup.
It knits together concept and sound into a 38-minute throwdown that became a definitive statement for the genre and a template that was subsequently sourced by jazz, hip-hop, and EDM artists.
My Bloody Valentine’s magnum opus seamlessly blends their mysteriously abrasive instrumentals with some of the most gorgeous, unforgettable melodies of indie rock’s history.
It's been canonized over and over as U2's love letter to America and blah, blah, blah; but the true essence of its power lies in a supernova of love — the whole spectrum from agape to eros.
It’s one of the first hip-hop albums where “lush” is not only an apt description, but probably the best one. It’s one of the best examples in any genre of reinvention and a high bar for sophomore albums.
At the center of Channel Orange is Frank Ocean’s incredibly poignant songwriting that can capture a complete narrative of emotions in the smallest refrains.
Madonna opened up her journals and her heart for a surprisingly confessional and, of course, provocative set of songs that called for a reevaluation of her merit on artistic terms.
Few projects carry such an intensely defined vision, let alone capitalize on it so well. Maybe that’s why there was never a proper sequel; something in the universe knew to leave what’s perfect as perfect.
Winehouse’s particular brilliance makes Back to Black one for the ages. Her contralto vocals are effortlessly expressive, sophisticated in their rhythms and the nuances they find in the dangerous joys.
On I Put a Spell on You, Simone never loses sight of her mission to dismantle Jim Crow America and simply shifts tactics to demonstrate pure, undeniable Black Excellence.
Hunky Dory is not a concept album, but the concepts within would eventually solidify and manifest in the character of Bowie’s spaceman and perhaps even in his personal philosophies.
55. Sly and the Family Stone – There’s a Riot Going On
The best album of Sly and his band’s career came in on a cloudy, groovy haze of sex, drugs, and, yeah, rock and roll, and few albums are as honest and heartbreaking and funky as this.
What makes this all so compelling is that this album is less a collection of music and more of a snapshot of thoughts and feelings. Everyone tears at their own soul here.
In just under an hour, Is This It managed to make New York City music cool again and saved rock and roll at one of the most crucial points since the advent of disco.
Cash's human touch, coupled with the way he openly carried his own troubles and shortcomings on his sleeve, creates a camaraderie that the listener can’t help but notice.
Whether it’s at a sports arena; at some teenager’s house party in Oshkosh, Wisconsin; or at a hipster dive bar in Brooklyn… people still can’t get enough of this album.
Beyond the headline-making moments, though, is a great album that has persisted in relevance in the years since, and an album that laid a certain groundwork for many women in pop to follow.
What’s magical about revisiting Kind of Blue today is that it still hums with life, each moment playing as organic and vibrant as the day it was recorded over 60 years ago.
It’s the album modern listeners reach for most readily, because it doesn’t sound like a souvenir from a failed counterculture or obscure outsider Americana — but it does sound like Dylan.
A testament to Back in Black’s lasting legacy, this record's songs remain ubiquitous across algorithm playlists, dive bar jukeboxes, and FM rock stations.
If the plan actually was to put out the record and walk away on top, it was a resounding success. Nearly two decades later, JAY-Z himself ranked it as his best album.
While her discography to date at that time had pulled plenty of pop touches into her modern country sound, 1989 officially left the cowboy boots behind and began a glittery new adventure.
Influenced by the many different musical styles of South Africa, such as isicathamiya and mbaqanga, Simon took these local sounds and successfully matched them to his trademark songwriting.
It’s overtly political without becoming preachy, and feels simultaneously grounded in Atlanta and untethered to our solar system. In other words, it’s a Southern hip-hop record with interstellar ambition.
33. Rage Against the Machine – Rage Against the Machine
As our society continues to lament the same exact topics the band stood for dismantling, there’s still no other album that is as successful at validating our own rage.
You can’t lose a single moment without making the rest collapse. The confounding moments, the ones that only work in context, lift the album from pop to art.
Balancing aggression with thoughtfulness, Master of Puppets stands as a landmark achievement that would elevate thrash — and heavy metal as a whole — to a higher artistic plane.
30. Kanye West – My Beautiful Dark Twisted Fantasy
Behind, within, and around that mostly-red, often-pixelated album cover is a sonic universe that is astonishing in its coherence despite its textural and tonal volatility.
25. Public Enemy – It Takes a Nation of Millions to Hold Us Back
Music, as we know it, has its origins at least partially rooted in a revolutionary soil. And Public Enemy’s sophomore LP is one of music’s all-time political game changers.
Subduing the blues influences that were prevalent on their debut, the band turned its focus toward atmosphere and riffs — the sound of heavy metal to come.
Let it Bleed is The Rolling Stones in peak form, laying substantial groundwork as the World’s Greatest Rock Band — regardless of whoever actually made that claim.
The poetic, often Tolkien-influenced lyrics combined with a musical orgy of metal, progressive rock, and even country was a winning formula to stand the test of time.
From the opening, haunting chord of “Running Up That Hill” to the last hopeful string pluck of “Morning Fog,” Hounds of Love is a musical tapestry and a visionary album.
The facts: It holds one of the greatest songs of all time (“Once in a Lifetime”), it expanded the band’s sound dramatically, and it saved them in the end.
The surprise-released album is at once deeply personal and sweepingly political, told explicitly through the perspective of a Black woman, the most disrespected, most unprotected, most neglected person in America.
The album celebrates life even as it condemns it, marveling at society’s hypocrisies. “Because the Night” made Smith famous, but Horses made her a legend.
16. Bruce Springsteen & The E Street Band – Born to Run
It tells stories that painted everyday people with broad strokes and high stakes, giving the record a sense of epic narrative that had never been heard in American rock and roll.
13. The Velvet Underground – The Velvet Underground & Nico
The Velvet Underground are the archetypes of alternative rock, their debut so groundbreaking that during their existence it only sold a few hundred copies.
With a perfect blend of hip-hop, R&B, gospel, and soul, Hill brings this album to life, working from a vocal range that (arguably) still goes unmatched today.
OK Computer was Radiohead’s first moment of true transcendence, a foundational, defining step for a band now heralded as one of the most influential acts from both the 1990s and 2000s.
The greatness of To Pimp a Butterfly comes down to a single statement: The Pulitzer Prize committee was one album too late when it awarded the Music prize to DAMN.
Anywhere you hear art rock, chamber pop, psychedelia, or concept albums, you hear Pet Sounds. Imagine what it was like hearing it before any of those things had names?
Blue tends to argue that life is inherently lonely, but armed with little more than just her pristine voice, an acoustic guitar, and a piano, Mitchell assures us that we’re never the only lonely ones.
The album, recorded in the iconic West London studio that it takes its name from, was met with mixed reception upon release. But as time passed, it became lauded as the band’s best effort.
On her 10th studio album, I Inside the Old Year Dying, PJ Harvey strives for newness without veering off too far from the familiar. Revisiting her 2022 epic poem Orlam made room for a personal and transformative record, a testament to her genius. All 12 tracks are written in the same rural Dorset vernacular and follow the protagonist’s coming-of-age story, alluding to Harvey’s desire for reinvention. While her captivating poetry remains at the forefront, the backdrop of eerie field recordings and minimalist instrumentation allow for a more tranquil effort; tracks such as “Prayer at the Gate” and “Lownesome Tonight” have gentle tones, while “All Souls” and “A Noiseless Noise” are rather chilling. Yet it still stands strong amongst her previous concept-centric entries, making PJ Harvey’s first proper release in seven years well worth the wait.
See our full list of the year's best albums:
49. Deeper — Careful!
Deeper’s third album and their first for Sub Pop is knotty, frenzied, and utterly crisp. The Chicago post-punk quartet write itch-scratching guitar riffs with an almost scientific precision, but their evolving structures and impressive full-band dynamics act as an element of surprise. Vocalist Nic Gohl conjures singular, evocative images, alternating between tension and release sometimes within the same couplet. As an album titled Careful! suggests, there’s a wariness that characterizes many of these songs — still, they find ways to burst with clarity, control, and catharsis. The climax of lead single “Build a Bridge” seems to say it best: “It’s the right kind of rhythm.”
Our top 30 albums of 2023 (so far): https://t.co/9GrGedLnf0cos.lv/XV8p50OLWiY
@carolineplz @foofighters @Metallica @JasonIsbell @McKinleyDixon @jpegmafia @JanelleMonae @arloparks @waterfromyreyes @xboygeniusx This year has once again produced more great music than an average person has time to listen to: https://t.co/DGiFEmolxvcos.lv/B6hb50OLYZ2
30.@KillerMike’s MICHAEL is worth the wait: a soul-baring collection of deeply personal songwriting that nevertheless contains the kind of bars-on-bars rapping that RTJ fans have come to love: https://t.co/KRbK9tMkyQ https://t.co/QZd9t2Ztf1cos.lv/B6hb50OLYZ2 twitter.com/i/web/status/1…
RANKED: Every #Oscar Best Picture winner, from Argo to The Life of Emile Zola 🎬
Featuring some of film's greatest achievements (and, yes, a few stinkers): cos.lv/5RCT50Nb1T3
78. Forrest Gump (1994)
Whether Robert Zemeckis' history-bending, sweeter-than-chocolate Tom Hanks showcase endears you or not, Forrest Gump stands as a towering movie in #Oscar history.
Russel Crowe is immensely sympathetic, imposing, and noble in Gladiator, just as Best Supporting Actor nominee Joaquin Phoenix portrays one of the best villains of the 2000s.
Coachella's 2023 lineup also boasts two former headliners in Gorillaz and Björk, boygenius' comeback, and a rare live performance from Jai Paul: cos.lv/gTs550Mn6Qn
The existential comedy had more than one trick up its sleeve, as Nadia and Alan got caught up in a whole new time-traveling intergenerational mindfuck.