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Ghislain Girardot

@GhislainGir

Oct 10, 2022 • 6 tweets • 3 min read • Read on X

#UnrealEngine #UE4 #UE5
Dunno why I love to prototype random stuff in BP so much. It's 5am, what am I doing🤪I guess this could be used to generate random positions with random radius and no overlaps. Blueprint graphs below ⬇️

Tick event to see the simulation progressing. Clear & Generate Circles are two functions callable in-editor.

Spawn logic

Growth logic. This is a big boyyy

This could be ported to CPP and growth logic could be seriously improved to generate some interesting distribution/patterns. Kinda reminds me of UE's forest simulation. I should look into it at some point😅docs.unrealengine.com/5.0/en-US/proc…

My method is a bruteforce approach so it isn't meant to be performant at all :p. There's probably smart algorithms for this out there. Feel free to share if you have anything in mind :) Anyway, time for me to sleep 😴

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More from @GhislainGir

Ghislain Girardot

@GhislainGir

Jan 14, 2023

#UnrealEngine #UE4 #UE5 #UETips
Here's one WPO trick I used to create this night sky.

The challenge was to create subtle per-star lens flares that would always face the camera and remain straight, exactly like billboards. 🧵⬇️

To create star billboards, each star would need to rotate around their own pivot point to face the camera but pivots are all lost once exported to a single mesh... :(

... I could bake pivots in UVs but that'd actually be overkill here! I don't actually care about the precise XYZ position of each star... 🧐

Read 14 tweets

Ghislain Girardot

@GhislainGir

Jan 12, 2023

Heya! I'm back😇Was good to take a break from work and socials a bit, but it's time to get back to work!

I guess I'll start 2023 showcasing how to efficiently create a sharp-looking night sky using a single 512x512 16bits texture and 3 cheap materials. Vista mesh has ~5k tris.

- Sharp stars.
- No visible tiling.
- Artistic control.
- Flickering effect.
- Custom lens-flare effect on hero stars.
- Nebula.

That wasn't planned but I needed a night sky and then I thought it'd make a good subject for a quick YT video while I work on more time-consuming incoming projects :D
Video shouldn't be too long to produce so I'm hoping for a release in two days?

Read 4 tweets

Ghislain Girardot

@GhislainGir

Dec 10, 2022

#UnrealEngine #UETips #UE5
You can use a Procedural Mesh Component or Geometry Scripting to iteratively slice a given mesh, render the generated cap and composite the result into an atlas texture to generate a distance field/volume texture ⬇️

I was lazy and used the good old procedural mesh component because it's what I know and it's easy. Do a loop and slice a mesh a little bit further each time (based on the object's bounding box and amount of slices to generate). Capture the cap using a scene capture component...

...and composite the captured texture into the atlas render target using an additive material that renders that texture at a specific XY tile.

Read 4 tweets

Ghislain Girardot

@GhislainGir

Oct 20, 2022

#UnrealEngine #UE4 #UE5
Cute simplistic trees are available as a Tier 2 reward on my Patreon :) Have a look at the thread below to see how they were made ⬇️

0/22 First of all, some technical stats: Each tree is ~3K tris for LOD0. 2 draw calls per tree (one material for the leaves, one for the trunk). 2*1K textures (one normal map, one mask). ~160 pixels instructions for the foliage material.

1/22 It all begins with the leaf texture creation. There's many ways to do this, I tend to model a single leaf in 3D then group a bunch of them together like so.

Read 24 tweets

Ghislain Girardot

@GhislainGir

Sep 7, 2022

#UnrealEngine #UE4 #UE5 #UnrealTips
1/7 Translucency see-through trick that might be useful... sort-of? This is usually done with custom stencil/depth (which has its benefits) but using a translucency material allows you to cheat a bit...⬇️

2/7 First we'll make a translucent material that has Depth Test disabled. Then we're going to sample the SceneDepth and recompute the world position of anything that was occluding our view...

3/7 ... then get the squared distance (cheaper) from that scene world position to the camera and compare it with the squared distance of our own position to the camera. If ours is higher, means we're behind something! We can then get a binary mask with an if statement.