We’re going to be posting pictures from our first batch of Anveṣi’s Karnataka chapter in this thread!
Journey with us as we travel westward towards the beautiful Karnataka coast visiting gorgeous temples!
Day 1: Chennakeśava Temple at Belur, Karnataka is one of the largest and oldest of the Hoyaśala temples and has had active worship for over 800 years even after extensive destruction during the time of the Sultanate.
The gorgeous symmetry of the Hoysaleswara Temple, Halebidu! The grandest of the Hoysala temples ever built, featuring almost all the deities of the entire Hindu pantheon, arranged in the most spectacular display of symmetry, mathematical precision, and magnificent aesthetics.
Kedareshwara Temple, Halebidu: The stunning stellate star shape of this temple is a sight to behold, and every niche is arresting and captivating.
@PankajSaxena84 took us though the architecture, significance and history of the major Hoysala temples we visited on Day 1.
On Day 2 of our Anveṣi trip and we started the day at the Nageshvara-Chennakesava Temple at Mosale! A gorgeous set of Śaiva and Vaiṣṇava shrines that exemplify the Hoysala style in the same complex.
Day 2: We started the day at the Nageshvara-Chennakesava Temple at Mosale! A gorgeous set of Śaiva and Vaiṣṇava shrines that exemplify the Hoysala style in the same complex.
Day 3 began at the Veera Narayana Temple at Belavadi, where we got to see first hand what a living temple means, invoking a deity inside a temple through ritual; and the sacrifice it takes for the archakas to continue their heriditary tradition unperturbed for centuries.
We had darśan of the gorgeous Hoysala style Yōga Narasimha, Venugopala and Veera Narayana; and we witnessed an entrancing abhiṣeka for Yoga Narasimha performed by the heriditary pradhāna archaka Prashantji.
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Bṛhat is pleased to announce that we have been awarded an IKS Research project by the Ministry of Education’s IKS Division under the Bharatiya Gyan samvardhan scheme – 6.
This will be led by Dr. Srinivas Jammalamadaka (@jamvasu), our Director IKS as the Principal Investigator and supported by our Founder & CEO, Sri. Raghava Krishna (@Anviksiki) as the Co-Principle Investigator.
This proposal went through a rigorous and competitive three-phase peer review process conducted by a distinguished panel of reviewers, and < 0.7 % of the total proposals submitted were selected for funding.
The gṛhiṇī starts her day by cleaning and beautifying the space outside her front door.
Decorating her home's entrance with rangoli, muggu, kolam - geometric designs made of rice flour.
Apart from the inviting aesthetic now imbued at her home's entrance, she is also feeding ants and sparrows - the smaller creatures present in her vicinity.
When she bathes, she prays that the water may be as sacred and purifiying as Gaṅgā jī Herself.
What did we learn from Prime Minister Śrī Narendra Modi's appearance on the Lex Fridman podcast?
We cover it in this thread, @lexfridman @narendramodi
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To begin, this is arguably the first instance of a truly Hindu mind on a global, mainstream podcast.
Not simply Indian, or of Indian-origin, as a lip service. But a mind born and raised Hindu, that thinks and feels like a Hindu, and expresses it un-self-consciously.
We learn what drives the PM, through anecdotes covering his early life.
He recounts the story of Svāmi Vivekananda, who when confronted with Mā Kālī, could not ask anything for himself - even favor towards his mother's health.
The Veda Puruṣa has 6 parts, or aṅgas, which enable the seeker to know him better.
These are the Vedāṅgas (Śikṣā, Vyākaraṇa, Chandas, Nirukta, Jyotiṣa, and Kalpa), each of which highlights a specific aspect of the Vedas.
Let us explore-
The nose: Śikṣā
The first aṅga, Śikṣā, is as vital to the Vedas as the organ for life-breath is to the body.
Enunciation (uccāraṇa), tone (svara), duration (mātrā), pitch (bala), evenness (sama), and compounding (saṃdhāna) are the parameters laid down by Śikṣā.
Mantra sound is more potent than even its meaning; a slight change can produce different results.
Veda mantra renditions of today are considered to be as pristine as tape recordings from millennia ago due to Śikṣā.